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Dony, Christophe and Caroline van Linthout. "Comics, Trauma and Cultural Memory(ies) of 9/11." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 178–87. |
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Kannenberg, Jr., Gene. "“I looked just like Rudolph Valentino”: Identity and Representation in Maus." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 79–89. |
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Kauranen, Ralf, et al., eds. Comics and Migration: Representation and Other Practices. Global Perspectives in Comics Studies. London, New York: Routledge, 2023. |
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Klimke, Annemarie. "“I’ll break the lock gently so no one will hear me!”: Stabilisierung und Subversion von heteronormativen Körperdarstellungen Wonder Womans in ausgewählten Comics." M.A. Masterarbeit. Universität Potsdam, 2018. |
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Knispel, Alma Magdalene. Unsichtbarkeit: Der Entzug des Sichtbaren in Comics und Theorie. yellow. Schriften zur Comicforschung. Berlin: Ch.A. Bachmann, 2024. |
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Kopin, Joshua Abraham. "Identity and Representation in US Comics." American Literature 90. (2018): 439–48. |
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Krause, Timothy. "Covering 9/11: The New Yorker, Trauma Kitsch, and Popular Memory." Portraying 9/11. Essays on Representations in Comics, Literature, Film and Theatre. Eds. Véronique Bragard, Christophe Dony and Warren Rosenberg. Jefferson, London: McFarland, 2011. 11–29. |
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Lamarre, Thomas. "Manga Bomb: Between the lines of Barefoot Gen." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 262–307. |
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Laura, Barrett. "Repetition with a difference: Representation and the uncanny in House of Leaves." Horror Studies 2. (2011): 247–64. |
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Le Roy Ladurie, Irène. "L’autoreprésentation féminine dans la bande dessinée pornographique." Revue de recherche en civilisation américaine 6 2016. Accessed 24Feb. 2017. <https://rrca.revues.org/732>. |
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Lefèvre, Pascal. "Not just Black and White: Divergent Colonial Period Representations of Africans in French and Belgian Broadsheets (1880–1914)." SIGNs. Studies in Graphic Narratives (2011): 3–14. |
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Leroy, Fabrice. "Joann Sfar Conjures Marc Chagall: The Politics of Visual Representation in The Rabbi’s Cat." European Comic Art 4. (2011): 39–57. |
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Leroy, Fabrice. "Games Without Frontiers: The Representation of Politics and the Politics of Representation in Schuiten and Peeters's La frontière invisible." History and Politics in French-Language Comics and Graphic Novels. Ed. Mark McKinney. Jackson: Univ. Press of Mississippi, 2008. 117–36. |
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Lewis, A. David and Martin Lund, eds. Muslim Superheroes: Comics, Islam, and Representation. Mizan. Cambridge: Harvard Univ. Press, 2017. |
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Magilow, Daniel and Lisa Silverman. Holocaust Representations in History: An Introduction. Perspectives on the Holocaust. New York: Bloomsbury Academic, 2015. |
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Mahrt, Nina. Die Darstellung realer Kriege in Comics. Sprache – System und Tätigkeit. Frankfurt am Main [etc.]: Peter Lang, 2016. |
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Mao, Catherine. "La syncope ou le désir d’image dans la bande dessinée." Textimage Varia 2 2010. Accessed 25Jul. 2014. <http://www.revue-textim ... om/05_varia_2/mao1.html>. |
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Mao, Catherine. "L’artiste de bande dessinée et son miroir: L’autoportrait détourné." Comicalités 2013. Accessed 3Oct. 2013. <http://comicalites.revues.org/1702>. |
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Martinelli, Hélène. "Représenter l’auteur dans le livre auto-illustré au début du XXe siècle: Jean Bruller, Josef Váchal, Bruno Schulz et Alfred Kubin." Comicalités 2013. Accessed 3Oct. 2013. <http://comicalites.revues.org/1680>. |
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Mason, Andy. "The Presidential Penis: Questions of Race and Representation in South African Comic and Satirical Art." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 49–65. |
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McBride, Patrizia. "Narrative Resemblance: The Production of Truth in the Modernist Photobook of Weimar Germany." New German Critique 39. (2012): 169–97. |
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Morgan, Glyn. "Speaking the Unspeakable and Seeing the Unseeable: The Role of Fantastika in Visualizing the Holocaust, or, More Than Just Maus." The Luminary 6 2015. Accessed 23Mar. 2021. <https://www.lancaster.a ... sue6/issue6article3.htm>. |
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Müller, Alain. "Der schmale Grat zwischen Realismus und Interpretation: Ein rekursiver Dialog zwischen »realistischem« franko-belgischem Comic und Ethnographie." Zeitschrift für Empirische Kulturwissenschaft 118. (2022): 51–77. |
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Nabizadeh, Golnar. Representation and Memory in Graphic Novels. Memory Studies: Global Constellations. London, New York: Routledge, 2019. |
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Rhett, Maryanne. Representations of Islam in United States Comics, 1880–1922. New York: Bloomsbury, 2019. |
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Riach, Alan. Representing Scotland in Literature, Popular Culture and Iconography: The Masks of the Modern Nation. New York [etc.]: Palgrave Macmillan, 2005. |
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