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Cantrell, Sarah. "Feminist Subjectivity in Neil Gaiman’s Black Orchid." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 102–15. |
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Carpenter, Greg. "Peeking from Behind the Sofa: The 25th anniversary of violent cases." Sequart Organization Magazine 2012. Accessed 8 Dec. 2014. <http://sequart.org/maga ... rsary-of-violent-cases/>. |
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Carpenter, Greg. "Romantic Reflections in “A Glass of Water”: Morrison and mckean unplugged." Sequart Organization Magazine 2013. Accessed 8 Dec. 2014. <http://sequart.org/maga ... n-and-mckean-unplugged/>. |
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Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62. |
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Dittmer, Jason and Alan Latham. "The rut and the gutter: Space and time in graphic narrative." Cultural Geographies 22.(2015): 427–44. |
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Feltman, Matthew. "Phantom Towers: Crypto-towers haunting dave mckean’s cages and mirrormask." ImageTexT 4.1 2008. Accessed 28 Jul. 2009. <http://www.english.ufl. ... /archives/v4_1/feltman/>. |
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Gaiman, Neil. "Neil Gaiman on Dave McKean." Accessed 13 Oct. 2013. <http://www.neilgaiman.c ... l_Gaiman_on_Dave_McKean>. |
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Gerold, Susanne. "Signal to Noise." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1993. |
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Golden, JaNell. "Pay Attention: There May or May Not be a Man Behind the Curtain An analysis of neil gaiman and dave mckean’s violent cases." The Neil Gaiman Reader. Ed. Darrell Schweitzer. Rockville: Wildside, 2007. 97–102. |
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Goldweber, David E. "Mr. Punch, Dangerous Savior." International Journal of Comic Art 1.(1999): 157–70. |
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Gras, Isabelle. "Dual Audience Literature: The child’s gaze in the comical tragedy or tragical comedy of mr. punch by neil gaiman and dave mckean." Leaves 2 2016. Accessed 15 Jan. 2021. <https://climas.u-bordea ... -w-f-harvey-1910-i-gras>. |
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Grünewald, Dietrich. "Telling Without Words: The literary structure of dave mckean’s erotic graphic novel celluloid." International Journal of Comic Art 15.(2013): 713–22. |
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Hancock, Mary. "Black Orchid Reborn: Neil gaiman’s feminist superhero." Language Arts Journal of Michigan 29.1 2013. Accessed 17 Jan. 2021. <https://scholarworks.gvsu.edu/lajm/vol29/iss1/10/>. |
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Howard, Ed. "On Dave McKean’s Cages." Sequart Organization Magazine 2007. Accessed 8 Dec. 2014. <http://sequart.org/maga ... 6/on-dave-mckean-cages/>. |
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Howard, Krystal. "Comics Grammar in Neil Gaiman and Dave Mckean’s Picture Book Collaborations." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 21–34. |
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Kilgore, Christopher D. "Unnatural Graphic Narration: The panel and the sublime." Journal of Narrative Theory 45.(2015): 18–45. |
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Kilgore, Christopher D. "At the Edge of the Barely Perceptible: Temporality and masculinity in mr. punch and violent cases." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 69–92. |
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Martin, Rachel R. "Speaking the Cacophony of Angels: Gaiman’s women and the fracturing of phallocentric discourse." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 11–31. |
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Maynard, Amy Louise. "Bourdieu vs. Batman Examining the cultural capital of the dark knight via graphic novels." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr, 2016. 51–61. |
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Means-Shannon, Hannah. "The Joker Plays the King: Archetypes of the underworld in grant morrison and dave mckean’s arkham asylum: a serious house on serious earth." The Joker. A Serious Study of the Clown Prince of Crime. Eds. Robert Moses Peaslee and Robert G. Weiner. Jackson: Univ. Press of Mississippi, 2015. 194–208. |
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Romero-Jódar, Andrés. "Individual Trauma Representation in Graphic Novels: The case of paul hornschemeier’s mother, come home and neil gaiman and dave mckean’s signal to noise." Between the Urge to Know and the Need to Deny. Trauma and Ethics in Contemporary British and American Literature. Eds. Dolores Herrero and Sonia Baelo-Allué. Heidelberg: Winter, 2011. 249–63. |
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Siromski, Michał. "Dave McKean Says …: Based on an individual interview and meeting with the audience of mfkig 2012." KZ. Magazyn miłośników komiksu 72 2013. Accessed 6 Jul. 2013. <http://kzet.pl/2012/11/dave-mckean-says.html>. |
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Tinker, Emma. "Identity and Form in Alternative Comics, 1967–2007." Thesis PhD. University College London, 2008. |
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Wagner, Hank, Christopher Golden, and Stephen R. Bissette. Prince of Stories: The many worlds of neil gaiman. New York: St. Martin’s Press, 2008. |
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Wiedemann, Jochen. "Gott, Katze, Mensch und Schöpfung Spuren des religiösen in dave mckeans »cages«." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 147–84. |
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Wigard, Justin. "“Evil Witch! I'm Not Scared!” Monstrous visualizations of the other mother in multimodal adaptations of neil gaiman’s coraline." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 93–113. |
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