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| Andrae, Thomas. "The Jewish Superhero." Siegel and Shusters Funnyman. The First Jewish Superhero, from the Creators of Superman. Eds. Thomas Andrae and Mel Gordon. Port Townsend: Feral House, 2010. 38–48. |
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| Baer, Elizabeth R. The Golem Redux: From Prague to Post-Holocaust Fiction. Detroit: Wayne State Univ. Press, 2012. |
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| Eisenstein, Paul. "Imperfect Masters: Rabbinic Authority in Joann Sfar's The Rabbi's Cat." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 163–80. |
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| Eklund, Tof. "Jewish Giants: Nephilim, Rephaim and the IDF." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 257–68. |
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| Engelmann, Jonas. "Verborgene Traditionen: Der Golem im Comic." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 316–24. |
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| Enzenbach, Isabel. "Ich sehe was, was du nicht siehst! Divergierende Wahrnehmungen sichtbarer und unsichtbarer Judenfiguren in populären Medien." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 162–69. |
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| Fingeroth, Danny. Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero. London, New York: Continuum, 2007. |
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| Frahm, Ole. "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Ed. Dorothee Römhild. Opladen: Westdeutscher Verl. 1999. 222–44. |
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| Goldberg, Nicole Wilkes and James Goldberg. "“You Wouldn’t Shoot Your Fellow Jews”: Jewish Identity & Nostalgia in Joann Sfar’s Klezmer." Shofar 29. (2011): 100–19. |
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| Harris, Marla. "Borderlands: Places, Spaces, and Jewish Indentity in Joann Sfar's The Rabbi's Cat and Klezmer." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 181–97. |
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| Harris, Miriam. "Releasing the Grip of the Ghostly: Bernice Eisenstein’s I was a Child of Holocaust Survivors." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 129–43. |
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| Kavadlo, Jesse. "X-istential X-Men: Jews, Supermen, and the Literature of Struggle." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 38–48. |
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| Kugelmann, Cilly. "Gespräch mit einem Comic-Sammler." Helden, Freaks und Superrabbis. Die jüdische Farbe des Comics. Eds. Margret Kampmeyer-Käding and Cilly Kugelmann. Berlin: Stiftung Jüdisches Museum Berlin, 2010. 57–61. |
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| Libicki, Miriam. "Jewish Memoir Goes Pow! Zap! Oy!." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 253–74. |
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| Lightman, Sarah, ed. Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews. Jefferson, London: McFarland, 2014. |
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| Lund, Martin. Re-Constructing the Man of Steel: Superman 1938–1941, Jewish American History, and the Invention of the Jewish–Comics Connection. Contemporary Religion and Popular Culture. New York [etc.]: Palgrave Macmillan, 2016. |
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| Ma, Sheng-mei. "Mourning with the (as a) Jew: Metaphor, Ethnicity, and the Holocaust in Art Spiegelman’s Maus." Studies in American Jewish Literature 16. (1997): 115–29. |
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| Malcolm, Cheryl Alexander. "Witness, Trauma, and Remembrance: Holocaust Representation and X-Men Comics." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 144–60. |
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| Marx, Jeffrey A. Smoothing the Jew: Abie the Agent and Ethnic Caricature in the Progressive Era. New Brunswick: Rutgers Univ. Press, 2024. |
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| McKittrick, Christopher. "From Off the Streets of Poland: Harvey Pekar on History, Israeli Nationalism, and Exploiting the Holocaust." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 55–71. |
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| Meinrenken, Jens. "Eine jüdische Geschichte der Superhelden-Comics." Helden, Freaks und Superrabbis. Die jüdische Farbe des Comics. Eds. Margret Kampmeyer-Käding and Cilly Kugelmann. Berlin: Stiftung Jüdisches Museum Berlin, 2010. 26–38. |
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