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| Ault, Donald. "Re-Visioning William Blake's The Four Zoas." ImageTexT 3. 2 2007. Accessed 25Jan. 2010. <http://www.english.ufl. ... ext/archives/v3_2/ault/>. |
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| Broglio, Ron. "William Blake and the Novel Space of Revolution." ImageTexT 3. 2 2007. Accessed 25Jan. 2010. <http://www.english.ufl. ... /archives/v3_2/broglio/>. |
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| Fièvre, François. "Le mariage est-il une hybridation ? The Marriage of Heaven and Hell de William Blake entre texte et images." Hybridations. Les rencontres du texte et de l’image. Ed. Laurent Gerbier. Iconotextes. Tours: Presses Univ. François-Rabelais, 2014. |
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| Hilton, Nelson. "Wordsworth Illustrates Blake (“All light is mute amid the gloom”)." ImageTexT 3. 2 2007. Accessed 25Jan. 2010. <http://www.english.ufl. ... t/archives/v3_2/hilton/>. |
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| Leslie, Esther. "Blake's Lines: Seven Digressions Through Time and Space." ImageTexT 3. 2 2007. Accessed 25Jan. 2010. <http://www.english.ufl. ... t/archives/v3_2/leslie/>. |
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| Lüdeke, Roger. "Politische Institution und ästhetische Souveränität: Zu Schrift und Bild in William Blakes Book of Urizen." Visual Culture. Eds. Monika Schmitz-Emans and Gertrud Lehnert. Hermeia. Heidelberg: Synchron, 2008. 285–97. |
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| Marchetto Santorun, María Cecilia. "“The War ‘twixt Sun and Moon”: Evil and Gender in William Blake’s Early Illuminated Books and Alan Moore’s From Hell." English Studies 100. (2019): 387–406. |
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| Marchetto Santorun, María Cecilia. "‘Terrible monsters Sin-bred’: Blakean monstrosity in Alan Moore’s graphic novels." Palgrave Communications 6. 91 2020. Accessed 17Jan. 2021. <https://www.nature.com/articles/s41599-020-0451-2>. |
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| Murray, Christopher. "Subverting the Sublime: Romantic Ideology in the Comics of Grant Morrison." Sub/versions. Cultural Status, Genre and Critique. Eds. Pauline MacPherson, et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008. 34–53. |
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| Paris-Popa, Andreea. "Breaking the Contract between God and the Visual-Literary Fusion: Illuminated Manuscripts, William Blake and the Graphic Novel." American, British and Canadian Studies 30. 1 2018. Accessed 9Aug. 2021. <https://sciendo.com/art ... 10.2478/abcsj-2018-0008>. |
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| Plotnitsky, Arkady. "Minute Particulars and Quantum Atoms: The Invisible, the Indivisible, and the Visualizable in William Blake and in Niels Bohr." ImageTexT 3. 2 2007. Accessed 25Jan. 2010. <http://www.english.ufl. ... chives/v3_2/plotnitsky/>. |
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| Ritchie, Matthew. "William Blake: On the Infinite Plane." ImageTexT 3. 2 2007. Accessed 25Jan. 2010. <http://www.english.ufl. ... /archives/v3_2/ritchie/>. |
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| Spooner, Catherine. "My Friend the Devil: Gothic Comics, the Whimsical Macabre and Rewriting William Blake in Vehlmann and Kerascoët’s Satania." Gothic Studies 25. (2023): 318–34. |
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| Whitlark, James. Illuminated Fantasy: From Blake’s Visions to Recent Graphic Fiction. Cranbury [etc.]: Associated Univ. Presses, 1988. |
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| Whitson, Roger. "Panelling Parallax: The Fearful Symmetry of William Blake and Alan Moore." ImageTexT 3. 2 2007. Accessed 9Dec. 2009. <http://www.english.ufl. ... /archives/v3_2/whitson/>. |
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| Whittaker, Jason. "From Hell: Blake and Evil in Popular Culture." Blake, Modernity and Popular Culture. Ed. Steve Clark. New York [etc.]: Palgrave Macmillan, 2007. 192–204. |
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| Wolfreys, Julian. "London Khoragraphic." ImageTexT 1. 2 2005. Accessed 10Dec. 2009. <http://www.english.ufl. ... archives/v1_2/wolfreys/>. |
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