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| Beaty, Bart. "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 247–59. |
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| Coody, Elizabeth Rae. "The Ending of Mark as a Page-Turn Reveal." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 98–112. |
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| Cutrara, Samantha. "Drawn out of History: The Representation of Women in Chester Brown’s Louis Riel: A Comic Strip Biography." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 121–43. |
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| Demers, Hugo. "La biographie historique en bande dessinée : une histoire alternative: Une étude de cas sur Louis Riel." Maîtrise ès arts Mémoire. Université de Saint-Boniface, 2012. |
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| Epp, Darrell. "“It Keeps Ending Up Looking Like It Was Drawn By Me”: An Interview With Chester Brown." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 283–94. |
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| Evenson, Brian. Ed vs. Yummy Fur: Or, What Happens When A Serial Comic Becomes a Graphic Novel. Critical Cartoons. Minneapolis: Uncivilized Books, 2014. |
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| Frahm, Ole. "Die Fiktion des Graphischen Romans." Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Eds. Susanne Hochreiter and Ursula Klingenböck. Bielefeld: Transcript, 2014. 53–77. |
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| Grace, Dominick and Eric Hoffman, eds. Chester Brown: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2013. |
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| Gray, Brenna Clarke. "Border Studies in the Gutter: Canadian Comics and Structural Borders." Canadian Literature (2016): 170–87. |
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| Hall, James C. "“Say ‘Shit’ Chester”: Language, Alienation, and the Aesthetic in Chester Brown’s I Never Liked You: A Comic-Strip Narrative." Canadian Graphic. Picturing Life Narratives. Eds. Candida Rifkind and Linda Warley. Waterloo: Wilfrid Laurier Univ. Press, 2016. 99–126. |
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| Hatfield, Charles. "Graphic Interventions: Form and Argument in Contemporary Comics." Dissertation Ph.D. University of Connecticut, 2000. |
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| Juno, Andrea. "Chester Brown." Dangerous Drawings. Interviews with Comix & Graphix Artists. Ed. Andrea Juno. New York: Juno Books, 1997. 130–47. |
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| Kupczyńska, Kalina. "Autobiografie, confessional writing und Graphic Memoir." Autobiografie intermedial. Fallstudien zur Literatur und zum Comic. Eds. Kalina Kupczyńska and Jadwiga Kita-Huber. Bielefeld: Aisthesis, 2019. 373–90. |
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| Lanzendörfer, Tim. "Biographiction: Narratological Aspects of Chester Brown’s Louis Riel." Zeitschrift für Anglistik und Amerikanistik 59. (2011): 27–40. |
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| Lavoie, Valérie. "Poétique de la prostitution: L’antiérotisme de Nelly Arcan et Chester Brown." Pop en stock 2015. Accessed 29Nov. 2015. <http://popenstock.ca/do ... -arcan-et-chester-brown>. |
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| Lesk, Andrew. "Redrawing nationalism: Chester Brown’s Louis Riel: a comic-strip biography." Journal of Graphic Novels and Comics 1. (2010): 63–81. |
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| Levin, Bob and Adele Levin. "Good Ol’ Chester Brown." Outlaws, Rebels, Freethinkers & Pirates. Essays on Cartoons and Cartoonists. Seattle: Fantagraphics, 2005. 49–58. |
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| MacDonald, Tanis. "Voice of the Gutter: Comics in the Academy." From Text to Txting. New Media in the Classroom. Eds. Paul Budra and Clint Burnham. Bloomington: Indiana Univ. Press, 2012. 43–68. |
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| Meneses, Juan. "A Bakhtinian Approach to Two Graphic Novels: The Individual in Art Spiegelman's Maus and Chester Brown's Louis Riel." International Journal of Comic Art 10. (2008): 598–606. |
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| Morisson, Valérie. "Histoire, histoires …: Blood Upon the Rose de Gerry Hunt et Louis Riel. A Comic Strip Biography de Chester Brown." Comicalités 2011. Accessed 11Nov. 2012. <http://comicalites.revues.org/603>. |
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| Niepold, Hannes. Die phantastische Serie: Unschlüssigkeit, Bedeutungswahn und offene Enden: Verfahren des Erzählens in Serien wie »Twin Peaks«, »Lost« und »Like a Velvet Glove Cast in Iron«. Edition Medienwissenschaft. Bielefeld: Transcript, 2016. |
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| Ty, Eleanor. "The Un-Erotic Dancer: Sylvie Rancourt’s Melody." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 121–41. |
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| Wolk, Douglas. "Chester Brown: The Outsider." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 147–55. |
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| Ziegler, Kevin. "Drawing on the Margins of History: English-Language Graphic Narratives in Canada." Thesis Dr. University of Waterloo, 2013. |
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