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Baetens, Jan. "New = Old, Old = New." electronic book review 2001. Accessed 13Jan. 2014. <http://www.electronicbo ... /thread/webarts/graphic>. |
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Batinić, Josip. "“Enhanced Webcomics1”: An Exploration of the Hybrid Form of Comics on the Digital Medium." Image [&] Narrative 17. 5 2016. Accessed 1Apr. 2017. <http://www.imageandnarr ... ative/article/view/1384>. |
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Bell, Mark. "The Salvation of Comics: Digital Prophets and Iconoclasts." Review of Communication 6. (2006): 131–40. |
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Berlatsky, Eric. "Lost in the Gutter: Within and Between Frames in Narrative and Narrative Theory." Narrative 17. (2009): 162–87. |
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Bush, Christopher. "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 112–43. |
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Chute, Hillary. "An Interview with Scott McCloud: “If you did a series of stained-glass windows telling the story of your life you’d be making comics. So if that leaves The Family Circus on the side of the road, so be it”." The Believer (2007). |
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Cohn, Neil. "The limits of time and transitions: Challenges to theories of sequential image comprehension." Studies in Comics 1. (2010): 127–47. |
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Cwiklik, Gregory. "Understanding the Real Problem." The Comics Journal (1999): 62–66. |
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Delany, Samuel R. "The Politics of Paraliterary Criticism." Shorter Views. Queer Thoughts & The Politics of the Paraliterary. Hanover, London: Wesleyan Univ. Press, 1999. 218–70. |
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Duncan, Randy. "The Weaver’s Art: An Examination of Comic Book “Writing”." International Journal of Comic Art 4. (2002): 134–42. |
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Frome, Jonathan. "Identification in Comics." The Comics Journal (1999): 82–86. |
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Graves, Michael P. "The Comics Meet the Quakers: Scott McCloud's Theory of the Comics Employed to Unravel the Quaker Tapestry." Studies in Popular Culture 23. (2000): 75–90. |
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Harrison, Richard. "Seeing and Nothingness: Michael Nicoll Yahgulanaas, Haida Manga, and a Critique of the Gutter." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 51–74. |
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Hatfield, Charles. "Defining Comics in the Classroom; or, The Pros and Cons of Unfixability." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 19–27. |
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Horrocks, Dylan. "Inventing Comics: Scott McCloud’s Definition of Comics." The Comics Journal (2001): 29–39. |
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Jacobs, Dale. "“There are no Rules. And Here They Are”: Scott McCloud’s Making Comics as a Multimodal Rhetoric." Journal of Teaching Writing 29. (2014): 1–20. |
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Kuechenmeister, Bobby. "Reading Comics Rhetorically: Orality, Literacy, and Hybridity in Comic Narratives." Scan. Journal of media arts culture 6. 1 2009. Accessed 2Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=132>. |
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McCloud, Scott. Comics richtig lesen. Hamburg: Carlsen, 1994. |
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McCloud, Scott. Understanding Comics: The Invisible Art. New York: Harper, 1994. |
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McCloud, Scott. Reinventing Comics: How Imagination and Technology Are Revolutionizing an Art Form. New York: Harper, 2000. |
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McCloud, Scott. Comics neu erfinden: Wie Vorstellungskraft und Technologie eine Kunstform revolutionieren. Hamburg: Carlsen, 2001. |
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McCloud, Scott. La revolución de los cómics. Biblioteca creativa. Barcelona: Norma, 2001. |
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McCloud, Scott. Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. New York: Harper, 2006. |
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McCloud, Scott. Réinventer la bande dessinée. Paris: Vertige Graphic, 2006. |
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Meyer, Uli. "Drawing from the body – the self, the gaze and the other in Boys’ Love manga." Journal of Graphic Novels and Comics 4. (2013): 64–81. |
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Morton, Drew. "An interview with Scott McCloud." Studies in Comics 2. (2012): 257–61. |
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Packard, Stephan. "Was ist ein Cartoon? Psychosemiotische Überlegungen im Anschluss an Scott McCloud." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 29–51. |
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Packard, Stephan. "Was sind intermediale Einheiten? Zu wandernden Cartoons und Coleridges Allegorie." Comparative Arts. Universelle Ästhetik im Fokus der Vergleichenden Literaturwissenschaft. Ed. Achim Hölter. Hermeia. Heidelberg: Synchron, 2011. 255–65. |
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Pannafino, James. "Sequential Art: Hand, Eye and Mind." International Journal of the Book 6. (2009): 1–4. |
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Puentedura, Ruben R. The Infinite Canvas Reloaded: Digital Storytelling, Webcomics, and Web 2.0. NMC Summer Conference: Monterey Bay, 9–13 Jun, 2009. |
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Round, Julia. "Visual Perspective and Narrative Voice in Comics: Redefining Literary Terminology." International Journal of Comic Art 9. (2007): 316–29. |
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Sabin, Roger. "The Crisis in Modern American and British Comics, and the Possibilities of the Internet as a Solution." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 43–57. |
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Thomas, Evan. "Invisible Art, Invisible Planes, Invisible People." Multicultural Comics. From ‘Zap’ to ‘Blue Beetle’. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 157–72. |
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Vollmar, Rob. "Manga in Manhattan, Scott McCloud’s Twelve Revolutions, and Comics’ Perfect Storm." World Literature Today 82. (2008): 31–34. |
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Williams, Paul. "Interview: Scott McCloud." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 235–42. |
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Wirag, Lino. "Zu einer Produktionspoetik des Comics." Medienobservationen 2012. Accessed 14Apr. 2012. <http://www.medienobserv ... cs_pdf/wirag_comfor.pdf>. |
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Witek, Joseph. "Ramses in the Ivory Tower." The Comics Journal (1999): 58–61. |
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