| Thibault, Franck. "« … Car la voie droite était perdue»: les terres creuses de luc et françois schuiten, ou les cercles labyrinthiques." Belphégor 5.1 2005. Accessed 14 February. 2013. <http://etc.dal.ca/belph ... 5_01_Thib_terre_fr.html>. |
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| Baetens, Jan. "« Bandes dessinées écrites »: La question des rapports texte/image en bande dessinée à la lumière du château d’olivier deprez (olivier deprez, le château de kafka)." Déconstruire l’image. Ed. Christophe Genin. Esthétique. Paris: Publications de la Sorbonne, 2011. 37–50. |
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| Thibault, Franck. "« Ceci n’est pas un cigare »: les cigares du pharaon ou le récit en trompe-l’œil." Belphégor 4.1 2004. Accessed 14 February. 2013. <http://etc.dal.ca/belph ... 1_Thibau_cigare_de.html>. |
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| Leroy, Fabrice. "« C’est tout mal fait, pardon » The rhetoric of politics in pierre la police’s comics." Belphégor 5.1 2005. Accessed 6 April. 2010. <http://dalspace.library.dal.ca/handle/10222/47713>. |
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| Krause, Lisa-Carolin. " Die Panelstruktur kann eigene Geschichten erzählen: Analyse von paul karasiks und david mazzucchellis paul austers stadt aus glas." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 301–08. |
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| Giesa, Felix. "»… die Wunder werden nur vollbracht, von dem, der sich nicht wundert!« Graphic novel adaptionen von erfolgreichen und kanonisierten kinderbüchern." Kinder- und Jugendliteratur in Medienkontexten. Adaption – Hybridisierung – Intermedialität – Konvergenz. Eds. Gina Weinkauff, et al.. Kinder- und Jugendkultur, -literatur und -medien. Frankfurt am Main [etc.]: Peter Lang, 2014. |
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| Grutman, Rainier. "« Eih bennek, eih blavek » L’inscription du bruxellois dans le sceptre d’ottokar." Études françaises 46.(2010): 83–99. |
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| Brixa, Bettina and Peter H. Karall. "»… façonner la façon même …« – Die Gestalt selbst gestalten: Der comicautor, journalist und wissenschaftler pierre christin im interview mit bettina brixa und peter h. karall." Medien & Zeit 16.(2001): 31–42. |
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Michalek, Jason. " Feminizing the Ironcue: Tony stark’s res." The Ages of Iron Man. Essays on the Armored Avenger in Changing Times. Ed. Joseph J. Darowski. London, New York: McFarland, 2015. 192–204.  |
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| Crépin, Thierry. « Haro sur le gangster! » La moralisation de la presse enfantine, 1934–1954. Paris: CNRS Ed, 2001. |
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| Saouter, Catherine and Philippe Sohet. "« Histoire de voir »: Historicité et logique narrative dans l’œuvre de jacques martin." Urgences (1991): 30–43. |
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| Crépin, Thierry. "« Il était une fois un Maréchal de France… »: Presse enfantine et bande dessiné sous le régime de vichy." Vingtième Siècle (1990): 77–82. |
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| Cortijo, Adela. "« La frontière tirée au cordeau de sang dans la ville »: Les lieux-sarajevo dans la narrative graphique d’enki bilal." Quaderns de Filologia 12 2007. Accessed 29 May. 2016. <https://ojs.uv.es/index ... /article/view/5032/4827>. |
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| Leichter-Flack, Frédérique. "« Lorsqu’on est sorti du jardin d’Eden on ne peut pas y retourner »: le chat du rabbin, bd talmudique ?." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 245–56. |
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| Gil González, Antonio J. + Narrativa(s): Intermediaciones novela, cine, cómic y videojuego en el ámbito hispánico. Metamorfosis. Salamanca: Ed. Univ. de Salamanca, 2012. |
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| Habrand, Tanguy. "La « récupération » dans la bande dessinée contemporaine: Par-delà récupérateurs et récupérés." Textyles (2010): 75–90. |
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| Rovira, James. " Silly Love Songs, Gender, Guardians of the Galaxy and Avengers age of ultron." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 103–15. |
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| Maigret, Eric. "« Strange grandit avec moi »: Sentimentalité et masculinité chez les lecteurs de bandes dessinées de super-héros." Réseaux 13.(1995): 79–103. |
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| Maigret, Eric. "« Strange grandit avec moi »: sentimentalité et masculinité chez les lecteurs de bandes dessinées de super-héros." Réseaux 13.(1995): 79–103. |
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| Schulman, Peter. "Le « Stylo-Caméra »: Léo malet vu par jacques tardi." De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Ed. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000. 523–34. |
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| Derouet, Paul and Markus Tschernegg. "… und es gibt sie doch: Der versuch einer bestandsaufnahme in sachen deutschsprachiger comic-zeichner." Comic Forum 7.(1985): 62–75. |
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| Amash, Jim. "… On Matt Baker: A few words from his peers and colleagues." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 152–67. |
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| Omanga, Duncan. "‘Akokhan returns’: Kenyan newspaper comics and the making of an ‘african’ superhero." Journal of African Cultural Studies 28.(2016): 262–74. |
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| Tranter, Kieran. "‘Come a Day there Won’t be Room for Naughty Men Like Us to Slip About at All’: The multi-media outlaws of serenity and the possibilities of post-literate justice." Law Text Culture 16.(2012): 277–304. |
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| Meehan, Eileen. "‘Holy Commodity Fetish, Batman!’ The political economy of a commercial intertext." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 69–87. |
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| Lund, Martin. "‘Introducing the Sensational Black Panther!’ fantastic four #52–53, the cold war, and marvel’s imagined africa." The Comics Grid 6.7 2016. Accessed 14 June. 2016. <http://doi.org/10.16995/cg.80>. |
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| Stein, Daniel. "‘Mummified objects’: Superhero comics in the digital age." Journal of Graphic Novels and Comics 7.(2016): 283–92. |
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| Rüggemeier, Anne. "‘Posing for all the characters in the book’: The multimodal processes of production in alison bechdel’s relational autobiography are you my mother?." Journal of Graphic Novels and Comics 7.(2016): 254–67. |
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| Sharp, Cassandra. "‘Riddle me this …?’ Would the world need superheroes if the law could actually deliver ‘justice’?." Law Text Culture 16.(2012): 353–78. |
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| Lloyd, Chris. "‘Sakaarson the World Breaker’: Violence and différance in the political and legal theory of marvel’s sovereign." Law Text Culture 16.(2012): 119–54. |
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| Summers, Tim. "‘Sparks of Meaning’: Comics, music and alan moore." Journal of the Royal Musical Association 140.(2015): 121–62. |
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| Sabeti, Shari. "The ‘Strange Alteration’ of Hamlet: Comic books, adaptation and constructions of adolescent literacy." Changing English 21.(2014): 182–97. |
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| Precup, Mihaela. "‘That Medieval Eastern-European Shtetl Family of Yours’: Negotiating jewishness in aline kominsky crumb’s need more love (2007)." Studies in Comics 6.(2015): 313–27. |
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| Authers, Benjamin. "‘What had been many became one’: Continuity, the common law, and crisis on infinite earths." Law Text Culture 16.(2012): 65–92. |
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| Knoblauch, Heidi Katherine. "“A Campaign Won as a Public Issue Will Stay Won”: Using cartoons and comics to fight national health care reform, 1940s and beyond." American Journal of Public Health 104.(2014): 227–36. |
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| Halsall, Alison. "“A Parade of Curiosities”: Alan moore’s the league of extraordinary gentlemen and lost girls as neo-victorian pastiches." Journal of Popular Culture 48.(2015): 252–68. |
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| Pfahl, Courtney A. "“after the / Unauthor”: Fragmented author functions in tom phillips’s a humument." Studies in the Novel 47.(2015): 399–419. |
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| Wegner, Phillip E. "“An Unfinished Project that was Also a Missed Opportunity”: Utopia and alternate history in hayao miyazaki’s my neighbor totoro." Shockwaves of Possibility. Essays on Science Fiction, Globalization, and Utopia. Ralahine Utopian Studies. Bern [etc.]: Peter Lang, 2014. 257–74. |
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| Smith, Michael. "“And Doesn’t All the World Love a Clown?” Finding the joker and the representation of his evil." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 187–200. |
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| Gibson, Mel. "“Badgers? We don’t need no steenkin’ badgers!” Talbot’s grandville, anthropomorphism and multiculturalism." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 83–95. |
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| Hoberek, Andrew. "“But—what can anyone do about it?” Modernism, superheroes, and the unfinished business of the common good." Journal of Modern Literature 39.(2016): 115–25. |
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| Di Bernardo, Emma. "“Can The Buffy Comics Be Feminist?” Transmedia adaptation and representation." Watcher Junior 8.1 2015. Accessed 4 July. 2016. <http://www.whedonstudie ... o_watcherjunior_8.1.pdf>. |
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| Napolitano, Marc. "“Elementary, My Dear Robin!” Batman, sherlock holmes, and detective fiction fandom." Fan Phenomena: Batman. Ed. Liam Burke. Fan Phenomena. Bristol, Chicago: Intellect Books, 2013. 142–53. |
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| Williams, S. Taylor. "“Holy PTSD, Batman!” An analysis of the psychiatric symptoms of bruce wayne." Academic Psychiatry 36.(2012): 252–55. |
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| Lavigne, Carlen. "“I’m Batman” (and You Can Be Too): Gender and constrictive play in the arkham game series." Cinema Journal 55.(2015): 133–41. |
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| Canavan, Gerry. "“If the Engine Ever Stops, We’d All Die” snowpiercer and necrofuturism." Paradoxa 26.(2014): 41–66. |
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| Pellegrin, Annick. "“Ils sont fous ces Gaulois!” astérix, lucky luke, freedom fries, and the love-hate relationship between france and the united states." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 47–64. |
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| Johnson, Vilja. "“It’s What You Do that Defines You”: Christopher nolan’s batman as moral philosopher." Journal of Popular Culture 47.(2014): 952–67. |
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| Gonzalez, Jesus A. "“Living in the Funnies”: Metafiction in american comic strips." Journal of Popular Culture 47.(2014): 838–56. |
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| Lund, Martin. "“NY 101”: New york city according to brian wood." International Journal of Comic Art 17.(2015): 1–33. |
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| Wilson, Melanie. "“One May Smile, and Smile, and Be a Villain” Grim humor and the warrior ethos." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 169–86. |
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| Jacobs, Dale. "“Piece it all together and it’s barely a quarter of the puzzle”: Design, arthrology, and transtextuality in seth’s it’s a good life if you don’t weaken." Journal of Comics and Culture 1.(2016): 1–24. |
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| Tilley, Carol L. "“Superman Says, ‘Read!’” National comics and reading promotion." Children’s Literature in Education 44.(2013): 251–63. |
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| Enderwitz, Susanne. "“The 99”: Islamic superheroes – a new species?." Transcultural Turbulences. Towards a Multi-Sited Reading of Image Flows. Eds. Christiane Brosius and Roland Wenzlhuemer. Transcultural Research. New York: Springer, 2011. 83–95. |
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| Bainbridge, Jason. "“The Call to do Justice”: Superheroes, sovereigns and the state during wartime." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28.(2015): 745–63. |
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| Capp, Al. "“The Comic Page Is the Last Refuge of Classic Art”." Nemo. The Classic Comics Library (1986): 16–17. |
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| Babaian, Caryn Sona. "“The Thyroidectomy Story”: Comic books, graphic novels, and the novel approach to teaching head and neck surgery through the genre of the comic book." Journal of Surgical Education 71.(2014): 413–18. |
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| Parsons, Amy and Nina Howe. "“This Is Spiderman’s Mask.” “No, It’s Green Goblin's” Shared meanings during boys’ pretend play with superhero and generic toys." Journal of Research in Childhood Education 27.(2013): 190–207. |
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| Moynihan, Sinéad. "“Watch me go invisible”: Representing racial passing in mat johnson and warren pleece’s incognegro." South Central Review 32.(2015): 45–69. |
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| Goodwin, John and Izzat Tajjudin. "“What Do You Think I Am? Crazy?” The joker and stigmatizing representations of mental ill-health." Journal of Popular Culture 49.(2016): 385–402. |
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| Tenga, Angela and Jonathan Bassett. "“You kill or you die, or you die and you kill” Meaning and violence in amc’s the walking dead." Journal of Popular Culture 49.(2016): 1280–300. |
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| Maïzi, Myriem El. "« Real news from Beirut »: Blog bd et témoignage de guerre." French Cultural Studies 27.(2016): 199–215. |
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| Balzer, Jens and Jens R. Nielsen. "»Der Autorencomic ist ein mißlungenes Experiment«: Christian gorny." Comic Almanach (1993): 43–48. |
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| Grünewald, Dietrich. "»Dieses Kupfer stellet dar …«: Geschichte der auf der insul brolingsbrogh errichteten kolonie. eine bildgeschichte des jugendlichen christian august vulpius aus dem jahr 1777." Sprechende Bilder – Besprochene Bilder. Bild, Begriff und Sprachhandeln in der deiktisch-imaginativen Verständigungspraxis. Eds. Alexander Glas, et al.. IMAGO. Kunst.Pädagogik.Didaktik. München: kopaed, 2016. 441–62. |
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| Eck, Katharina. "»Houses are Organisms«: Fluchtlinien durch wohnungen, beziehungsgeschichten und indigene zeit-räume in gabriella giandellis interiorae." Closure 3 2016. Accessed 29 December. 2016. <http://www.closure.uni-kiel.de/closure3/eck>. |
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| Rehm, Dirk. "»The New Comics«: Comic books in den 80er jahren." Comic Almanach (1993): 61–78. |
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| Smida, Megan Alice. "(Re)Telling Ripper in Alan Moore’s From Hell: History and narrative in the graphic novel." Thesis Master of Arts. University of Dayton, 2010. |
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| Baroni, Raphaël. "(Un)natural Temporalities in Comics." European Comic Art 9.(2016): 5–23. |
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| Sackmann, Eckart. "Der 1. Deutsche Comic Congress Berlin 1973." Deutsche Comicforschung 13.(2017). |
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| Sackmann, Eckart. "Der 1. Internationale Comic-Salon Erlangen 1984." Deutsche Comicforschung 7.(2011): 129–39. |
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| Turgay, David. "#1, S. 1 Die stetige wiederkehr des neuanfangs in reboots." Closure 4 2017. Accessed 22 November. 2017. <http://www.closure.uni-kiel.de/closure4/turgay>. |
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| Goodnow, Trischa and James J. Kimble, eds. The 10 Cent War: Comic books, propaganda, and world war ii. Jackson: Univ. Press of Mississippi, 2016. |
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| Osmond, Andrew. 100 Animated Feature Films. BFI Screen Guides. London: British Film Institute, 2010. |
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| Brophy, Philip. 100 Anime. BFI Screen Guides. London: British Film Institute, 2005. |
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| Ciment, Gilles and Thierry Groensteen. 100 cases de maîtres: Un art graphique, la bande dessinée. Paris: Éd. de La Martinière, 2010. |
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| De Weyer, Geert. 100 stripklassiekers die niet in je boekenkast mogen ontbreken. Amsterdam: Atlas, 2008. |
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| Horn, Maurice, ed. 100 Years of American Newspaper Comics: An illustrated encyclopedia. New York: Gramercy Books, 1996. |
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| Isabella, Tony. 1000 Comic Books You Must Read. Iola: Krause Publ, 2009. |
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| Koyama-Richard, Brigitte. 1000 Jahre Manga. Das Kultmedium und seine Geschichte. Paris: Flammarion, 2008. |
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| Gravett, Paul, ed. 1001 Comics die Sie lesen sollten, bevor das Leben vorbei ist. Oetwil a.S: Ed. Olms, 2012. |
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| Gravett, Paul, ed. 1001 Comics You Must Read Before You Die. New York: Universe, 2011. |
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| Weiner, Stephen. The 101 Best Graphic Novels. 3rd ed. New York: NBM, 2006. |
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| Stanley, Marni. "101 Uses for Boys: Communing with the reader in yaoi and slash." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 99–109. |
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| Platthaus, Andreas. Die 101 wichtigsten Fragen. Comics und Manga. Beck’sche Reihe. München: C.H. Beck, 2008. |
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| Venezia, Tony. "10th April, 1999, Conway Hall, Red Lion Square snakes and ladders, occult cartography and radical nostalgia." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 41–58. |
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| Bohnet, Ilja, Johann N. Schmidt, and Michael Will. "120, Rue de la gare." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1994. |
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| Harper, Morten. 139 grunner til å låne tegneserier: Aktuelle kvalitetsserier på norsk, dansk, svensk og engelsk for barn, ungdom og voksne. Oslo: Biblioteksentralen, 1998. |
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| Pohle, Marlene. "17 Women Cartoonists + One." International Journal of Comic Art 10.(2008): 10–32. |
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| Sackmann, Eckart. "Das 19. Jahrhundert Vom bilderbogen zur comic section." Deutsche Comicforschung 9.(2013): 22–46. |
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| Van Lier, Henri. "1905 et Little Ne-homo." anthropogénie. un darwinisme des sciences humaines 2005. Accessed 26 September. 2012. <http://www.anthropogeni ... ujets_d_oeuvre/nemo.htm>. |
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| Roeder, Katherine. "1905, October 15 little nemo in slumberland." A New Literary History of America. Eds. Greil Marcus and Werner Sollors. Cambridge, London: Belknap Pr, 2009. |
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| Wirag, Lino. "1935. Grampy geht ein Licht auf Die glühbirne in comic und cartoon." Improvisation und Invention. Momente, Modelle, Medien. Ed. Sandro Zanetti. Zürich, Berlin: diaphanes, 2014. 301–15. |
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| Wolk, Douglas. "1938: Superman." A New Literary History of America. Eds. Greil Marcus and Werner Sollors. Cambridge, London: Belknap Pr, 2009. |
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