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Ahmed, Maaheen. "Reading (and looking at) Mariko Parade: A methodological suggestion for understanding contemporary graphic narratives." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 119–33. |
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Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for Africa South of the Sahara African Movie Industries." Africology 11. 9 2018. Accessed 10Jun. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>. |
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Akatsuka, Neal K. "Uttering the Absurd, Revaluing the Abject: Femininity and the Disavowal of Homosexuality in Transnational Boys’ Love Manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 159–76. |
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Asante, Godfried A. and Gloria Nziba Pindi. "(Re)imagining African futures: Wakanda and the politics of transnational Blackness." Review of Communication 20. (2020): 220–28. |
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Barrera-Vidal, Albert. "Selbstbilder und Fremdbilder in der frankophonen Bande dessinée Belgiens am Beispiel Deutschlands." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 121–52. |
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Bitz, Michael. Manga High: Literacy, Identity, and Coming of Age in an Urban High School. Cambridge: Harvard Education Pr. 2009. |
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Böhme-Dürr, Karin. "Deutschland im amerikanischen Cartoon." Medienlust und Mediennutz. Unterhaltung als öffentliche Kommunikation. Eds. Louis Bosshart and Wolfgang Hoffmann-Rien. Schriftenreihe der Deutschen Gesellschaft für Publizistik und Kommunikationswissenschaft. München: Ölschläger, 1994. 435–46. |
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Bolałek, Radosław. "The NARUTO fan generation in Poland: An attempt at contextualization." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 33–48. |
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Borg Andreassen, Anja. "Yes, We Khan—Diversity and De-Monsterization of Muslim Identities in Ms. Marvel (2014–)." Nordlit (2019): 67–82. |
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Botshon, Lisa and Melinda Plastas. "Homeland In/Security: A Discussion and Workshop on Teaching Marjane Satrapi’s Persepolis." Feminist Teacher 20. (2009): 1–14. |
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Bouissou, Jean-Marie. "Japan’s Growing Cultural Power: The Example of Manga in France." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 149–65. |
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Brienza, Casey E. "Paratexts in Translation: Reinterpreting “Manga” for the United States." International Journal of the Book 6. (2009): 13–20. |
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Brienza, Casey E. "Sociological Perspectives on Japanese Manga in America." Sociology Compass 8. (2014): 468–77. |
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Brienza, Casey E., ed. Global Manga: “Japanese” Comics without Japan? 2nd ed. London, New York: Routledge, 2016. |
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Brienza, Casey E. Manga in America: Transnational Book Publishing and the Domestication of Japanese Comics. New York: Bloomsbury, 2016. |
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Brienza, Casey. "Domesticating Manga? Japanese Comics and Transnational Publishing." International Journal of Comic Art 20. (2018): 81–97. |
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Brunner, Miriam. Manga. UTB Profile. Stuttgart: UTB, 2010. |
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Bryce, Mio, et al. "Manga and Anime: Fluidity and Hybridity in Global Imagery." electronic journal of contemporary japanese studies 2010. Accessed 28Feb. 2011. <http://www.japanesestud ... rticles/2010/Bryce.html>. |
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Bryce, Mio, Jason Davis, and Christie Barber. "The Cultural Biographies and Social Lives of Manga: Lessons from the Mangaverse." Scan. Journal of media arts culture 5. 2 2008. Accessed 1Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=114>. |
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Bumatay, Michelle. "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." European Comic Art 5. (2012): 45–66. |
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Buzinkay, Géza. "The Budapest Joke and Comic Weeklies as Mirrors of Cultural Assimilation." Budapest and New York. Studies in Metropolitan Transformation, 1870–1930. Eds. Thomas Bender and Carl E. Schorske. New York: Russell Sage Foundation, 1994. 224–47. |
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Carter, James Bucky. "Everything I Learned About Teaching in the Contact Zone I Learned from Charles Xavier and The Uncanny X-Men." SANE journal 1. 1 2010. Accessed 15Dec. 2010. <http://digitalcommons.unl.edu/sane/vol1/iss1/3>. |
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Casely-Hayford, Gus. "Amani Abeid and Paul Ndunguru: The archaeology of a superhero." Journal of African Cultural Studies 28. (2016): 292–98. |
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Chanda, Anurima. "How Do the French have Fun in India: A Study of Representations in Tintin and Asterix." Rupkatha Journal on Interdisciplinary Studies in Humanities 7. (2015): 179. |
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Cheng Chua, Karl Ian Uy. "The Stories They Tell: Komiks during the Japanese Occupation, 1942–1944." Philippine Studies 53. (2005): 59–90. |
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Cheng Chua, Karl Ian Uy. "Pinoy Manga in Philippine Komiks." Global Manga. “Japanese” Comics without Japan? Ed. Casey E. Brienza. 2nd ed. London, New York: Routledge, 2016. 185–97. |
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Chiu, Monica, ed. Drawing New Color Lines: Transnational Asian American Graphic Narratives. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. |
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Choo, Kukhee. "Consuming Japan: Early Korean girls comic book artists’ resistance and empowerment." Complicated Currents. Media Flows, Soft Power and East Asia. Eds. Daniel Black, Stephen Epstein and Alison Tokita. Clayton: Monash Univ. ePress, 2010. 6.1–6.16. |
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Clark, Andrew. "Imperialism in Asterix." Belphégor 4. 1 2004. Accessed 6Apr. 2010. <http://hdl.handle.net/10222/47692>. |
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Clark, Daniel D. "Manga's Christian Other in Naoki Urasawa’s 20th Century Boys and Suu Minazuki’s Judas." International Journal of Comic Art 20. (2018): 598–614. |
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Cochet, François. "La bande dessinée en France et aux États-Unis dans l’entredeux-guerres: Deux modèles culturels en action." Les Américains et la France (1917–1947). Engagements et représentations. Eds. François Cochet, Marie-Claude Genet-Delacroix and Hélène Trocmé. Paris: Maisonneuve et Larose, 1999. 189–207. |
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Cohn, Neil. "A different kind of cultural frame: An analysis of panels in American comics and Japanese manga." Image [&] Narrative 12. 1 2011. Accessed 5Sep. 2011. <http://www.imageandnarr ... article/viewFile/128/99>. |
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Cohn, Neil. "Framing “I can’t draw”: The influence of cultural frames on the development of drawing." Culture & Psychology 20. (2014): 102–17. |
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Cohn, Neil, et al. "The cultural pages of comics: Cross-cultural variation in page layouts." Journal of Graphic Novels and Comics (2017): 1–20. |
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Colin, Nicole. "Triviale Einsichten? Die Darstellung brisanter deutsch-französischer Themen in der Graphic Novel." Populärkultur und deutsch-französische Mittler/Culture de masse et médiateurs franco-allemands. Akteure, Medien, Ausdrucksformen/Acteurs, médias, articulations. Eds. Dietmar Hüser and Ulrich Pfeil. Bielefeld: Transcript, 2015. 53–72. |
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Condis, Megan Amber. "Ghosts between the Pages: The Devolution of Medb from Sovereignty Goddess to Comic Book Villainess and the Potential Dangers of the Transcription of Oral Tales." International Journal of the Book 7. (2010): 31–44. |
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Cortsen, Rikke Platz. "Translation and Sense of Place in Martin Kellerman’s Comic Strip Rocky." Scandinavian Journal of Comic Art 2. 1 2015. Accessed 29Jun. 2016. <http://sjoca.com/wp-con ... 2-1-Article-Cortsen.pdf>. |
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Crépin, Thierry. "The Comité de Défense de la Littérature et de la Presse pour la Jeunesse: The Communists and the Press for Children during the Cold War." Libraries & Culture 36. (2001): 131–42. |
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D’Arcangelo, Adele and Federico Zanettin. "Dylan Dog Goes to the USA: a North-American Translation of an Italian Comic Book Series." Across Languages and Cultures 5. (2004): 187–210. |
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Danesin, Maxime. "The European Middle Ages through the prism of Contemporary Japanese Literature: A study of Vinland Saga, Spice & Wolf and L’Éclipse." Mutual Images 1 2016. Accessed 12Feb. 2018. <https://www.mutualimage ... /mi/article/view/Vol1-5>. |
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Danesin, Maxime. "Beyond Time & Culture: The Revitalisation of Old Norse Literature and History in Yukimura Makoto’s Vinland Saga." Mutual Images 2 2017. Accessed 12Feb. 2018. <https://www.mutualimage ... /mi/article/view/Vol2-7>. |
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Darling-Wolf, Fabienne. "The “Lost” Miyazaki: How a Swiss Girl Can Be Japanese and Why It Matters." Communication, Culture and Critique 9. (2016): 499–516. |
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Dasgupta, Romit. "The film Bishônen and Queer(N)Asia through Japanese popular culture." Popular culture, globalization and Japan. Eds. Matthew Allen and Rumi Sakamoto. Routledge Studies in Asia's Transformations. London, New York: Routledge, 2006. 56–74. |
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Dastidar, Diptarup Ghosh. "Prospects of Comics Studies in India." Gnosis Special Issue (2019): 113–28. |
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Davé, Shilpa. "Spider-Man India: Comic Books and the Translating/Transcreating of American Cultural Narratives." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 127–44. |
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Davies, Dominic. "Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border." a/b: Auto/Biography Studies 35. (2020): 383–403. |
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Denson, Shane. "Afterword: Framing, Unframing, Reframing: Retconning the Transnational Work of Comics." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 271–84. |
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