| Andrae, Thomas. Carl Barks and the Disney Comic Book: Unmasking the Myth of Modernity. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2006. |
 
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| Ault, Donald, ed. Carl Barks: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2003. |
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| Ault, Donald. "Visionary Synchronicities in Carl Barks Comics." Comic Art (2003): 44–58. |
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| Ault, Donald. "Imagetextuality: ‘Cutting Up’ Again, pt. III." ImageTexT 1. 1 2004. Accessed 28Jul. 2009. <http://www.english.ufl. ... s/v1_1/ault/index.shtml>. |
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| Ault, Donald. "Preludium: Crumb, Barks, and Noomin: Re-Considering the Aesthetics of Underground Comics." ImageTexT 1. 2 2005. Accessed 6Jul. 2012. <http://www.english.ufl. ... chives/v1_2/intro.shtml>. |
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| Ault, Donald. "“Cutting Up” Again Part II: Lacan on Barks on Lacan." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 123–40. |
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| Bårdsen, Gunnar. "Carl Barks: A classical economist?." Working Paper Series 5 2005. Accessed 29Aug. 2019. <http://hdl.handle.net/11250/267103>. |
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| Barnholden, Neale. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics. Jackson: Univ. Press of Mississippi, 2024. |
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| Barrier, Michael. Carl Barks and the Art of the Comic Book. New York: M. Lilien, 1981. |
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| Barrier, Michael. Carl Barks: Die Biographie. Mannheim: Brockmann u. Reichelt, 1994. |
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| Barrier, Michael. Funnybooks: The Improbable Glories of the Best American Comic Books. Berkeley: Univ. of California Press, 2014. |
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| Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. |
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| Bryan, Peter Cullen. Creation, Translation, and Adaptation in Donald Duck Comics: The Dream of Three Lifetimes. Palgrave Fan Studies. New York [etc.]: Palgrave Macmillan, 2021. |
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| Chen, Lindsey N. "Ethnic Marked Names as a Reflection of United States Isolationist Attitudes in Uncle $crooge Comic Books." Names: A Journal of Onomastics 56. (2008): 19–22. |
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| Danielson, Garth. "Carl Barks and the Perversity of Beasts, Machines, and Nature." The Nostalgia Zine 2. 1 2006. Accessed 6Nov. 2011. <http://www.nostalgiazon ... e/06_V2N1/carlbarks.htm>. |
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| Grote, Johnny A. Carl Barks: Werkverzeichnis der Comics. Barks Library. Stuttgart: Ehapa, 1995. |
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| von Hagen, Markus. "Ethik in Entenhausen: Zur Vermittlung moralischer Inhalte in den Donald-Duck-Geschichten von Carl Barks." Comics Anno (1991): 108–21. |
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| von Hagen, Markus. "Narrativer Ethikunterricht mit Carl Barks: Erfahrungsbericht über die Verwendung klassischer Donald-Duck-Geschichten im Ethikunterricht der Europäischen Schule." Comics Anno (1995): 198–208. |
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| Helnwein, Gottfried, ed. Wer ist Carl Barks. 2nd ed. Bayreuth: Neff, 1996. |
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| Holzapfel, Hartmut. "»Wer? Ich? Oh nein – ich hab doch Bauchweh«: Carl Barks’ einzigartiges universum anatium: Entenhausen." Peter Pans Kinder. Doppelte Adressiertheit in phantastischen Texten. Ed. Maren Bonacker. Studien zur anglistischen Literatur- und Sprachwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2004. 41–67. |
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| Holzapfel, Hartmut. "Die Ente ist Mensch geworden: Anatiden und andere Humanoiden im Barks’schen Universum." Hasenfuß und Löwenherz. Tiere und Tierwesen in der phantastischen Kinder- und Jugendliteratur. Ed. Maren Bonacker. Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar. Wetzlar: Phantastische Bibliothek Wetzlar, 2011. 183–214. |
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| Kopp, Hans. "Penia in Entenhausen: Ökonomische Theorie, soziale Utopie und politische Ideologie bei Aristophanes und Carl Barks." thersites 8 2018. Accessed 20May. 2019. <http://www.thersites.un ... hp/thr/article/view/106>. |
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| Kunzle, David. Carl Barks. Dagobert und Donald Duck: Welteroberung aus der Entenperspektive. Frankfurt am Main: Fischer, 1990. |
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| Kunzle, David. "The Parts That Got Left Out of the Donald Duck Book, or: How Karl Marx Prevailed Over Carl Barks." ImageTexT 6. 2 2012. Accessed 8Oct. 2012. <http://www.english.ufl. ... t/archives/v6_2/kunzle/>. |
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| Löffler, Henner. Wie Enten hausen: Die Ducks von A bis Z. München: C.H. Beck, 2004. |
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| Moliné, Alfons. Carl Barks: Un viento ácrata. Sin palabras. Serie A. Madrid: Sinsentido, 2007. |
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| Moses, Geoffrey. "“What a Life!”: Carl Barks’ Donald Duck as Nervous Modern." International Journal of Comic Art 12. (2010): 288–301. |
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| Piber, Klaus. "Carl Barks und Don Rosa: Die Analyse der formal-ästhetischen und strukturellen Konzeption zweier Comic-Zeichner." Diplomarbeit. Karl-Franzens-Universität Graz, 2003. |
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| Pigot, Pierre. "Univers palmipède." L’assassinat de Mickey Mouse. Trois essais en disneylogie. Travaux pratiques. Paris: Presses Univ. de France, 2011. 125–79. |
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| Platthaus, Andreas. "Im Herzen die Finsternis: Carl Barks und Entenhausen." Im Comic vereint. Eine Geschichte der Bildgeschichte. Berlin: Fest, 1998. 129–54. |
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| Platthaus, Andreas. "Calisota or Bust: Duckburg vs. Entenhausen in the Comics of Carl Barks." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 247–64. |
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| Platthaus, Andreas. "Entenhausener Dramaturgie: Wie uns Comics illusionieren." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 57–73. |
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| Reichelt, Peter, Harald Havas, and Wolfgang J. Fuchs. Gezeichnet Walt Disney? Donald, Micky und ihre Väter Carl Barks, Floyd Gottfredson, Al Taliaferro und Walt Disney. Mannheim: Reichelt u. Brockmann, 2013. |
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| Rieken, Bernd. "Überall war Entenhausen: Die Comics von Carl Barks in der Übersetzung von Erika Fuchs." Bilder. Bücher. Bytes. Zur Medialität des Alltags. Eds. Michael Simon, et al. Münster: Waxmann, 2009. 387–95. |
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| Riha, Karl. Donald (Duck) Pop: Das Porträt eines Zeitgenossen. Massenmedien und Kommunikation. Siegen: Universi, 1994. |
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| Schilling Jr., Peter. Carl Barks’ Duck: Average American. Critical Cartoons. Minneapolis: Uncivilized Books, 2015. |
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| Stegelmann, Jakob. Den gode tegner: Om Carl Barks og Anders And. København: Aschehoug, 1995. |
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| Theweleit, Klaus. "»Gott sei Quack«: Carl Barks zum 100. Geburts- und 1. Todestag." Friendly Fire. Deadline-Texte. Frankfurt am Main: Stroemfeld, 2005. 192–94. |
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| Völkner, Andrea. "Vom Schuhputzer zur reichsten Ente der Welt: Die Geschichte des Dagobert Duck." Überzeichnet. Religion in Comics. Eds. Inge Kirsner, Olaf Seydel and Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2011. 55–74. |
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| Added by: joachim 2/26/11, 3:13 PM |
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| von Müller, Johannes. "»Im Antlitz der menschlichen Kreatur«: Eine parallele Lektüre der Werke von Honoré Daumier und Carl Barks." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 89–108. |
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| Added by: Okwuchi Mba Last edited by: joachim 3/21/19, 2:47 PM |
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