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| Ahrens, Jörn. "The Ordinary Urban: 100 Bullets and the Clichés of Mass Culture." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 214–28. |
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| Ahrens, Jörn and Arno Meteling, eds. Comics and the City: Urban Space in Print, Picture and Sequence. London, New York: Continuum, 2010. |
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| Amihay, Ofra. "Urban Revelation in Paul Madonna’s Postsecular Comics." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 215–31. |
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| Bainbridge, Jason. "“I am New York” – Spider-Man, New York City, and the Marvel Universe." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 163–79. |
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| Bainbridge, Jason. "‘Worlds Within Worlds’: The Role of Superheroes in the Marvel and DC Universes." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 64–85. |
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| Balzer, Jens. "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 19–31. |
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| Becker, Thomas. "Enki Bilal’s Woman Trap: Reflections on Authorship under the Shifting Boundaries between Order and Terror in the Cities." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 265–78. |
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| Bonadè, Sophie. "« I Am Gotham »: Identification du superhéros et de la ville dans les comic books Batman." Itinéraires 2019-2/3 2019. Accessed 9Jun. 2021. <https://journals.openedition.org/itineraires/6366>. |
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| Bukatman, Scott. "Boys in the Hoods: Glossing the Urban Superhero." Iconics 5. (2000): 42–50. |
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| Carrier, Mélanie. "L’organisation urbaine et iconique dans l’œuvre de Marc-Antoine Mathieu." Écrire la ville. Eds. Bertrand Gervais and Christina Horvath. Figura. Montréal: Figura, Centre de recherche sur le texte et l’imaginaire, 2005. 169–82. |
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| Ceviker, Turgut. "The City and Housing in Turkish Cartoons." International Journal of Comic Art 1. (1999): 127–31. |
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| Cortijo, Adela. "« La frontière tirée au cordeau de sang dans la ville »: Les lieux-Sarajevo dans la narrative graphique d’Enki Bilal." Quaderns de Filologia 12 2007. Accessed 29May. 2016. <https://ojs.uv.es/index ... /article/view/5032/4827>. |
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| Cremers, Martin. "Gotham City: A Dystopian Comic Book World as an Arena of Modern Myths." Real Virtuality. About the Destruction and Multiplication of World (with a Preface by Gerd Stern). Eds. Ulrich Gehmann and Martin Reiche. Bielefeld: Transcript, 2014. 141–58. |
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| Cuntz, Michael. "Paris au pluriel: Depictions of the French Capital in Jacques Tardi’s Comic Book Writing." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 101–16. |
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| Dardaillon, Sylvie and Christophe Meunier. "La série Paul de Michel Rabagliati: Récits d’espaces et de temps." Comicalités 2013. Accessed 8Jul. 2016. <http://comicalites.revues.org/1566>. |
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| Dessy, Clément. "La ville entre texte et image dans les bandes dessinées de Michaël Matthys." Textyles (2010): 201–14. |
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| Diekmann, Stefanie. "Remembrance of Things to Come: François Schuiten and Benoît Peeters’s Cities of the Fantastic." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 84–100. |
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| Dittmer, Jason. "Narrating urban assemblages—Chris Ware and Building Stories." Social & Cultural Geography 15. (2014): 477–503. |
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| Drennig, Georg. "Fallujah Manhattan Transfer: The Sectarian Dystopia of Brian Wood’s DMZ." Placing America. American Culture and its Spaces. Eds. Michael Fuchs and Maria-Theresia Holub. Bielefeld: Transcript, 2013. 75–90. |
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| Dubil, Janwillem. "There is no Love in the Heart of the City: Stadtflucht als Paradigma des kontemporären Zombie-Narrativs." Gutes Leben auf dem Land? Imaginationen und Projektionen vom 18. Jahrhundert bis zur Gegenwart. Eds. Werner Nell and Marc Weiland. Bielefeld: Transcript, 2021. 445–62. |
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| Dünne, Jörg. "›Andere Räume‹ und ihre Medialität: Von der phantastischen Literatur Argentiniens zur Comic-Welt der »Cités obscures«." Die phantastische Stadt. Eds. Thomas Le Blanc and Bettina Twrsnick. Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar. Wetzlar: Phantastische Bibliothek, 2005. 205–50. |
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| Enns, Anthony. "The City as Archive in Jason Lutes’s Berlin." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 45–59. |
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| Etter, Lukas. "The “Big Picture” as a Multitude of Fragments: Jason Lutes’s Depiction of Weimar Republic Berlin." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 229–41. |
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| Fernández L’Hoeste, Héctor D. "From Mafalda to Boogie: The City and Argentine Humor." Imagination Beyond Nation. Latin American Popular Culture. Eds. Eva Bueno and Terry Caesar. Pittsburgh: Univ. of Pittsburgh Press, 1998. 81–106. |
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| Fernández L’Hoeste, Héctor D. "De Mafalda a Boogie: La ciudad y el humor argentino." Selected Proceedings of the First International Conference on Hispanic Humor. Ed. Paul W. Seaver. Potomac: Scripta Humanistica, 1998. 142–52. |
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| Flanagan, Martin. "“Continually in the Making”: Spider-Man’s New York." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 40–52. |
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| Frahm, Ole. "Every Window Tells a Story: Remarks on the Urbanity of Early Comic Strips." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 32–44. |
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| Fraser, Benjamin. The Art of Pere Joan: Space, Landscape, and Comics Form. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2019. |
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| Fraser, Benjamin. Visible Cities, Global Comics: Urban Images and Spatial Form. Jackson: Univ. Press of Mississippi, 2019. |
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| Gaspers, Nicolas. "Berlin als hybride Projektionsfläche von Gestalt, Raum und Zeit im Comic." Berlin: Bilder einer Metropole in erzählenden Medien für Kinder und Jugendliche. Ed. Sabine Planka. Würzburg: Königshausen & Neumann, 2018. 373–98. |
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| Geipel, Kaye and François Schuiten. "Brüsseler Zustände: Die Stadtkritik des Zeichners François Schuiten." Bauwelt 87. (1996): 2616–19. |
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| Godbey, Matt. "At the Still Point of the Turning World: Chris Ware’s Building Stories and the Search for Structure in the Contemporary City." The Comics Journal 2012. Accessed 6Jun. 2023. <https://www.tcj.com/at- ... -the-contemporary-city/>. |
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| Godbey, Matt. "Chris Ware’s “Building Stories,” Gentrification, and the Lives of/in Houses." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 121–32. |
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| Gropp, Bettina. "Die Darstellung urbaner Räume im Comic im letzten Drittel des 20. Jahrhunderts." Magisterarbeit M.A. TU Dresden, 2005. |
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| Hall, Leo and Simon Grennan. "Literary and Historic Flâneuses: Observation, Commentary, Enterprise and Courage in Late-Nineteenth-Century Women’s Professional Lives." Journal of Victorian Culture (2019). |
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| Hall, Richard A., Maria Antonieta Reyes, and Josh Plock. We Are Gotham: Finding American Society in the Television Series. Jefferson: McFarland, 2022. |
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| Holzapfel, Hartmut. Überall ist Entenhausen: Geografie und Soziografie einer imaginären (?) Stadt. Schriftenreihe und Materialien der Phantastischen Bibliothek Wetzlar. Wetzlar: Förderkreis Phantastik in Wetzlar, 2004. |
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| de la Iglesia, Martin. Hamburg’s warehouse district in Martin tom Dieck’s hundert Ansichten der Speicherstadt. 9th International Conference on Word and Image Studies, L'imaginaire / The Imaginary: Montreal, 22–26 Aug, 2011. |
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| Jenkins, Henry. "“The Tomorrow that Never Was” – Retrofuturism in the Comics of Dean Motter." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 63–83. |
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| King, Edward and Joanna Page. Posthumanism and the Graphic Novel in Latin America. London: UCL Pr. 2017. |
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| Klausner, Sebastian. "Ōtomo’s Exploding Cities: The Intersection of Class and City in Ōtomo Katsuhiro’s Works Before, During, and After the Bubble Economy in Japan." Writing Visual Culture 6 2015. Accessed 29Apr. 2016. <http://www.herts.ac.uk/ ... 7/WVC_TC_7_Klausner.pdf>. |
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| Kochanowski, Marek. "Podlasie i Białystok we współczesnym polskim komiksie." Białostockie Studia Literaturoznawcze (2012): 187–200. |
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| Kontturi, Katja. Ankkalinna – portti kahden maailman välillä: Don Rosan Disney-sarjakuvat postmodernina fantasiana. Jyväskylä Studies in humanities. Jyväskylä: Jyväskylän Yliopisto, 2014. |
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| Lepot, Cyril. "Espace de jeux et jeu d’espaces dans l’œuvre de Taiyō Matsumoto." Plates-bandes à part. Esthétique de la bande dessinée. Ed. Boris Eizykman. Bruxelles: La Lettre volée, 2012. 231–50. |
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| Lioi, Anthony. "The Radiant City: New York as Ecotopia in Promethea, Book V." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 150–62. |
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| Lukinbeal, Christopher L. and Christina B. Kennedy. "Dick Tracy’s Cityscape." Association of Pacific Coast Geographers Yearbook 55. (1993): 76–96. |
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| Lund, Martin. "“NY 101”: New York City According to Brian Wood." International Journal of Comic Art 17. (2015): 1–33. |
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| Lund, Martin. "‘X marks the spot’: Urban dystopia, slum voyeurism and failures of identity in District X." Journal of Urban Cultural Studies 2. (2015): 35–56. |
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| Luther, Diane. "Phantastische Architektur im Comic." Architektur wie sie im Buche steht. Fiktive Bauten und Städte in der Literatur. Ed. Winfried Nerdinger. Salzburg: Alfons Pustet, 2006. 128–36. |
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| Marko, Benedict. "Visuelle Labyrinthe: Das Bild der Stadt im Kino Oshii Mamorus." Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Eds. Lars Schmeink and Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012. 163–86. |
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| Martin-Gómez, César, et al. "Tracing Changes in Urban Architectural Infrastructure through Herge’s Comics." Journal of Popular Culture 50. (2017): 1065–86. |
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| McCrystal, Erica. Gotham City Living: The Social Dynamics in the Batman Comics and Media. New York: Bloomsbury Academic, 2021. |
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| Mehring, Frank. "Hard-Boiled Silhouettes: Transnational Remediation and the Art of Omission in Frank Miller’s Sin City." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 211–24. |
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| Merkl, Ulrich. Dinomania: The Lost Art of Winsor McCay, The Secret Origins of King Kong, and the Urge to Destroy New York. Seattle: Fantagraphics, 2015. |
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| Merriman, Emily Taylor. "London (& the Mind) as Sacred-Desecrated Place in Alan Moore’s From Hell." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Meteling, Arno. "A Tale of Two Cities: Politics and Superheroics in Starman and Ex Machina." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 133–49. |
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| Meyer, Christina. "Urban America in the Newspaper Comic Strips of the Nineteenth Century: Introducing the Yellow Kid." ImageTexT 6. 2 2012. Accessed 8Oct. 2012. <http://www.english.ufl. ... xt/archives/v6_2/meyer/>. |
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