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| Friederich, Ute. "Komik – Comic: Komische Elemente in den Texten Franz Kafkas und ihre bildliche Umsetzung in verschiedenen Comic-Adaptionen." M.A. Magisterarbeit. Universität Bonn, 2009. |
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| García, Enrique. The Hernandez Brothers: Love, Rockets, and Alternative Comics. Pittsburgh: Univ. of Pittsburgh Press, 2017. |
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| González del Pozo, Jorge. "Ibéroes: Racismo y crítica social en la apropiación españolizada de la estética del superhéroe estadounidense." Romance Studies 32. (2014): 40–56. |
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| Grail, Ivan. "The Truly Un-Canny Samurai: Classical Literature and Parody in the Kibyoshi." International Journal of Comic Art 9. (2007): 61–78. |
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| Groensteen, Thierry. Parodies: La bande dessinée au second degré. Paris: Skira-Flammarion, 2010. |
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| Harbeck, Matthias. "Alternate Histories des Zweiten Weltkriegs – Erinnerung oder Fetischisierung? Eine Untersuchung am Beispiel US-amerikanischer Mainstreamcomics.." Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns. Eds. Christoph Bareither and Ingrid Tomkowiak. Kulturen populärer Unterhaltung und Vergnügung. Würzburg: Königshausen & Neumann, 2020. 235–53. |
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| Hollis, Erin. "Scott Pilgrim Vs. the World as Postmodern Parody of Parody: Allusion, Exclusion, and Consumption in the Film Adaptation." Ol3Media 4. 10 2011. Accessed 27Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| How, James. "2000AD and Hollywood: The Special Relationship between a British Comic and American Film." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 225–41. |
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| Huard, Pierre. La parodie dans la bande dessinée franco-belge: Critique ou esthétisme? Culture et publics. Québec: Presses de l’Univ. du Québec, 2016. |
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| Isola, Mark John. "Yaoi and Slash Fiction: Women Writing, Reading, and Getting Off?." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. |
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| Jung, Anna Maria. HP Lovecrafts »Cthulhu Mythos« in der Populärkultur: Die Formen des »Unaussprechlichen« in Comics, Filmen und anderen Medien. Saarbrücken: VDM, 2010. |
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| Keazor, Henry. "»Up and Atom!«: Superheroes in The Simpsons." kritische berichte 39. (2011): 20–33. |
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| Klar, Elisabeth. "Der Körper und seine strukturelle Parodie in Literatur und Comic, gezeigt anhand von erotischen Literaturadaptationen." Diplomarbeit Mag.phil. Universität Wien, 2012. |
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| Kontturi, Katja. "Science fiction parody in Don Rosa’s ”Attack of the Hideous Space-Varmints”." Fafnir 3. 4 2016. Accessed 7Jul. 2017. <http://journal.finfar.o ... hideous-space-varmints/>. |
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| Kramer, Thomas. "Gladiatoren, Legionäre, Funktionäre: Die Rom-Serie des DDR-Comic Mosaik zwischen Historienepos, Antikeparodie und zeitgenössischer Medienadaption." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 52–61. |
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| Kumiko, Saito. "Desire in Subtext: Gender, Fandom, and Women’s Male-Male Homoerotic Parodies in Contemporary Japan." Mechademia 6. (2001): 171–91. |
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| Kunka, Andrew J. The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth. New Brunswick: Rutgers Univ. Press, 2021. |
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| Leroy, Fabrice and Livio Belloï. "The Cartoonist as Iconoclast: Flaubertian Irony and Media Parody in Pierre La Police’s Comics." International Journal of Comic Art 6. (2004): 222–37. |
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| Levin, Bob. The Pirates and the Mouse: Disney’s War Against the Counter Culture. Seattle: Fantagraphics, 2003. |
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| Prince, Michael J. "What Would Preacher Do? Tactics of Blasphemy in the Strategies of Satire and Parody." Comics, Culture, and Religion. Faith Imagined. Ed. Kees de Groot. New York: Bloomsbury Academic, 2023. 89–106. |
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