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| McNicol, Sarah. "Releasing the potential of Shakespearean comic book adaptations in the classroom: A case study of Romeo and Juliet." Studies in Comics 5. (2014): 131–54. |
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| Montironi, Maria Elisa. "The Simpsons’ Shakespeare: Hamlet Today: Possible Meanings and Consequences of a Parodic Appropriaton." Between 2. 4 2012. Accessed 16Jun. 2017. <http://ojs.unica.it/ind ... etween/article/view/690>. |
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| Müller, Anja. "Shakespeare Comic Books: Visualizing the Bard for a Young Audience." Adapting Canonical Texts in Children’s Literature. Ed. Anja Müller. New York: Bloomsbury Academic, 2013. 95–112. |
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| Myklebost, Svenn-Arve. "Shakespeare Manga: Early- or Post-modern?." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... rchives/v6_3/myklebost/>. |
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| Naskar, Deep. "Shakespeare and Manga: A Study of Transcultural and Transmedial Adaptation of Shakespearean Drama." International Journal of Research in Humanities, Arts and Literature 6. (2018): 143–56. |
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| Neill, F. Vance. "Interface Rhetoric in Shakespearean Comics: A Study of the Effect of Interface on the Construction of Shakespeare’s Play." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... xt/archives/v6_3/neill/>. |
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| Pendergast, John. "Six Characters in Search of Shakespeare: Neil Gaiman’s Sandman and Shakespearian Mythos." Mythlore 26. (2008): 185–97. |
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| Perret, Marion D. "Not Just Condensation: How Comic Books Interpret Shakespeare." College Literature 31. (2004): 72–93. |
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| Perret, Marion D. "More than Child's Play: Approaching Hamlet through Comic Books." Approaches to Teaching Shakespeare's Hamlet. Ed. Bernice W. Kliman. New York: The Modern Language Assoc. of America, 2001. 161–64. |
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| Perret, Marion D. "“And Suit the Action to the Word”: How a Comics Panel Can Speak Shakespeare." The Language of Comics. Word and Image. Eds. Robin Varnum and Christina T. Gibbons. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2001. 123–44. |
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| Rokison, Abigail. Shakespeare for Young People: Productions, Versions and Adaptations. London, New York: Continuum, 2012. |
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| Roper, Margaret. "The Tempest: Pastoral Romance or Colonial Critique?." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... xt/archives/v6_3/roper/>. |
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| Round, Julia. "Transforming Shakespeare: Neil Gaiman and The Sandman." Beyond Adaptation. Essays on Radical Transformations of Original Works. Eds. Phyllis Frus and Christy Williams. Jefferson, London: McFarland, 2010. 95–110. |
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| Ryuka, Minami. "Shakespeare in Japanese Comics: Entries Play by Play." Shakespeares after Shakespeare. An Encyclopedia of the Bard in Mass Media and Popular Culture. Ed. Richard Burt. Vol. 2. Santa Barbara: Greenwood, 2007. 813–18. |
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| Saxton, Julie Myers. "Dreams and Fairy Tales: Themes of Rationality and Love in A Midsummer Night’s Dream and The Sandman." The Neil Gaiman Reader. Ed. Darrell Schweitzer. Rockville: Wildside, 2007. 22–29. |
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| Thaler, Engelbert. "The Bard goes cartoon: Die Verwendung von Shakespeare-Comics." Der Fremdsprachliche Unterricht. Englisch (2005): 37–43. |
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| Wetmore, Jr., Kevin J. "“The Amazing Adventures of Superbard”: Shakespeare in Comics and Graphic Novels." Shakespeare and Youth Culture. Eds. Jennifer Hulbert, Kevin J. Wetmore, Jr. and Robin L. York. New York [etc.]: Palgrave Macmillan, 2006. 171–98. |
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