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Abdel-Raheem, Ahmed. "The multimodal recycling machine: Toward a cognitive-pragmatic theory of the text/image production." Journal of Graphic Novels and Comics (2019). |
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Abdullah, Muhamad Azhar. "The Development of Malaysia Comic Art." International Journal of Comic Art 15.(2013): 306–22. |
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Abirached, Zeina. "Artist’s Statement." European Comic Art 8.(2015): 69–86. |
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Abrams, Matthew Jeffrey. "Illuminated critique: The Kent Moby-Dick." Word & Image 33.(2017): 376–91. |
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Adams, Jeff. "Working Out Comics." Journal of Art & Design Education 19.(2000): 304–12. |
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Adams, Kenneth Alan and Lester Hill, Jr. "Protest and Rebellion: Fantasy Themes in Japanese Comics." Journal of Popular Culture 25.(1991): 99–127. |
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Adams, Kenneth Alan and Lester Hill, Jr. "The Phallic Female in Japanese Group-Fantasies." Journal of Psychohistory 25.(1997): 2–31. |
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Adams, Kenneth Alan and Lester Hill, Jr. "Castration Anxiety in Japanese Group-Fantasies." Journal of Psychohistory 26.(1999): 779–809. |
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Adana, Francisco Saez de. "Attachment and grief: The case of the death of Raven Sherman." Journal of Graphic Novels and Comics (2018): 1–16. |
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Addis, Victoria. "The musicalization of graphic narratives and P. Craig Russell’s graphic novel operas, The Magic Flute and Salomé." Studies in Comics 8.(2017): 7–28. |
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Adler-Kassner, Linda. "“Why Won’t You Just Read It?”: E.C. Comic Book Readers and Community in the 1950s." Reader 38/39.(1997–98): 101–27. |
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Adolphson, Jeremy V. "Creative expression or compulsive exploitation in underground comix: The scapegoating of Mike Diana’s Boiled Angel." Journal of Graphic Novels and Comics 4.(2013): 297–308. |
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Affolter, Cuno. "30 Jahre Pilote: Oder: Wie die Comics erwachsen wurden." Comic Jahrbuch (1989): 161–94. |
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Affolter, Cuno. "»Das Genre ist nur Verpackung«: Cuno Affolter im Gespräch mit Serge Le Tendre und Régis Loisel." Comic Jahrbuch (1989): 84–95. |
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Affolter, Cuno and Urs Hangartner. "50 Jahre »Spirou«: Aus einem wichtigen Kapitel Comic-Geschichte: Die Ecole Marcinelle." Comic Jahrbuch (1988): 163–78. |
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Affolter, Cuno and Urs Hangartner. "Revolutioniert der Computer die Comic-Welt?." Comic Jahrbuch (1988): 130–42. |
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Affolter, Cuno and Urs Hangartner. "I am a poor lonesome cowboy …: Lucky Lukes Westernwelt." Comic Jahrbuch (1990): 76–84. |
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Affolter, Cuno and Urs Hangartner. "Die Bilderwelt als Kulturspiegel: Wie die Künste im Comic vor- und wegkommen." Comic Jahrbuch (1991): 8–17. |
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Affolter, Cuno and Urs Hangartner. "Mit ÄCHZ und ORKH quer durch New York: Hochhaus-Architektur im Comic." Bauwelt 87.(1996): 2604–09. |
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Affolter, Cuno and Andreas C. Knigge. "»Ich glaube, daß die weiblichen Phantasien über die Sexualität weit von denen der Männer entfernt sind«: Interview mit Annie Goetzinger." Comic Jahrbuch (1987): 49–56. |
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Aggleton, Jen. "Defining digital comics: A British Library perspective." Journal of Graphic Novels and Comics (2018): 1–17. |
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Agnew, Bob. "¡Viva la Revolución! Los Agachados and the Worldview of Eduardo del Río." Studies in Latin American Popular Culture 23.(2004): 1–20. |
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Agosta-Ives, Valérie. "Salomon Assus (1850–1919): Humoristic Postcards as a Powerful Visual Medium Transcending Ethnic and Gender Issues in Early 1900s’ French Algeria." International Journal of Comic Art 11.(2009): 113–34. |
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Agulhon, Maurice. "Le mythe gaulois." Ethnologie française 28.(1998): 296–302. |
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Ahmed, Mohamed Hamdy Hamed. "Sarcasm in the View of the Ancient Egyptian." International Journal of Comic Art 9.(2007): 243–47. |
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Ahmed, Maaheen. "Moebius, Gir, Giraud, Gérard: Self-Visualizations." International Journal of Comic Art 11.(2009): 421–31. |
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Ahmed, Meena. "Exploring the Dimensions of Political Cartoons: A Case Study of Pakistan." International Journal of Comic Art 12.(2010): 525–42. |
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Ahmed, Maaheen. "Fallen Angels and Shattered Skies: Rejected Conventions in Yslaire’s Could 99 (XXe Ciel)." International Journal of Comic Art 12.(2010): 103–23. |
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Ahmed, Maaheen. "The Art of Splicing: Autofiction in Words and Images." International Journal of Comic Art 16.(2014): 322–38. |
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Added by: joachim 22/11/2014, 17:15 |
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Ahmed, Maaheen. "Instrumentalising Media Memories: The Second World War According to Achtung Zelig!." European Comic Art 12.(2019): 1–20. |
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Ahmed, Maaheen. "Reading children in comics: A sociohistorical mapping." Children’s Geographies 20.(2022): 349–60. |
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Ahmed, Maaheen and Martin Lund. "“We’re all Avengers now”: Community-building, civil religion and nominal multiculturalism in Marvel Comics’ Fear Itself." European Journal of American Culture 35.(2016): 77–95. |
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Ahrens, Jörn. "The Father’s Art of Crime: Igort’s 5 Is the Perfect Number." International Journal of Comic Art 12.(2010): 192–208. |
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Ahrens, Jörn. "Imagine Reality: Negotiating Comics along David B.’s Epileptic." European Comic Art 7.(2014): 64–89. |
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Aiken, Katherine. "Superhero History: Using Comic Books to Teach U.S. History." OAH Magazine of History 24.(2010): 41–47. |
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Ajah, Richard Oko. "Nationalism and African Communal Identity in Marguerite Abouet’s and Clement Oubrerie’s Aya de Yopougon." Human and Social Studies 5.(2017): 85–99. |
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Al-Jawad, Muna. "Comics are Research: Graphic Narratives as a New Way of Seeing Clinical Practice." Journal of Medical Humanities 36.(2015): 369–74. |
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Al-wazedi, Umme. "I Am the Maker of My Image: Marvel’s No Normal and the Comic Book Muslim Woman." South Asian Review 39.(2018): 239–51. |
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Alaniz, José. "Towards a History of a ‘Stalled’ Medium: Comics in Russia." International Journal of Comic Art 1.(1999): 4–28. |
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Alaniz, José. "Supercrip: Disability and the Marvel Silver Age Superhero." International Journal of Comic Art 6.(2004): 304–24. |
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Alaniz, José. "The “Quintessentially Russian” Komiks of Zhora Litichevsky." International Journal of Comic Art 7.(2005): 110–25. |
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Alaniz, José. "Caricature and Incarceration: The Case of Slava Sysoev." International Journal of Comic Art 8.(2006): 145–62. |
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Alaniz, José. "Death and the Superhero: The Silver Age and Beyond." International Journal of Comic Art 8.(2006): 234–48. |
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Alaniz, José. "Speaking the “Truth” of Sex: Moore & Gebbie’s Lost Girls." International Journal of Comic Art 8.(2006): 307–18. |
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Alaniz, José. "“Rutting in Free-Fall”: Moore and Bissette/Zulli’s Act of Faith." International Journal of Comic Art 10.(2008): 407–19. |
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Alaniz, José. "Masculinity and the Superhero in Post-Soviet Russian Comics." International Journal of Comic Art 11.(2009): 396–425. |
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Alaniz, José. "Food in Post-Soviet Russian Comics." International Journal of Comic Art 18.(2016): 216–33. |
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Alaniz, José. "The Shoah, Czech comics and Drda/Mazal’s “The Enormous Disc of the Sun”." Journal of Modern Jewish studies 17.(2018): 64–78. |
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Alaniz, José. "“Death Drive” to Los Alamos: Puma Blues as Eco-Male-ancholia." American Imago 77.(2020): 533–77. |
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Alaoui, Fatima Zahrae Chrifi and Shadee Abdi. "Wakanda for everyone: An invitation to an African Muslim perspective of Black Panther." Review of Communication 20.(2020): 229–35. |
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Alary, Viviane. "Briefness in Spanish Comics: A Few Landmarks." International Journal of Comic Art 5.(2003): 5–27. |
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Alary, Viviane. "Tardi, sa marque, son souffle." MEI (2007): 71–88. |
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Alary, Viviane. "The Spanish Tebeo." European Comic Art 2.(2009): 253–76. |
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Albarrán-Torres, César and Liam Burke. "Postcolonial Superheroes: Unmasking Black Panther: Wakanda Forever and Namor, Its Mesoamerican Antihero." Quarterly Review of Film and Video (2023). |
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Albertsen, Anita Nell Bech. "Palimpsest characters in transfictional storytelling: On migrating Penny Dreadful characters from television to comic books." Continuum 33.(2019): 242–57. |
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Albiero, Olivia. "Between free movement and confinement: Overcoming boundaries in Simon Schwartz’s drüben! and Colleen Frakes’s Prison Island." Journal of Graphic Novels and Comics 11.(2020): 96–116. |
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Albiero, Olivia. "Interview with Simon Schwartz." Journal of Graphic Novels and Comics 11.(2020): 134–41. |
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Albrecht, Christian. "Die Kunst des Unsichtbaren: Darstellung von Emotionen in Comicadaptionen von Die Leiden des jungen Werther." Praxis Deutsch (2012): 46–54. |
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Alegría Sabogal, Diego Cristóbal. "Voices Staged and Shaded: Comic Collaborations between P. Craig Russell and Neil Gaiman." Cuadernos Literarios 9.(2015). |
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Aleixo, Paul A. and Krystina Sumner. "Memory for biopsychology material presented in comic book format." Journal of Graphic Novels and Comics 8.(2017): 79–88. |
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Alejo, Miguel. "Chumy Chúmez: The Work of José Maria González Castrillo." International Journal of Comic Art 5.(2003): 110–18. |
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Ali, Barish. "The Violence of Criticism: The Mutilation and Exhibition of History in From Hell." Journal of Popular Culture 38.(2005): 605–31. |
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Alkazemi, Mariam F. "Kuwaiti political cartoons during the Arab Spring: Agenda setting and self-censorship." Journalism (2014). |
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Allen, Chadwick. "Hero with Two Faces: The Lone Ranger as Treaty Discourse." American Literature 68.(1996): 609–38. |
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Allen, Jeremy. "A Virtual Revolution: Australian Comic Creators and the Web." International Journal of Comic Art 3.(2001): 22–37. |
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Allen, Chadwick. "Tonto on Vacation, or How to Be an Indian Lawyer." Canadian Review of American Studies 39.(2009): 139–61. |
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Allen, Kate and John Ingulsrud. "Manga Literacy: Popular Culture and the Reading Habits of Japanese College Students." Journal of Adolescent & Adult Literacy 46.(2003): 674–83. |
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Allen, Kate and John Ingulsrud. "Reading Manga: Patterns of Personal Literacies Among Adolescents." Language and Education 19.(2005): 265–80. |
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Allison, Anne. "A Challenge to Hollywood? Japanese Character Goods Hit the US." Japanese Studies 20.(2000): 67–88. |
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Allocco, Katherine. "Could Guinevere ever be a superhero? Depictions of a warrior queen in Camelot 3000 (1982–1985)." Journal of Graphic Novels and Comics 9.(2018): 75–92. |
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de Almeida, Moana Luri. "The Evil Woodcutter and the Amazon Jungle: What Comics Have Taught Me About the Environment." Popular Culture Studies Journal 3.(2015): 386–414. |
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Alspaugh, Leann Davis. "Treading Upon the Shroud: Martin Rowson’s Graphic Novel Version of Tristram Shandy." The Shandean 20.(2009): 131–46. |
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Altehenger, Jennifer. "A Socialist Satire: Manhua Magazine and Political Cartoon Production in the PRC, 1950–1960." Frontiers of History in China 8.(2013): 78–103. |
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Alward, Emily. "Superhero Comic Books." Serials Review 8.(1982): 33–38. |
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Aman, Robert. "Swedish Colonialism, Exotic Africans and Romantic Anti-Capitalism: Notes on the Comic Series Johan Vilde." Third Text 30.(2016): 60–75. |
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Aman, Robert. "The Phantom Fights Apartheid: New Left Ideology, Solidarity Movements and the Politics of Race." Inks 2.(2018): 288–311. |
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Aman, Robert. "When the Phantom became an anticolonialist: Socialist ideology, Swedish exceptionalism, and the embodiment of foreign policy." Journal of Graphic Novels and Comics (2018): 1–18. |
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