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Aarons, Victoria. Holocaust Graphic Narratives: Generation, Trauma, and Memory. New Brunswick: Rutgers Univ. Press, 2020.   
Last edited by: joachim 24/01/2021, 11:18
Abirached, Zeina. "Artist’s Statement." European Comic Art 8.(2015): 69–86.   
Last edited by: joachim 26/03/2021, 16:36
Acheson, Charles. "Expanding the Role of the Gutter in Nonfiction Comics: Forged Memories in Joe Sacco’s Safe Area Goražde." Studies in the Novel 47.(2015): 291–307.   
Added by: joachim 23/04/2016, 09:02
Ahmed, Maaheen. "Instrumentalising Media Memories: The Second World War According to Achtung Zelig!." European Comic Art 12.(2019): 1–20.   
Last edited by: joachim 30/03/2020, 10:42
Ahmed, Maaheen and Benoît Crucifix, eds. Comics and Memory: Archives and Styles. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018.   
Last edited by: joachim 01/09/2018, 11:04
Ahmed, Maaheen and Benoît Crucifix. "Coda: A User Guide to Comics Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 281–85.   
Last edited by: joachim 29/09/2022, 00:08
Ahrens, Jörn. "Comic und traumgebundene Realität: David B.s Die heilige Krankheit als Kunst des Erinnerns." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 273–92.   
Added by: joachim 08/02/2014, 18:49
Aleixo, Paul A. and Krystina Sumner. "Memory for biopsychology material presented in comic book format." Journal of Graphic Novels and Comics 8.(2017): 79–88.   
Last edited by: joachim 18/07/2020, 18:29
Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74.   
Last edited by: joachim 29/07/2009, 14:06
Arioli, Mattia. "A (not so) Forgotten War: The Korean Conflict as a Turning Point in the History of the War Comics Genre." Iperstoria 19 2022. Accessed 23 Feb. 2024. <https://iperstoria.it/article/view/1154>.   
Added by: joachim 23/02/2024, 16:56
Baetens, Jan. "Historicising achronism: Some notes on the idea of art without history in David Carrier’s The Aesthetics of Comics." Image [&] Narrative 12.4 2011. Accessed 27 May. 2012. <http://www.imageandnarr ... rticle/viewFile/205/169>.   
Added by: joachim 27/05/2012, 22:12
Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85.   
Last edited by: joachim 28/07/2014, 09:52
Balestrino, Alice. "Placing Time, Timing Space: Memory as Border and Line of (Hi)Stories in Richard McGuire’s Graphic Narrative Here." Review of International American Studies 11.(2018): 67–79.   
Last edited by: joachim 02/02/2023, 06:41
Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige Motive in den Comics von Miyazaki Hayao, Moebius und Chris Ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56.   
Last edited by: joachim 26/03/2013, 22:09
Banita, Georgiana. "Chris Ware and the Pursuit of Slowness." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 177–90.   
Last edited by: joachim 29/07/2014, 14:23
Banner, Gillian. Holocaust Literature: Schulz, Levi, Spiegelman and the Memory of the Offence. Parkes-Wiener series on Jewish studies. London: Vallentine Mitchell, 2000.   
Added by: joachim 23/10/2012, 00:13
Barrera-Vidal, Albert. "Selbstbilder und Fremdbilder in der frankophonen Bande dessinée Belgiens am Beispiel Deutschlands." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 121–52.   
Last edited by: joachim 04/10/2014, 14:10
Barrett, Matthew. "De-picturing John A. Macdonald: Opportunities and Challenges of Representing Canada’s Past with Graphic History." The Canadian Hiustorical Review 103.(2022): 32–74.   
Added by: joachim 07/04/2022, 11:11
Bartual, Roberto. "Towards a Panoptical Representation of Time and Memory – Chris Ware, Marcel Proust and Henri Bergson’s “Pure Duration”." Scandinavian Journal of Comic Art 1.1 2012. Accessed 11 Jun. 2012. <http://sjoca.com/wp-con ... 1-1-Article-Bartual.pdf>.   
Added by: joachim 11/06/2012, 00:19
Bartual, Roberto. "Gasoline Alley, 22 April 1934." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 20–23.   
Added by: joachim 16/12/2012, 16:35
Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84.   
Added by: joachim 28/07/2014, 12:06
op de Beeck, Nathalie. "Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin)." Modern Fiction Studies 52.(2006): 807–31.   
Last edited by: joachim 14/03/2016, 03:32
Begag, Azouz. "Mai 1945 à Sétif: Genèse d’une bande dessinée." Contemporary French and Francophone Studies 17.(2013): 99–116.   
Added by: joachim 28/08/2013, 13:45
Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im Comic. Marburg: Tectum, 2009.   
Added by: joachim 15/07/2011, 21:59
Berger, Alan L. Children of Job: American Second-Generation Witnesses to the Holocaust. Albany: SUNY Pr. 1997.   
Added by: joachim 08/11/2010, 17:40
Berlatsky, Eric. "Memory as Forgetting: The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." Cultural Critique 55.(2003): 101–51.   
Last edited by: joachim 30/09/2011, 15:21
Berlatsky, Eric. The Real, The True, and the Told: Postmodern Historical Narrative and the Ethics of Representation. Theory and Interpretation of Narrative. Columbus: Ohio State University Libraries, 2011.   
Added by: joachim 20/04/2015, 09:01
Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic Mothers, Fetishism, and Replacement in the comics of Los Bros Hernandez (Part II)." The Hooded Utilitarian 2012. Accessed 6 Oct. 2014. <http://www.hoodedutilit ... bros-hernandez-part-ii/>.   
Added by: joachim 06/10/2014, 15:54
Besozzi, Michael T. "“To Blaze Forever in a Blazing World”: Queer Reconstruction and Cultural Memory in the Works of Alan Moore." Thesis Master of Arts. Georgia State University, 2011.   
Added by: joachim 19/11/2012, 20:19
Bicker, Mathis. "Museumslektionen: Comic und Archiv, ein Versuch." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 17–24.   
Added by: joachim 19/10/2011, 01:08
Blancher, Marc. "On affame bien les rats!: oder: Ein ästhetischer Bericht über die Unterdrückung in den 70er Jahren." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 327–43.   
Last edited by: joachim 21/03/2019, 15:34
Brock, Jennifer. "‘One Should Never Forget’ : The Tangling of History and Memory in Persepolis." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 223–41.   
Added by: joachim 12/03/2013, 22:38
Brogan, Jacob. "From Comics History to Personal Memory." The Comics Journal 2012. Accessed 3 Jul. 2013. <http://www.tcj.com/from ... ory-to-personal-memory/>.   
Added by: joachim 03/07/2013, 12:27
Brown, Joshua. "Of Mice and Memory." Oral History Review 16.(1988): 91–109.   
Added by: joachim 10/09/2009, 10:09
Bukh, Alexander. "Reception of the revisionist historical manga in Japan: A case study of university students." Inter-Asia Cultural Studies 13.(2012): 623–38.   
Last edited by: joachim 07/09/2013, 18:04
Busi Rizzi, Giorgio. "Portrait of the Artist as a Nostalgic: Seth’s It’s a Good Life if You Don’t Weaken." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 15–36.   
Last edited by: joachim 04/09/2018, 17:53
Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25.(2014): 202–20.   
Last edited by: joachim 27/04/2019, 20:09
Calargé, Carla and Alexandra Gueydan-Turek. "De la fabrique du réel (apocalyptique) dans la bande dessinée Beyrouth Bye Bye … de Barrack Rima." International Journal of Francophone Studies 20.(2017): 57–72.   
Last edited by: joachim 29/03/2021, 14:31
Capart, Philippe. "Store Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 277–80.   
Last edited by: joachim 05/09/2018, 18:48
Carter, James Bucky. "Teaching Peter Parker’s Ghosts of Milton: Anxiety of Influence, the Trace, and Platonic Knowing in Ultimate Spider-Man Volume 1." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 63–68.   
Last edited by: joachim 23/09/2012, 14:51
Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer, eds. Comics and Memory in Latin America. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017.   
Added by: joachim 06/09/2018, 17:54
Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer. "Introduction: Comics and Memory in Latin America." Comics and Memory in Latin America. Eds. Jorge L. Catalá-Carrasco, Paulo Drinot and James Scorer. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. 3–32.   
Added by: joachim 06/09/2018, 19:49
Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62.   
Last edited by: joachim 28/07/2014, 11:57
Cavallaro, Dani. Anime and Memory: Aesthetic, Cultural and Thematic Perspectives. Jefferson, London: McFarland, 2009.   
Added by: joachim 04/06/2013, 09:07
Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015.   
Last edited by: joachim 07/05/2018, 10:19
Charlson, Joshua L. "Framing the Past: Postmodernism and the Making of Reflective Memory in Art Spiegelman’s Maus." Arizona Quarterly 57.(2001): 91–120.   
Added by: joachim 01/08/2018, 16:51
Cheurfa, Hiyem. "Testifying Graphically: Bearing Witness to a Palestinian Childhood in Leila Abdelrazaq’s Baddawi." a/b: Auto/Biography Studies 35.(2020): 359–82.   
Last edited by: joachim 26/08/2020, 18:55
Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and Art Spiegelman’s Comix of Memory." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 201–11.   
Last edited by: joachim 19/02/2017, 17:36
Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36.(2008): 92–110.   
Last edited by: joachim 03/08/2011, 11:32
Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17.   
Added by: joachim 22/06/2014, 16:16
Chute, Hillary. "Comics as Archives: MetaMetaMaus." emisférica 9.1–2 2012. Accessed 15 Apr. 2016. <http://hemisphericinsti ... en/e-misferica-91/chute>.   
Added by: joachim 15/04/2016, 10:46
Chute, Hillary. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016.   
Last edited by: joachim 19/02/2016, 18:28
Chute, Hillary. "Materializing Memory: Lynda Barry’s One Hundred Demons." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 282–309.   
Added by: joachim 19/12/2011, 12:10
Clarkson, Alexander. "Virtual Heroes: Boys, Masculinity and Historical Memory in War Comics 1945–1995." Thymos 2.(2008): 175–85.   
Last edited by: joachim 20/11/2010, 18:22
Clopton, Kay K. "Ha-Fuun and Other Sounds of Enjoyment: How Giongo and Gitaigo Shift from Entertainment to Lived Experience in Insufficient Direction." International Journal of Comic Art 20.(2018): 563–74.   
Last edited by: joachim 22/03/2021, 10:59
Connerty, Michael. "Selective Memory: Art History and the Comic Strip Work of Jack B. Yeats." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 231–48.   
Last edited by: joachim 06/09/2018, 02:56
Cornog, Martha and Timothy Perper, eds. Graphic Novels Beyond the Basics: Insights and Issues for Libraries. Santa Barbara: Libraries Unlimited, 2009.   
Added by: joachim 30/01/2018, 15:48
Cremins, Brian. "Nostalgia and Strange Tales #180." The Comics Grid 3.2 2013. Accessed 20 Jun. 2016. <http://doi.org/10.5334/cg.ab>.   
Added by: joachim 20/06/2016, 13:11
Cremins, Brian. Captain Marvel and the Art of Nostalgia. Jackson: Univ. Press of Mississippi, 2016.   
Last edited by: joachim 25/05/2018, 21:14
Croissant, Doris. "Sexualizing Cultural Memory: The Manga Hermeneutics of The Tale of Genji." Review of Japanese Culture and Society 15.(2003): 90–91.   
Added by: joachim 07/09/2011, 00:56
Crucifix, Benoît. "Witnessing Fukushima Secondhand: Collage, Archive and Travelling Memory in Jacques Ristorcelli’s Les Écrans." The Comics Grid 6.4 2016. Accessed 13 Feb. 2016. <http://www.comicsgrid.com/articles/10.16995/cg.73/>.   
Last edited by: joachim 14/02/2016, 09:20
Crucifix, Benoît. "Rethinking the ‘Memorable Panel’ from Pierre Sterckx to Olivier Josso Hamel." European Comic Art 10.(2017): 24–47.   
Added by: joachim 11/12/2017, 14:29
Crucifix, Benoît. Drawing from the Archives: Comics Memory in the Contemporary Graphic Novel. Cambridge Studies in Graphic Narratives. Cambridge [etc.]: Cambridge Univ. Press, 2023.   
Last edited by: joachim 24/08/2023, 14:09
Cutter, Martha J. and Cathy J. Schlund-Vials, eds. Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels. Athens: Univ. of Georgia Press, 2018.   
Last edited by: joachim 08/03/2020, 16:30
Cvetkovich, Ann. "Drawing the Archive in Alison Bechdel’s Fun Home." Women's Studies Quarterly 36.(2008): 111–28.   
Last edited by: joachim 03/08/2011, 11:34
Dardaillon, Sylvie and Christophe Meunier. "La série Paul de Michel Rabagliati: Récits d’espaces et de temps." Comicalités 2013. Accessed 8 Jul. 2016. <http://comicalites.revues.org/1566>.   
Added by: joachim 08/07/2016, 16:10
Darras, Bernard. "Corto Maltese, l’espace recomposé par la conscience et la mémoire." MEI (2007): 135–47.   
Added by: joachim 09/09/2014, 17:12
Davis, Rocío G. "A Graphic Self: Comics as autobiography in Marjane Satrapi’s Persepolis." Prose Studies 27.(2005): 264–79.   
Added by: joachim 19/12/2011, 12:03
Dean-Ruzicka, Rachel. "Mourning and Melancholia in Alison Bechdel’s Fun Home: A Family Tragicomic." ImageTexT 7.2 2013. Accessed 11 Feb. 2014. <http://www.english.ufl. ... ives/v7_2/dean-ruzicka/>.   
Added by: joachim 11/02/2014, 18:54
Delannoy, Pierre Alban. MAUS d’Art Spiegelman: Bande dessinée et shoah. Champs visuels. Paris: L’Harmattan, 2002.   
Last edited by: joachim 20/04/2015, 08:54
Dickason, Renée. "Entre mémoire et histoire: La fabrique d’un imaginaire de la Grande Guerre en bande dessinée. Le cas de Jacques Tardi." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. Chêne-Bourg: Georg, 2011. 185–203.   
Added by: joachim 05/09/2019, 14:05
Diffrient, David Scott. "Contemporary comic books and Hollywood noir: Remediating cinematic style and cultural memory in The Fade Out." Journal of Graphic Novels and Comics 10.(2019): 342–67.   
Last edited by: joachim 29/05/2020, 10:56
Dittmer, Jason. "Narrating urban assemblages—Chris Ware and Building Stories." Social & Cultural Geography 15.(2014): 477–503.   
Last edited by: joachim 30/06/2014, 20:22
Doležalová, Lucie. "The Biblia picta Velislai and Latin Biblical Mnemonics in 14th and 15th C. Bohemia." Daphnis 41.(2012): 327–55.   
Last edited by: joachim 20/06/2017, 08:56
Donn, Katharina. "‘Icons of a more Innocent Age’? Graphic Narratives after 9/11." Frightful Witnessing. The Rhetoric and (Re)Presentation of Fear, Horror and Terror. Eds. Beth A. Kattelman and Magdalena Hodalska. Oxford: Inter-Disciplinary Pr. 2014.   
Added by: joachim 12/09/2014, 12:47
Dony, Christophe. "Trauma, Identity and Memory: The Individual/Collective Dialectic in 9/11-related Comics." International Journal of Comic Art 9.(2007): 340–72.   
Last edited by: joachim 22/10/2011, 15:19
Dony, Christophe. "Towards a vocabulary of displacement and utopian possibilities: Reading Shaun Tan’s The Arrival as a crossover text." Studies in Comics 3.(2012): 83–106.   
Last edited by: joachim 31/10/2012, 23:38
Dony, Christophe. "Vertigo’s Archival Impulse as Memorious Discourse." Comics Forum 2013. Accessed 25 Feb. 2019. <https://comicsforum.org ... rse-by-christophe-dony/>.   
Added by: joachim 25/02/2019, 18:16
Dony, Christophe and Caroline van Linthout. "Comics, Trauma and Cultural Memory(ies) of 9/11." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 178–87.   
Last edited by: joachim 30/01/2012, 10:44
Douglas, Allen and Fedwa Malti-Douglas. "From the Algerian War to the Armenian Massacres: Memory, Trauma, and Medicine in Petit Polio of Farid Boudjellal." International Journal of Comic Art 10.(2008): 282–307.   
Last edited by: joachim 08/07/2017, 15:44
Doyle, Peter. "If Walls Could Talk: Spatialising Narrative in the Museum." Scan. Journal of media arts culture 5.2 2008. Accessed 1 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=119>.   
Added by: joachim 04/05/2013, 11:18
Drewniak, Dagmara. "Addicted to the Holocaust – Bernice Eisenstein’s Ways of Coping with Troublesome Memories in I Was a Child of Holocaust Survivors." Studia Anglica Posnaniensia 50.(2015): 39–50.   
Last edited by: joachim 04/05/2020, 12:31
Dudek, Debra. "“Good Relationships Mean Good Lives”: Warrior-Survivor Identity/ies in David Alexander Robertson’s 7 Generations." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 39–50.   
Last edited by: joachim 14/05/2018, 09:50
Duffy, Damian. "Remasters of American Comics: Sequential art as new media in the transformative museum context." Scan. Journal of media arts culture 6.1 2009. Accessed 2 Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=130>.   
Added by: joachim 18/11/2009, 00:17
Dunley, Kathleen. "The space between: Ruins, narratives, and history." Thesis PhD. University of Colorado, 2007.   
Added by: joachim 03/06/2011, 03:35
Dunley, Kathleen. "Ben Katchor and What’s Left Behind." The Comics Grid 2012. Accessed 18 Jul. 2012. <http://www.comicsgrid.c ... chor-whats-left-behind/>.   
Added by: joachim 05/12/2012, 12:38
Dunley, Kathleen. "A Note on Ben Katchor’s Temporal Palimpsests." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 188–89.   
Last edited by: joachim 21/01/2013, 00:06
Dunley, Kathleen. "Seth’s Suspension of Perception in Palookaville #19." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 82–85.   
Last edited by: joachim 21/01/2013, 00:14
Eder, Barbara. "Bewegte Erinnerung: Zur ›autofiktionalen‹ Erinnerungskonstruktion in den Comics emigrierter Graphic Novel-Autorinnen." Comparativ 24.(2014): 97–111.   
Last edited by: joachim 27/04/2019, 20:04
Eder, Barbara. "Zeit der Revolution – Revolution der Zeit: Figuren der Zeitlichkeit in Marjane Satrapis Persepolis." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 283–302.   
Last edited by: joachim 01/10/2011, 02:27
Egger, Bettina. Comic und Erinnerung: Oral History im Werk von Emmanuel Guibert. Bildnarrative. Berlin: Ch.A. Bachmann, 2020.   
Last edited by: joachim 16/10/2020, 11:32
Egger, Bettina. "Archives and Oral History in Emmanuel Guibert’s Le Photographe." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 59–78.   
Last edited by: joachim 06/09/2018, 16:15
Eggers, Zwanetta. "Zur Inszenierung der Erinnerns traumatischer Ereignisse im Film Waltz with Bashir." Geschlechtergedächtnisse. Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Eds. Ilse Nagelschmidt, Inga Probst and Torsten Erdbrügger. Literaturwissenschaft. Berlin: Frank & Timme, 2010. 89–109.   
Last edited by: joachim 27/04/2011, 03:07
Enns, Anthony. "The City as Archive in Jason Lutes’s Berlin." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 45–59.   
Last edited by: joachim 18/06/2016, 16:34
Fazio, Michele. "Past Lives: Memory and the Meaning of Work in The Walking Dead." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 49–80.   
Last edited by: joachim 01/09/2018, 00:44
Foster, Michael Dylan. "Haunted Travelogue: Hometowns, Ghost Towns, and Memories of War." Mechademia 4.(2009): 164–81.   
Added by: joachim 26/07/2010, 23:44
Frahm, Ole. "“These papers had too many memories. So I burned them”: Genealogical Remembrance in Art Spiegelman's Maus. A Survivors Tale." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 61–78.   
Last edited by: joachim 16/02/2010, 01:22
Frenzel, Martin. "Der Holocaust im Comic." Aus Politik und Zeitgeschichte 64.(2014): 30–34.   
Last edited by: joachim 21/08/2014, 14:54
Frenzel, Martin. "Zwischen erfundener und erlebter Erinnerung: Die Shoah im Comic." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 160–92.   
Last edited by: joachim 25/08/2018, 13:22
Frenzel, Martin. "Über Maus hinaus: Erfundene und biografische Erinnerung im Genre der Holocaust-Comics." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 206–83.   
Added by: joachim 04/09/2011, 23:44
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