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Aarons, Victoria. Holocaust Graphic Narratives: Generation, trauma, and memory. New Brunswick: Rutgers Univ. Press, 2020.   
Last edited by: joachim 1/24/21, 11:18 AM
Abirached, Zeina. "Artist’s Statement." European Comic Art 8. (2015): 69–86.   
Last edited by: joachim 3/26/21, 4:36 PM
Acheson, Charles. "Expanding the Role of the Gutter in Nonfiction Comics: Forged memories in joe sacco’s safe area goražde." Studies in the Novel 47. (2015): 291–307.   
Added by: joachim 4/23/16, 9:02 AM
Ahmed, Maaheen. "Instrumentalising Media Memories: The second world war according to achtung zelig!." European Comic Art 12. (2019): 1–20.   
Last edited by: joachim 3/30/20, 10:42 AM
Ahmed, Maaheen and Benoît Crucifix, eds. Comics and Memory: Archives and styles. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018.   
Last edited by: joachim 9/1/18, 11:04 AM
Ahmed, Maaheen and Benoît Crucifix. "Coda: A user guide to comics memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 281–85.   
Last edited by: joachim 9/29/22, 12:08 AM
Ahrens, Jörn. "Comic und traumgebundene Realität: David b.s die heilige krankheit als kunst des erinnerns." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 273–92.   
Added by: joachim 2/8/14, 6:49 PM
Aleixo, Paul A. and Krystina Sumner. "Memory for biopsychology material presented in comic book format." Journal of Graphic Novels and Comics 8. (2017): 79–88.   
Last edited by: joachim 7/18/20, 6:29 PM
Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74.   
Last edited by: joachim 7/29/09, 2:06 PM
Arioli, Mattia. "A (not so) Forgotten War: The korean conflict as a turning point in the history of the war comics genre." Iperstoria 19 2022. Accessed 23 Feb. 2024. <>.   
Added by: joachim 2/23/24, 4:56 PM
Baetens, Jan. "Historicising achronism: Some notes on the idea of art without history in david carrier’s the aesthetics of comics." Image [&] Narrative 12. 4 2011. Accessed 27 May. 2012. <http://www.imageandnarr ... rticle/viewFile/205/169>.   
Added by: joachim 5/27/12, 10:12 PM
Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85.   
Last edited by: joachim 7/28/14, 9:52 AM
Balestrino, Alice. "Placing Time, Timing Space: Memory as border and line of (hi)stories in richard mcguire’s graphic narrative here." Review of International American Studies 11. (2018): 67–79.   
Last edited by: joachim 2/2/23, 6:41 AM
Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige motive in den comics von miyazaki hayao, moebius und chris ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56.   
Last edited by: joachim 3/26/13, 10:09 PM
Banita, Georgiana. "Chris Ware and the Pursuit of Slowness." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 177–90.   
Last edited by: joachim 7/29/14, 2:23 PM
Banner, Gillian. Holocaust Literature: Schulz, levi, spiegelman and the memory of the offence. Parkes-Wiener series on Jewish studies. London: Vallentine Mitchell, 2000.   
Added by: joachim 10/23/12, 12:13 AM
Barrera-Vidal, Albert. "Selbstbilder und Fremdbilder in der frankophonen Bande dessinée Belgiens am Beispiel Deutschlands." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 121–52.   
Last edited by: joachim 10/4/14, 2:10 PM
Barrett, Matthew. "De-picturing John A. Macdonald: opportunities and challenges of representing canada’s past with graphic history." The Canadian Hiustorical Review 103. (2022): 32–74.   
Added by: joachim 4/7/22, 11:11 AM
Bartual, Roberto. "Towards a Panoptical Representation of Time and Memory – Chris Ware, Marcel Proust and Henri Bergson’s “Pure Duration”." Scandinavian Journal of Comic Art 1. 1 2012. Accessed 11 Jun. 2012. < ... 1-1-Article-Bartual.pdf>.   
Added by: joachim 6/11/12, 12:19 AM
Bartual, Roberto. "Gasoline Alley, 22 April 1934." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 20–23.   
Added by: joachim 12/16/12, 4:35 PM
Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84.   
Added by: joachim 7/28/14, 12:06 PM
op de Beeck, Nathalie. "Found Objects (Jem Cohen, Ben Katchor, Walter Benjamin)." Modern Fiction Studies 52. (2006): 807–31.   
Last edited by: joachim 3/14/16, 3:32 AM
Begag, Azouz. "Mai 1945 à Sétif: Genèse d’une bande dessinée." Contemporary French and Francophone Studies 17. (2013): 99–116.   
Added by: joachim 8/28/13, 1:45 PM
Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im comic. Marburg: Tectum, 2009.   
Added by: joachim 7/15/11, 9:59 PM
Berger, Alan L. Children of Job: American second-generation witnesses to the holocaust. Albany: SUNY Pr. 1997.   
Added by: joachim 11/8/10, 5:40 PM
Berlatsky, Eric. "Memory as Forgetting: The problem of the postmodern in the book of laughter and forgetting and maus." Cultural Critique 55. (2003): 101–51.   
Last edited by: joachim 9/30/11, 3:21 PM
Berlatsky, Eric. The Real, The True, and the Told: Postmodern historical narrative and the ethics of representation. Theory and Interpretation of Narrative. Columbus: Ohio State University Libraries, 2011.   
Added by: joachim 4/20/15, 9:01 AM
Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic mothers, fetishism, and replacement in the comics of los bros hernandez (part ii)." The Hooded Utilitarian 2012. Accessed 6 Oct. 2014. <http://www.hoodedutilit ... bros-hernandez-part-ii/>.   
Added by: joachim 10/6/14, 3:54 PM
Besozzi, Michael T. "“To Blaze Forever in a Blazing World”: Queer reconstruction and cultural memory in the works of alan moore." Thesis Master of Arts. Georgia State University, 2011.   
Added by: joachim 11/19/12, 8:19 PM
Bicker, Mathis. "Museumslektionen: Comic und archiv, ein versuch." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 17–24.   
Added by: joachim 10/19/11, 1:08 AM
Blancher, Marc. "On affame bien les rats!: Oder: ein ästhetischer bericht über die unterdrückung in den 70er jahren." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 327–43.   
Last edited by: joachim 3/21/19, 3:34 PM
Brock, Jennifer. "‘One Should Never Forget’ : The tangling of history and memory in persepolis." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 223–41.   
Added by: joachim 3/12/13, 10:38 PM
Brogan, Jacob. "From Comics History to Personal Memory." The Comics Journal 2012. Accessed 3 Jul. 2013. < ... ory-to-personal-memory/>.   
Added by: joachim 7/3/13, 12:27 PM
Brown, Joshua. "Of Mice and Memory." Oral History Review 16. (1988): 91–109.   
Added by: joachim 9/10/09, 10:09 AM
Bukh, Alexander. "Reception of the revisionist historical manga in Japan: A case study of university students." Inter-Asia Cultural Studies 13. (2012): 623–38.   
Last edited by: joachim 9/7/13, 6:04 PM
Busi Rizzi, Giorgio. "Portrait of the Artist as a Nostalgic: Seth’s it’s a good life if you don’t weaken." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 15–36.   
Last edited by: joachim 9/4/18, 5:53 PM
Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25. (2014): 202–20.   
Last edited by: joachim 4/27/19, 8:09 PM
Calargé, Carla and Alexandra Gueydan-Turek. "De la fabrique du réel (apocalyptique) dans la bande dessinée Beyrouth Bye Bye … de Barrack Rima." International Journal of Francophone Studies 20. (2017): 57–72.   
Last edited by: joachim 3/29/21, 2:31 PM
Capart, Philippe. "Store Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 277–80.   
Last edited by: joachim 9/5/18, 6:48 PM
Carter, James Bucky. "Teaching Peter Parker’s Ghosts of Milton: Anxiety of influence, the trace, and platonic knowing in ultimate spider-man volume 1." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 63–68.   
Last edited by: joachim 9/23/12, 2:51 PM
Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer, eds. Comics and Memory in Latin America. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017.   
Added by: joachim 9/6/18, 5:54 PM
Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer. "Introduction: Comics and memory in latin america." Comics and Memory in Latin America. Eds. Jorge L. Catalá-Carrasco, Paulo Drinot and James Scorer. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. 3–32.   
Added by: joachim 9/6/18, 7:49 PM
Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62.   
Last edited by: joachim 7/28/14, 11:57 AM
Cavallaro, Dani. Anime and Memory: Aesthetic, cultural and thematic perspectives. Jefferson, London: McFarland, 2009.   
Added by: joachim 6/4/13, 9:07 AM
Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015.   
Last edited by: joachim 5/7/18, 10:19 AM
Charlson, Joshua L. "Framing the Past: Postmodernism and the making of reflective memory in art spiegelman’s maus." Arizona Quarterly 57. (2001): 91–120.   
Added by: joachim 8/1/18, 4:51 PM
Cheurfa, Hiyem. "Testifying Graphically: Bearing witness to a palestinian childhood in leila abdelrazaq’s baddawi." a/b: Auto/Biography Studies 35. (2020): 359–82.   
Last edited by: joachim 8/26/20, 6:55 PM
Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 201–11.   
Last edited by: joachim 2/19/17, 5:36 PM
Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36. (2008): 92–110.   
Last edited by: joachim 8/3/11, 11:32 AM
Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17.   
Added by: joachim 6/22/14, 4:16 PM
Chute, Hillary. "Comics as Archives: Metametamaus." emisférica 9. 1–2 2012. Accessed 15 Apr. 2016. <http://hemisphericinsti ... en/e-misferica-91/chute>.   
Added by: joachim 4/15/16, 10:46 AM
Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016.   
Last edited by: joachim 2/19/16, 6:28 PM
Chute, Hillary. "Materializing Memory: Lynda barry’s one hundred demons." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 282–309.   
Added by: joachim 12/19/11, 12:10 PM
Clarkson, Alexander. "Virtual Heroes: Boys, masculinity and historical memory in war comics 1945–1995." Thymos 2. (2008): 175–85.   
Last edited by: joachim 11/20/10, 6:22 PM
Clopton, Kay K. "Ha-Fuun and Other Sounds of Enjoyment: How giongo and gitaigo shift from entertainment to lived experience in insufficient direction." International Journal of Comic Art 20. (2018): 563–74.   
Last edited by: joachim 3/22/21, 10:59 AM
Connerty, Michael. "Selective Memory: Art history and the comic strip work of jack b. yeats." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 231–48.   
Last edited by: joachim 9/6/18, 2:56 AM
Cornog, Martha and Timothy Perper, eds. Graphic Novels Beyond the Basics: Insights and issues for libraries. Santa Barbara: Libraries Unlimited, 2009.   
Added by: joachim 1/30/18, 3:48 PM
Cremins, Brian. "Nostalgia and Strange Tales #180." The Comics Grid 3. 2 2013. Accessed 20 Jun. 2016. <>.   
Added by: joachim 6/20/16, 1:11 PM
Cremins, Brian. Captain Marvel and the Art of Nostalgia. Jackson: Univ. Press of Mississippi, 2016.   
Last edited by: joachim 5/25/18, 9:14 PM
Croissant, Doris. "Sexualizing Cultural Memory: The manga hermeneutics of the tale of genji." Review of Japanese Culture and Society 15. (2003): 90–91.   
Added by: joachim 9/7/11, 12:56 AM
Crucifix, Benoît. "Witnessing Fukushima Secondhand: Collage, archive and travelling memory in jacques ristorcelli’s les écrans." The Comics Grid 6. 4 2016. Accessed 13 Feb. 2016. <>.   
Last edited by: joachim 2/14/16, 9:20 AM
Crucifix, Benoît. "Rethinking the ‘Memorable Panel’ from Pierre Sterckx to Olivier Josso Hamel." European Comic Art 10. (2017): 24–47.   
Added by: joachim 12/11/17, 2:29 PM
Crucifix, Benoît. Drawing from the Archives: Comics memory in the contemporary graphic novel. Cambridge Studies in Graphic Narratives. Cambridge [etc.]: Cambridge Univ. Press, 2023.   
Last edited by: joachim 8/24/23, 2:09 PM
Cutter, Martha J. and Cathy J. Schlund-Vials, eds. Redrawing the Historical Past: History, memory, and multiethnic graphic novels. Athens: Univ. of Georgia Press, 2018.   
Last edited by: joachim 3/8/20, 4:30 PM
Cvetkovich, Ann. "Drawing the Archive in Alison Bechdel’s Fun Home." Women's Studies Quarterly 36. (2008): 111–28.   
Last edited by: joachim 8/3/11, 11:34 AM
Dardaillon, Sylvie and Christophe Meunier. "La série Paul de Michel Rabagliati: Récits d’espaces et de temps." Comicalités 2013. Accessed 8 Jul. 2016. <>.   
Added by: joachim 7/8/16, 4:10 PM
Darras, Bernard. "Corto Maltese, l’espace recomposé par la conscience et la mémoire." MEI (2007): 135–47.   
Added by: joachim 9/9/14, 5:12 PM
Davis, Rocío G. "A Graphic Self: Comics as autobiography in marjane satrapi’s persepolis." Prose Studies 27. (2005): 264–79.   
Added by: joachim 12/19/11, 12:03 PM
Dean-Ruzicka, Rachel. "Mourning and Melancholia in Alison Bechdel’s Fun Home: A Family Tragicomic." ImageTexT 7. 2 2013. Accessed 11 Feb. 2014. <http://www.english.ufl. ... ives/v7_2/dean-ruzicka/>.   
Added by: joachim 2/11/14, 6:54 PM
Delannoy, Pierre Alban. MAUS d’Art Spiegelman: Bande dessinée et shoah. Champs visuels. Paris: L’Harmattan, 2002.   
Last edited by: joachim 4/20/15, 8:54 AM
Dickason, Renée. "Entre mémoire et histoire: La fabrique d’un imaginaire de la grande guerre en bande dessinée. le cas de jacques tardi." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. Chêne-Bourg: Georg, 2011. 185–203.   
Added by: joachim 9/5/19, 2:05 PM
Diffrient, David Scott. "Contemporary comic books and Hollywood noir: Remediating cinematic style and cultural memory in the fade out." Journal of Graphic Novels and Comics 10. (2019): 342–67.   
Last edited by: joachim 5/29/20, 10:56 AM
Dittmer, Jason. "Narrating urban assemblages—Chris Ware and Building Stories." Social & Cultural Geography 15. (2014): 477–503.   
Last edited by: joachim 6/30/14, 8:22 PM
Doležalová, Lucie. "The Biblia picta Velislai and Latin Biblical Mnemonics in 14th and 15th C. Bohemia." Daphnis 41. (2012): 327–55.   
Last edited by: joachim 6/20/17, 8:56 AM
Donn, Katharina. "‘Icons of a more Innocent Age’? Graphic narratives after 9/11." Frightful Witnessing. The Rhetoric and (Re)Presentation of Fear, Horror and Terror. Eds. Beth A. Kattelman and Magdalena Hodalska. Oxford: Inter-Disciplinary Pr. 2014.   
Added by: joachim 9/12/14, 12:47 PM
Dony, Christophe. "Trauma, Identity and Memory: The individual/collective dialectic in 9/11-related comics." International Journal of Comic Art 9. (2007): 340–72.   
Last edited by: joachim 10/22/11, 3:19 PM
Dony, Christophe. "Towards a vocabulary of displacement and utopian possibilities: Reading shaun tan’s the arrival as a crossover text." Studies in Comics 3. (2012): 83–106.   
Last edited by: joachim 10/31/12, 11:38 PM
Dony, Christophe. "Vertigo’s Archival Impulse as Memorious Discourse." Comics Forum 2013. Accessed 25 Feb. 2019. < ... rse-by-christophe-dony/>.   
Added by: joachim 2/25/19, 6:16 PM
Dony, Christophe and Caroline van Linthout. "Comics, Trauma and Cultural Memory(ies) of 9/11." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 178–87.   
Last edited by: joachim 1/30/12, 10:44 AM
Douglas, Allen and Fedwa Malti-Douglas. "From the Algerian War to the Armenian Massacres: Memory, trauma, and medicine in petit polio of farid boudjellal." International Journal of Comic Art 10. (2008): 282–307.   
Last edited by: joachim 7/8/17, 3:44 PM
Doyle, Peter. "If Walls Could Talk: Spatialising narrative in the museum." Scan. Journal of media arts culture 5. 2 2008. Accessed 1 Oct. 2009. < ... play.php?journal_id=119>.   
Added by: joachim 5/4/13, 11:18 AM
Drewniak, Dagmara. "Addicted to the Holocaust – Bernice Eisenstein’s Ways of Coping with Troublesome Memories in I Was a Child of Holocaust Survivors." Studia Anglica Posnaniensia 50. (2015): 39–50.   
Last edited by: joachim 5/4/20, 12:31 PM
Dudek, Debra. "“Good Relationships Mean Good Lives”: Warrior-survivor identity/ies in david alexander robertson’s 7 generations." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 39–50.   
Last edited by: joachim 5/14/18, 9:50 AM
Duffy, Damian. "Remasters of American Comics: Sequential art as new media in the transformative museum context." Scan. Journal of media arts culture 6. 1 2009. Accessed 2 Oct. 2009. < ... play.php?journal_id=130>.   
Added by: joachim 11/18/09, 12:17 AM
Dunley, Kathleen. "The space between: Ruins, narratives, and history." Thesis PhD. University of Colorado, 2007.   
Added by: joachim 6/3/11, 3:35 AM
Dunley, Kathleen. "Ben Katchor and What’s Left Behind." The Comics Grid 2012. Accessed 18 Jul. 2012. <http://www.comicsgrid.c ... chor-whats-left-behind/>.   
Added by: joachim 12/5/12, 12:38 PM
Dunley, Kathleen. "A Note on Ben Katchor’s Temporal Palimpsests." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 188–89.   
Last edited by: joachim 1/21/13, 12:06 AM
Dunley, Kathleen. "Seth’s Suspension of Perception in Palookaville #19." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 82–85.   
Last edited by: joachim 1/21/13, 12:14 AM
Eder, Barbara. "Bewegte Erinnerung: Zur ›autofiktionalen‹ erinnerungskonstruktion in den comics emigrierter graphic novel-autorinnen." Comparativ 24. (2014): 97–111.   
Last edited by: joachim 4/27/19, 8:04 PM
Eder, Barbara. "Zeit der Revolution – Revolution der Zeit: Figuren der zeitlichkeit in marjane satrapis persepolis." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 283–302.   
Last edited by: joachim 10/1/11, 2:27 AM
Egger, Bettina. Comic und Erinnerung: Oral history im werk von emmanuel guibert. Bildnarrative. Berlin: Ch.A. Bachmann, 2020.   
Last edited by: joachim 10/16/20, 11:32 AM
Egger, Bettina. "Archives and Oral History in Emmanuel Guibert’s Le Photographe." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 59–78.   
Last edited by: joachim 9/6/18, 4:15 PM
Eggers, Zwanetta. "Zur Inszenierung der Erinnerns traumatischer Ereignisse im Film Waltz with Bashir." Geschlechtergedächtnisse. Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Eds. Ilse Nagelschmidt, Inga Probst and Torsten Erdbrügger. Literaturwissenschaft. Berlin: Frank & Timme, 2010. 89–109.   
Last edited by: joachim 4/27/11, 3:07 AM
Enns, Anthony. "The City as Archive in Jason Lutes’s Berlin." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 45–59.   
Last edited by: joachim 6/18/16, 4:34 PM
Fazio, Michele. "Past Lives: Memory and the meaning of work in the walking dead." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 49–80.   
Last edited by: joachim 9/1/18, 12:44 AM
Foster, Michael Dylan. "Haunted Travelogue: Hometowns, ghost towns, and memories of war." Mechademia 4. (2009): 164–81.   
Added by: joachim 7/26/10, 11:44 PM
Frahm, Ole. "“These papers had too many memories. So I burned them”: Genealogical remembrance in art spiegelman's maus. a survivors tale." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 61–78.   
Last edited by: joachim 2/16/10, 1:22 AM
Frenzel, Martin. "Der Holocaust im Comic." Aus Politik und Zeitgeschichte 64. (2014): 30–34.   
Last edited by: joachim 8/21/14, 2:54 PM
Frenzel, Martin. "Zwischen erfundener und erlebter Erinnerung: Die shoah im comic." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 160–92.   
Last edited by: joachim 8/25/18, 1:22 PM
Frenzel, Martin. "Über Maus hinaus: Erfundene und biografische erinnerung im genre der holocaust-comics." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 206–83.   
Added by: joachim 9/4/11, 11:44 PM
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