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| Acheson, Charles. "Expanding the Role of the Gutter in Nonfiction Comics: Forged Memories in Joe Sacco’s Safe Area Goražde." Studies in the Novel 47. (2015): 291–307. |
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| Ahmed, Maaheen. "Instrumentalising Media Memories: The Second World War According to Achtung Zelig!." European Comic Art 12. (2019): 1–20. |
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| Ahmed, Maaheen and Benoît Crucifix, eds. Comics and Memory: Archives and Styles. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. |
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| Ahmed, Maaheen and Benoît Crucifix. "Coda: A User Guide to Comics Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 281–85. |
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| Ahrens, Jörn. "Comic und traumgebundene Realität: David B.s Die heilige Krankheit als Kunst des Erinnerns." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 273–92. |
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| Alexius, Christian. "Mit Franz Kafka im Wachsfigurenkabinett des Dr. Caligari: Ein cinephiler Fancomic von SeSar und seine Funktion als Gedächtnisraum." apropos [Perspektiven auf die Romania] 10. (2023): 94–115. |
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| Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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| Arioli, Mattia. "A (not so) Forgotten War: The Korean Conflict as a Turning Point in the History of the War Comics Genre." Iperstoria 19 2022. Accessed 23Feb. 2024. <https://iperstoria.it/article/view/1154>. |
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| Baetens, Jan. "Historicising achronism: Some notes on the idea of art without history in David Carrier’s The Aesthetics of Comics." Image [&] Narrative 12. 4 2011. Accessed 27May. 2012. <http://www.imageandnarr ... rticle/viewFile/205/169>. |
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| Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85. |
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| Balestrino, Alice. "Placing Time, Timing Space: Memory as Border and Line of (Hi)Stories in Richard McGuire’s Graphic Narrative Here." Review of International American Studies 11. (2018): 67–79. |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige Motive in den Comics von Miyazaki Hayao, Moebius und Chris Ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Banita, Georgiana. "Chris Ware and the Pursuit of Slowness." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 177–90. |
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| Banner, Gillian. Holocaust Literature: Schulz, Levi, Spiegelman and the Memory of the Offence. Parkes-Wiener series on Jewish studies. London: Vallentine Mitchell, 2000. |
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| Barrera-Vidal, Albert. "Selbstbilder und Fremdbilder in der frankophonen Bande dessinée Belgiens am Beispiel Deutschlands." Comic und Jugendliteratur in Belgien von ihren Anfängen bis heute. Ed. Anne Begenat-Neuschäfer. Belgien im Fokus. Frankfurt am Main [etc.]: Peter Lang, 2008. 121–52. |
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| Barrett, Matthew. "De-picturing John A. Macdonald: Opportunities and Challenges of Representing Canada’s Past with Graphic History." The Canadian Hiustorical Review 103. (2022): 32–74. |
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| Bartual, Roberto. "Towards a Panoptical Representation of Time and Memory – Chris Ware, Marcel Proust and Henri Bergson’s “Pure Duration”." Scandinavian Journal of Comic Art 1. 1 2012. Accessed 11Jun. 2012. <http://sjoca.com/wp-con ... 1-1-Article-Bartual.pdf>. |
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| Bartual, Roberto. "Gasoline Alley, 22 April 1934." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 20–23. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Begag, Azouz. "Mai 1945 à Sétif: Genèse d’une bande dessinée." Contemporary French and Francophone Studies 17. (2013): 99–116. |
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| Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im Comic. Marburg: Tectum, 2009. |
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| Berger, Alan L. Children of Job: American Second-Generation Witnesses to the Holocaust. Albany: SUNY Pr. 1997. |
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| Berlatsky, Eric. "Memory as Forgetting: The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." Cultural Critique 55. (2003): 101–51. |
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| Berlatsky, Eric. The Real, The True, and the Told: Postmodern Historical Narrative and the Ethics of Representation. Theory and Interpretation of Narrative. Columbus: Ohio State University Libraries, 2011. |
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| Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic Mothers, Fetishism, and Replacement in the comics of Los Bros Hernandez (Part II)." The Hooded Utilitarian 2012. Accessed 6Oct. 2014. <http://www.hoodedutilit ... bros-hernandez-part-ii/>. |
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| Besozzi, Michael T. "“To Blaze Forever in a Blazing World”: Queer Reconstruction and Cultural Memory in the Works of Alan Moore." Thesis Master of Arts. Georgia State University, 2011. |
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| Bicker, Mathis. "Museumslektionen: Comic und Archiv, ein Versuch." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 17–24. |
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| Blancher, Marc. "On affame bien les rats!: oder: Ein ästhetischer Bericht über die Unterdrückung in den 70er Jahren." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 327–43. |
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| Brock, Jennifer. "‘One Should Never Forget’ : The Tangling of History and Memory in Persepolis." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 223–41. |
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| Brogan, Jacob. "From Comics History to Personal Memory." The Comics Journal 2012. Accessed 3Jul. 2013. <http://www.tcj.com/from ... ory-to-personal-memory/>. |
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| Brown, Joshua. "Of Mice and Memory." Oral History Review 16. (1988): 91–109. |
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| Bukh, Alexander. "Reception of the revisionist historical manga in Japan: A case study of university students." Inter-Asia Cultural Studies 13. (2012): 623–38. |
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| Busi Rizzi, Giorgio. "Portrait of the Artist as a Nostalgic: Seth’s It’s a Good Life if You Don’t Weaken." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 15–36. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25. (2014): 202–20. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "De la fabrique du réel (apocalyptique) dans la bande dessinée Beyrouth Bye Bye … de Barrack Rima." International Journal of Francophone Studies 20. (2017): 57–72. |
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| Capart, Philippe. "Store Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 277–80. |
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| Carter, James Bucky. "Teaching Peter Parker’s Ghosts of Milton: Anxiety of Influence, the Trace, and Platonic Knowing in Ultimate Spider-Man Volume 1." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 63–68. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer, eds. Comics and Memory in Latin America. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer. "Introduction: Comics and Memory in Latin America." Comics and Memory in Latin America. Eds. Jorge L. Catalá-Carrasco, Paulo Drinot and James Scorer. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. 3–32. |
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| Cates, Isaac. "Memory, Signal, and Noise in the Collaborations of Neil Gaiman and Dave McKean." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 144–62. |
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| Cavallaro, Dani. Anime and Memory: Aesthetic, Cultural and Thematic Perspectives. Jefferson, London: McFarland, 2009. |
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| Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015. |
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| Charlson, Joshua L. "Framing the Past: Postmodernism and the Making of Reflective Memory in Art Spiegelman’s Maus." Arizona Quarterly 57. (2001): 91–120. |
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| Cheurfa, Hiyem. "Testifying Graphically: Bearing Witness to a Palestinian Childhood in Leila Abdelrazaq’s Baddawi." a/b: Auto/Biography Studies 35. (2020): 359–82. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and Art Spiegelman’s Comix of Memory." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 201–11. |
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| Chute, Hillary. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. |
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| Chute, Hillary. "Materializing Memory: Lynda Barry’s One Hundred Demons." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 282–309. |
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| Clarkson, Alexander. "Virtual Heroes: Boys, Masculinity and Historical Memory in War Comics 1945–1995." Thymos 2. (2008): 175–85. |
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| Clopton, Kay K. "Ha-Fuun and Other Sounds of Enjoyment: How Giongo and Gitaigo Shift from Entertainment to Lived Experience in Insufficient Direction." International Journal of Comic Art 20. (2018): 563–74. |
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| Connerty, Michael. "Selective Memory: Art History and the Comic Strip Work of Jack B. Yeats." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 231–48. |
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| Cornog, Martha and Timothy Perper, eds. Graphic Novels Beyond the Basics: Insights and Issues for Libraries. Santa Barbara: Libraries Unlimited, 2009. |
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| Cremins, Brian. "Nostalgia and Strange Tales #180." The Comics Grid 3. 2 2013. Accessed 20Jun. 2016. <http://doi.org/10.5334/cg.ab>. |
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| Cremins, Brian. Captain Marvel and the Art of Nostalgia. Jackson: Univ. Press of Mississippi, 2016. |
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| Croissant, Doris. "Sexualizing Cultural Memory: The Manga Hermeneutics of The Tale of Genji." Review of Japanese Culture and Society 15. (2003): 90–91. |
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| Crucifix, Benoît. "Witnessing Fukushima Secondhand: Collage, Archive and Travelling Memory in Jacques Ristorcelli’s Les Écrans." The Comics Grid 6. 4 2016. Accessed 13Feb. 2016. <http://www.comicsgrid.com/articles/10.16995/cg.73/>. |
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| Crucifix, Benoît. "Rethinking the ‘Memorable Panel’ from Pierre Sterckx to Olivier Josso Hamel." European Comic Art 10. (2017): 24–47. |
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| Crucifix, Benoît. Drawing from the Archives: Comics Memory in the Contemporary Graphic Novel. Cambridge Studies in Graphic Narratives. Cambridge [etc.]: Cambridge Univ. Press, 2023. |
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| Cutter, Martha J. and Cathy J. Schlund-Vials, eds. Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels. Athens: Univ. of Georgia Press, 2018. |
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| Delannoy, Pierre Alban. MAUS d’Art Spiegelman: Bande dessinée et shoah. Champs visuels. Paris: L’Harmattan, 2002. |
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| Dickason, Renée. "Entre mémoire et histoire: La fabrique d’un imaginaire de la Grande Guerre en bande dessinée. Le cas de Jacques Tardi." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. Chêne-Bourg: Georg, 2011. 185–203. |
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| Diffrient, David Scott. "Contemporary comic books and Hollywood noir: Remediating cinematic style and cultural memory in The Fade Out." Journal of Graphic Novels and Comics 10. (2019): 342–67. |
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| Dittmer, Jason. "Narrating urban assemblages—Chris Ware and Building Stories." Social & Cultural Geography 15. (2014): 477–503. |
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| Doležalová, Lucie. "The Biblia picta Velislai and Latin Biblical Mnemonics in 14th and 15th C. Bohemia." Daphnis 41. (2012): 327–55. |
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| Donn, Katharina. "‘Icons of a more Innocent Age’? Graphic Narratives after 9/11." Frightful Witnessing. The Rhetoric and (Re)Presentation of Fear, Horror and Terror. Eds. Beth A. Kattelman and Magdalena Hodalska. Oxford: Inter-Disciplinary Pr. 2014. |
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| Dony, Christophe. "Trauma, Identity and Memory: The Individual/Collective Dialectic in 9/11-related Comics." International Journal of Comic Art 9. (2007): 340–72. |
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| Dony, Christophe. "Towards a vocabulary of displacement and utopian possibilities: Reading Shaun Tan’s The Arrival as a crossover text." Studies in Comics 3. (2012): 83–106. |
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| Dony, Christophe. "Vertigo’s Archival Impulse as Memorious Discourse." Comics Forum 2013. Accessed 25Feb. 2019. <https://comicsforum.org ... rse-by-christophe-dony/>. |
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| Dony, Christophe and Caroline van Linthout. "Comics, Trauma and Cultural Memory(ies) of 9/11." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 178–87. |
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| Douglas, Allen and Fedwa Malti-Douglas. "From the Algerian War to the Armenian Massacres: Memory, Trauma, and Medicine in Petit Polio of Farid Boudjellal." International Journal of Comic Art 10. (2008): 282–307. |
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| Doyle, Peter. "If Walls Could Talk: Spatialising Narrative in the Museum." Scan. Journal of media arts culture 5. 2 2008. Accessed 1Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=119>. |
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| Drewniak, Dagmara. "Addicted to the Holocaust – Bernice Eisenstein’s Ways of Coping with Troublesome Memories in I Was a Child of Holocaust Survivors." Studia Anglica Posnaniensia 50. (2015): 39–50. |
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| Dunley, Kathleen. "Seth’s Suspension of Perception in Palookaville #19." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 82–85. |
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| Eder, Barbara. "Zeit der Revolution – Revolution der Zeit: Figuren der Zeitlichkeit in Marjane Satrapis Persepolis." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 283–302. |
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| Fazio, Michele. "Past Lives: Memory and the Meaning of Work in The Walking Dead." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 49–80. |
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