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Bein, Steve. "Frank Miller’s Batman as Philosophy: “The World Only Makes Sense When You Force It To”." 2019. Accessed 11Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_15-1>. |
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Blackmore, Tim. "The Dark Knight of Democracy: Tocqueville and Miller Cast Some Light on the Subject." Journal of American Culture 14. (1991): 37–56. |
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Brooker, Will. "The Best Batman Story: The Dark Knight Returns." Beautiful Things in Popular Culture. Ed. Alan McKee. Hoboken: Wiley, 2006. 33–48. |
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Bundrick, Christopher. "The Dark Knight Errant: Power and Authority in Frank Miller’s Batman: The Dark Knight Returns." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 24–40. |
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Buso, Michael. A dark, uncertain fate: Homophobia, graphic novels, and queer identity. UMI Dissertation Publishing, 2011. |
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Cates, Isaac. "On the Literary Use of Superheroes; or, Batman and Superman Fistfight in Heaven." American Literature 83. (2011): 831–57. |
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Connors, Sean P. "Designing Meaning: A Multimodal Perspective on Comics Reading." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 13–29. |
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Connors, Sean P. "Designing Meaning: A Multimodal Perspective on Comics Reading." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 13–29. |
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Cortiel, Jeanne and Laura Oehme. "The Dark Knight’s Dystopian Vision: Batman, Risk, and American National Identity." European Journal of American Studies 10. 2 2015. Accessed 15Aug. 2015. <http://ejas.revues.org/10916>. |
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Croci, Daniele. "Holy Terror, Batman!: Frank Miller’s Dark Knight and the Superhero as Hardboiled Terrorist." Altre Modernità 15 2016. Accessed 1Apr. 2019. <https://riviste.unimi.i ... nline/article/view/7183>. |
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Dibiasi, Alexander. Wolverine wird Abgeordneter: Zum politischen Potential von Comicverfilmungen. Filmwissenschaft. Berlin [etc.]: LIT, 2012. |
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Finigan, Theo. "“To the Stables, Robin”: Regenerating the Frontier in Frank Miller's Batman: The Dark Knight Returns." ImageTexT 5. 1 2010. Accessed 1Feb. 2010. <http://www.english.ufl. ... /archives/v5_1/finigan/>. |
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Francis, Fred. "‘Footnotes to Miller and Moore’: Monomyth and Transnationality in the 1986 Superhero Comics." Comparative American Studies 14. (2016): 289–301. |
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Harnett, John. "Framing the Subconscious: Envisioning the Polysemic Narrative of the Graphic Novel as a Reference Point for Psychoanalytical and Semiotic Discourse." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 73–83. |
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Harris-Fain, Darren. "Revisionist Superhero Graphic Novels: Teaching Alan Moore's Watchmen and Frank Miller's Dark Knight Books." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 147–54. |
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Howard, Jason J. "Dark Nights and the Call of Conscience." Batman and Philosophy. The Dark Knight of the Soul. Eds. Mark D. White and Robert Arp. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2008. 198–211. |
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Iadonisi, Richard. "“A Man Has Risen”: Hard Bodies, Reaganism, and The Dark Knight Returns." International Journal of Comic Art 14. (2012): 543–53. |
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Iadonisi, Richard. "‘A Man Has Risen’: Hard Bodies, Reaganism, and The Dark Knight Returns." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 72–88. |
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Johnson, Jeffrey K. "Frank Miller’s Batman." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 82–93. |
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Klähr, Alexander. "Die Leuchttürme und die Frauen: Gedanken zum Frauenbild im Comic am Beispiel Alan Moores und Frank Millers – knapp 25 Jahre nach Watchmen und The Dark Knight Returns." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 48–52. |
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Kofoed, D. T. "Breaking the Frame: Political Acts of Body in the Televised Dark Knight." ImageTexT 5. 1 2010. Accessed 6Feb. 2010. <https://imagetextjourna ... -televised-dark-knight/>. |
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Kowalik, Jessica. "Miller Misunderstood: Rethinking the Politics of “The Dark Knight”." International Journal of Comic Art 12. (2010): 388–400. |
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Kremer, Nick. "This Is Not Your Forefather’s Thor: Using Comics to Make Mythology Meaningful." SANE journal 1. 1 2010. Accessed 5Jan. 2011. <http://digitalcommons.unl.edu/sane/vol1/iss1/4>. |
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Lafortune, Lauriane. "Justiciers masqués et médias de masse." Pop en stock 2012. Accessed 16May. 2016. <http://popenstock.ca/do ... ques-et-medias-de-masse>. |
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Lucas, Justin. "Beneath the Cape and Cowl: Batman and the Revitalization of Comic Book Films." Thesis Bachelor of Science. Ohio University, 2009. |
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Maynard, Amy Louise. "Bourdieu vs. Batman: Examining the Cultural Capital of the Dark Knight via Graphic Novels." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 51–61. |
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Morris, Matt. "Batman and Friends: Aristotle and The Dark Knight’s Inner Circle." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 102–17. |
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Müller, Tobias A. Superhelden-Cape und Krückstock? Die Darstellung des Alterns im Comic »The Dark Knight Returns«. Hamburg: Diplomica, 2013. |
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Murphy, Graham J. "Gotham (K)Nights: Utopianism, American Mythology, and Frank Miller’s Bat(-topia)." ImageTexT 4. 2 2008. Accessed 11Nov. 2009. <http://www.english.ufl. ... t/archives/v4_2/murphy/>. |
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Nayar, Pramod K. "Popular Culture and the Ecological Gothic: Frank Miller’s Batman: The Dark Knight Returns." Nebula 6. 1 2009. Accessed 29May. 2012. <http://nobleworld.biz/images/Nayar_p.pdf>. |
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Nayar, Pramod K. "Gothic Masculinity, Filiation and Affiliation: Frank Miller’s Batman." Families 7/8. (2010): 69–85. |
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Nehrlich, Thomas and Joanna Nowotny. "“We’re not fighting for the people anymore … We’re just fighting”: US-American Superhero Comics between Criticisms of Community and Critical Communities." SPELL 35 2017. Accessed 10Aug. 2020. <http://dx.doi.org/10.5169/seals-737597>. |
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Pizzino, Christopher. Arresting Development: Comics at the Boundaries of Literature. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2016. |
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Ramirez, Alexander. "The Mess and the Work: Diffusion, Delimitations, and the Undying Labor of the Batman." Journal of American Culture 43. (2020): 324–37. |
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Reynolds, Richard. Super Heroes. A Modern Mythology. Studies in Popular Culture. 2nd ed. Jackson: Univ. Press of Mississippi, 1994. |
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Sharrett, Christopher. "Batman and the Twilight of the Idols: An Interview with Frank Miller." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 33–46. |
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Sharrett, Christopher. "Batman and the Twilight of the Idols: An Interview with Frank Miller." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 33–42. |
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Skoble, Aeon J. "Superhero Revisionism in Watchmen and The Dark Knight Returns." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 29–41. |
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Smith-Rowsey, Daniel. Blockbuster Performances: How Actors Contribute to Cinema’s Biggest Hits. Palgrave Studies in Screen Industries and Performance. New York [etc.]: Palgrave Macmillan, 2018. |
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Tipton, Nathan G. "Gender Trouble: Frank Miller’s Revision of Robin in the Batman: Dark Knight Series." Journal of Popular Culture 41. (2008): 321–36. |
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Wilde, Jenée. "Queer Matters in The Dark Knight Returns: Why We Insist on a Sexual Identity for Batman." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 104–23. |
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