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| Anderson, Ho Che. "Career Tips for Control Freaks." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr, 2005. 124–26. |
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| Atkinson, Paul. "Why pause? The fine line between reading and contemplation." Studies in Comics 3.(2012): 63–81. |
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| Baker, Neal. "The Representation of Québec in Marvel Comics’ Alpha Flight." Québec Studies 40.(2005/2006): 65–77. |
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| Balisch, Faith. "Lynn Johnston's »Theratoons«: Extending the Limits of the Comic Strip." Images and Imagery. Frames, Borders, Limits – Interdisciplinary Perspectives. Eds. Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. Studies of Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2005. 241–54. |
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| Balzer, Jens and Ole Frahm. "Immer Ärger mit der Identität – Frau, Subjekt, Blick und Bohême [sic] in den Comics von Julie Doucet." kritische berichte 21.(1993): 50–62. |
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| Banita, Georgiana. "Cosmopolitan Suspicion: Comics journalism and graphic silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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| Baroni, Raphaël. "Le chapitrage dans le roman graphique américain et la bande dessinée européenne: Une segmentation précaire." Cahiers de Narratologie 34 2018. Accessed 2 July. 2020. <https://journals.openedition.org/narratologie/8594>. |
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| Barrett, Matthew. "De-picturing John A. Macdonald opportunities and challenges of representing canada’s past with graphic history." The Canadian Hiustorical Review 103.(2022): 32–74. |
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| Bates, Brian. "Graphic and Digital Keats: “la belle dame sans merci” in poetry comics." Reconstruction 16.1 2016. Accessed 1 June. 2016. <http://reconstruction.e ... /Issues/161/Bates.shtml>. |
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| Bauldic, Michelle. "Allan Beaton’s “Ookpik” Was Here." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 137–47. |
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| Beard, David and John Moffatt. "Pimitamon: Conceptualizing a new canadian north through the graphic narratives of jeff lemire." Nordlit 46 2020. Accessed 18 December. 2020. <https://septentrio.uit. ... rdlit/article/view/5540>. |
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| Beaty, Bart. "Chris Oliveros, Drawn and Quarterly, and the Expanded Definition of the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 426–42. |
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| Beaty, Bart. "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 247–59. |
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| Beaulieu, Jimmy. "Automythology." European Comic Art 5.(2012): 25–56. |
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| Bell, John, ed. Canuck Comics: A guide to comic books published in canada. Montreal: Matrix, 1986. |
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| Bell, John. Guardians of the North: The national superhero in canadian comic-book art. Ottawa: National Archives of Canada, 1992. |
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| Bell, John. Invaders from the North: How canada conquered the comic book universe. Toronto: Dundurn Press, 2006. |
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| Bell, John. "A History: English Canadian Comic Books." Canuck Comics. A Guide to Comic Books Published in Canada. Ed. John Bell. Montreal: Matrix, 1986. 19–44. |
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| Bell, John. "Introduction: Yes, There Are Canadian Comic Books." Canuck Comics. A Guide to Comic Books Published in Canada. Ed. John Bell. Montreal: Matrix, 1986. 13–18. |
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| Ben-Rafael, Miriam and Eliezer Ben-Rafael. "Plurilingualism in Francophone Comics." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 142–62. |
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| Berninger, Mark. "“Scott Pilgrim Gets It Together”: The cultural crossovers of bryan lee o’malley." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 243–56. |
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| Beronä, David A. "Pumping Iron: Male stereotypes in delisle’s albert et les autres." International Journal of Comic Art 6.(2004): 299–315. |
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| Best, Daniel. The World vs Todd McFarlane. Norwood: Blaq Books, 2019. |
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| Blackmore, Tim. "Cerebus: From aardvark to Vanaheim, reaching for creative heaven in Dave Sim’s hellish world." Canadian Children’s Literature (1993): 57–78. |
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| Blank, Juliane. "The Appeal of the Real: Representations of ›authentic‹ dreams in comics." Mediating the Dream / Les genres et médias du rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2020. 511–40. |
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| Boerman-Cornell, William. "History Is Relatives: Educational affordances of the graphic novel in the magical life of long tack sam." International Journal of Comic Art 12.(2010): 147–56. |
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| Borkent, Mike. "Post/Avant Comics: Bpnichol’s material poetics and comics art manifestos." Avant Canada. Poets, Prophets, Revolutionaries. Eds. Gregory Betts and Christian Bök. Waterloo: Wilfrid Laurier Univ. Press, 2019. 95–115. |
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| Brammsen, Laura. "Wissensformat Comic – Darstellungen des Menstruationszyklus in Werken von Julie Doucet, Lisa Frühbeis und Liv Strömquist." Kieler Blätter zur Volkskunde 53.(2021): 49–79. |
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| Brienza, Casey E. "‘Manga Is Not Pizza’: The performance of ethno-racial authenticity and the politics of american anime and manga fandom in svetlana chmakova’s dramacon." Global Manga. “Japanese” Comics without Japan?. Ed. Casey E. Brienza. 2nd ed. London, New York: Routledge, 2016. 95–113. |
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| Brodie, Ian. Old Trout Funnies: The comic origins of the cape breton liberation army. Cape Breton Univ. Press, 2015. |
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| Brogniez, Laurence. "Féminin singulier : les desseins du moi: Julie doucet, dominique goblet." Textyles (2010): 117–38. |
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| Brown, Lyndsay. "Yorick, Don’t Be A Hero Productive motion in y: the last man." ImageTexT 3.1 2006. Accessed 8 May. 2012. <http://www.english.ufl. ... xt/archives/v3_1/brown/>. |
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| Brown, Andy, ed. BDQ: Essays and interviews on quebec comics. trans. Helge Dascher. Wolfville: BDANG, 2017. |
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| Brunner, Markus. "»Erinnern, Wiederholen, Durcharbeiten« Zur funktion der bilder in comic-sachbüchern (›graphic guides‹)." Psychologie und Gesellschaftskritik 38.(2014): 99–135. |
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| Bulić, Jelena. "The Travelling Cartoonist: Representing the self and the world in guy delisle’s graphic travel narratives." Narodna umjetnost 49.(2012): 61–80. |
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| Busi Rizzi, Giorgio. "Portrait of the Artist as a Nostalgic: Seth’s it’s a good life if you don’t weaken." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 15–36. |
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| Callison, Camille and Candida Rifkind. "Introduction: “Indigenous Comics And Graphic Novels: An Annotated Bibliography”." Jeunesse 11.1 2019. Accessed 16 August. 2019. <http://jeunessejournal. ... p/yptc/article/view/495>. |
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| Cardell, Kylie. "Drawn to Life: The diary as method and politics in the comics art of gabrielle bell and julie doucet." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 122–42. |
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| Chambliss, Julian C., William Svitavsky, and Thomas Donaldson, eds. Ages of Heroes, Eras of Men Superheroes and the american experience. Newcastle upon Tyne: Cambridge Scholars Publ, 2013. |
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| Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." Melus 32.(2007): 175–200. |
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| Chase, Alisia. "You Must Look at the Personal Clutter: Diaristic indulgence, female adolescence, and feminist autobiography." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 207–40. |
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| Chiu, Monica. "Graphic Self-Consciousness, Travel Narratives, and the Asian American Studies Classroom Delisle’s burma chronicles and guibert, lefèvre, and lemercier’s the photographer." Asian American Literature 5 2014. Accessed 14 January. 2021. <https://scholarworks.sjsu.edu/aaldp/vol5/iss1/5>. |
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| Clark, Catherine and Jennifer Jacobs Henderson. "‘Oh, my god! I CAN FLY!’ Female agency in marvel’s runaways." Journal of Graphic Novels and Comics 10.(2019): 210–27. |
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| Coody, Elizabeth Rae. "The Ending of Mark as a Page-Turn Reveal." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 98–112. |
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| Covey, Suzanne. "Beyond the Balloon: Sound effects and background text in lynn johnston’s for better or for worse." ImageTexT 2.2 2006. Accessed 9 December. 2009. <http://www.english.ufl. ... xt/archives/v2_2/covey/>. |
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| Cutrara, Samantha. "Drawn out of History: The representation of women in chester brown’s louis riel: a comic strip biography." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 121–43. |
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| Dardaillon, Sylvie and Christophe Meunier. "La série Paul de Michel Rabagliati: Récits d’espaces et de temps." Comicalités 2013. Accessed 8 July. 2016. <http://comicalites.revues.org/1566>. |
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| Dardaillon, Sylvie and Christophe Meunier. "Paul à Québec, le génie des lieux comme patrimoine identitaire." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 87–102. |
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| Deman, J. Andrew. "“Oh Well”: my new york diary, autographics, and the depiction of female sexuality in comics." Canadian Graphic. Picturing Life Narratives. Eds. Candida Rifkind and Linda Warley. Waterloo: Wilfrid Laurier Univ. Press, 2016. 75–98. |
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| Demers, Hugo. "La biographie historique en bande dessinée : une histoire alternative: Une étude de cas sur louis riel." Maîtrise ès arts Mémoire. Université de Saint-Boniface, 2012. |
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| Devlin, Tom, ed. Drawn & Quarterly Twenty-five years of contemporary cartooning, comics, and graphic novels. Montreal: Drawn & Quarterly, 2015. |
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| Dittmer, Jason and Soren Larsen. "Captain Canuck, audience response, and the project of Canadian nationalism." Social & Cultural Geography 8.(2007): 735–53. |
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| Domsch, Sebastian. "Growing Complexity; or, the Cerebus Effect." Cerebus the Barbarian Messiah. Essays on the Epic Graphic Satire of Dave Sim and Gerhard. Ed. Eric Hoffman. Jefferson: McFarland, 2012. 65–76. |
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| Domsch, Sebastian. "From Hyper-Male Aardvarks to the Female Void: Gender politics in cerebus." Politics in Fantasy Media. Essays on Ideology and Gender in Fiction, Film, Television and Games. Eds. Gerold Sedlmayr and Nicole Waller. Jefferson: McFarland, 2014. 72–84. |
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| Donahue, James J. "From the Inner City to the Interstellar: Brian k. vaughan’s comix after 9/11." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 281–97. |
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| Dong, Lan. "Drawing the troubled artist abroad: Guy delisle’s visual travelogues." East Asian Journal of Popular Culture 2.(2016): 193–208. |
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| Drewniak, Dagmara. "Addicted to the Holocaust – Bernice Eisenstein’s Ways of Coping with Troublesome Memories in I Was a Child of Holocaust Survivors." Studia Anglica Posnaniensia 50.(2015): 39–50. |
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| Dudek, Debra. "“Good Relationships Mean Good Lives”: Warrior-survivor identity/ies in david alexander robertson’s 7 generations." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.(2016): 39–50. |
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| Dunley, Kathleen. "The space between: Ruins, narratives, and history." Thesis PhD. University of Colorado, 2007. |
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| Dunley, Kathleen. "Conversations with Seth, Attention Revisited." The Comics Grid 2011. Accessed 21 January. 2013. <http://www.comicsgrid.c ... th-attention-revisited/>. |
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| Dunley, Kathleen. "Seth’s Suspension of Perception in Palookaville #19." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 82–85. |
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| Dunley, Kathleen. "Personal, Vernacular, Canadian Seth’s great northern brotherhood of canadian cartoonists as life writing." Canadian Graphic. Picturing Life Narratives. Eds. Candida Rifkind and Linda Warley. Waterloo: Wilfrid Laurier Univ. Press, 2016. 129–52. |
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| Edwardson, Ryan. "The Many Lives of Captain Canuck: Nationalism, culture, and the creation of a canadian comic book superhero." Journal of Popular Culture 37.(2003): 184–201. |
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| Engelmann, Jonas. "“Picture This”: Disease and autobiographic narration in the graphic novels of david b and julie doucet." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 45–59. |
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| Epp, Darrell. "“It Keeps Ending Up Looking Like It Was Drawn By Me”: An interview with chester brown." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 283–94. |
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| Evenson, Brian. Ed vs. Yummy Fur Or, what happens when a serial comic becomes a graphic novel. Critical Cartoons. Minneapolis: Uncivilized Books, 2014. |
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| Fall, Juliet J. "Put Your Body on the Line: Autobiographical comics, empathy and plurivocality." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 91–108. |
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| Fink, Marty. "It Gets Fatter: Graphic fatness and resilient eating in mariko and jillian tamaki’s skim." Fat Studies 2.(2013): 132–46. |
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| Fitch, Alex. "One Soul, From Hell and Here The graphic novel page as time machine." Visions of the Future in Comics. International Perspectives. Eds. Francesco-Alessio Ursini, Adnan Mahmutovic and Frank Bramlett. Jefferson: McFarland, 2017. 30–48. |
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| Fjellestad, Danuta. "Nesting – Braiding – Weaving: Photographic interventions in three contemporary american novels." Handbook of Intermediality. Literature – Image – Sound – Music. Ed. Gabriele Rippl. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 193–218. |
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| Frahm, Ole. "Die Fiktion des Graphischen Romans." Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Eds. Susanne Hochreiter and Ursula Klingenböck. Bielefeld: Transcript, 2014. 53–77. |
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| Frisch, Marc-Oliver. "Armer Yorick! Y: the last man/the walking dead." Comicgate Magazin (2012): 16–25. |
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| Gabilliet, Jean-Paul. "Comic art and bande dessinée: From the funnies to graphic novels." The Cambridge History of Canadian Literature. Eds. Coral Ann Howells and Eva-Marie Kröller. Cambridge [etc.]: Cambridge Univ. Press, 2009. 460–77. |
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| Gabilliet, Jean-Paul. "Cerebus: Le retour au texte dans le comic book nord-américain." Image et Récit. Littérature(s) et arts visuels du Canada. Eds. Héliane Ventura, Simone Vauthier and Jean-Michel Lacroix. Paris: Presses Sorbonne Nouvelle, 1993. |
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| Galvan, Margaret. "From Julie Doucet to Gabrielle Bell: Feminist genealogies of comics anthologies." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 3–22. |
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| Gartley, Elizabeth. "Speaking language? The politics of language and power in saga." Studies in Comics 8.(2017): 51–68. |
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| Gearino, Dan. Comic Shop: The retail mavericks who gave us a new geek culture. Athens: Swallow, 2017. |
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| Gleason, Monica. "“They have a bad effect”: Crime comics, parliament, and the hegemony of the middle class in postwar canada." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 129–54. |
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| Gordon, Ian. "From The Bulletin to Comics: Comic art in australia, 1890–1950." Bonzer. Australian Comics, 1900s–1990s. Ed. Annette Shiell. Redhill South: Elgua Media, 1998. |
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| Grace, Dominick. "Aardvarkian gothic." Journal of Graphic Novels and Comics 8.(2017): 560–71. |
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| Grace, Dominick and Eric Hoffman, eds. Chester Brown: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2013. |
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| Grace, Dominick and Eric Hoffman, eds. The Canadian Alternative: Cartoonists, comics, and graphic novels. Jackson: Univ. Press of Mississippi, 2017. |
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| Gray, Brenna Clarke. "Canadian Superheroics in Jeff Lemire’s Essex County." Graphixia 175 2014. Accessed 13 August. 2014. <http://www.graphixia.cs ... f-lemires-essex-county/>. |
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| Gray, Brenna Clarke. "Border Studies in the Gutter: Canadian comics and structural borders." Canadian Literature (2016): 170–87. |
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| Gray, Brenna Clarke and Peter Wilkins. "An Innocent at Home: Scott pilgrim and his canadian multicultural contexts." Representing Multiculturalism in Comics and Graphic Novels. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 197–211. |
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| Grennan, Simon. "Demonstrating discours: Two comic strip projects in self-constraint." Studies in Comics 2.(2012): 295–316. |
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