| Alonso Jerez, Marta. "New Gender Identities in the Twenty-First Century: Blending Victorian and Steampunk Cultures." Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and Maria Isabel Romero Ruiz. Critica letteraria e linguistica. Milano: FrancoAngeli, 2015. 59–72. |
 
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| Bachmann, Christian A. "Von Masken und Mäusen: Zu Masken in Superhelden- und autobiographischen Comics." Masken. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2009. 210–32. |
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| Brophy, Philip. "Osamu Tezuka's Gekiga: Behind the Mask of Manga." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 128–36. |
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| Brownie, Barbara and Danny Graydon. The Superhero Costume: Identity and Disguise in Fact and Fiction. New York: Bloomsbury, 2016. |
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| Bukatman, Scott. "Secret Identity Politics." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 109–25. |
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| Casey, Jim and Stefan Hall. "The Exotic Other Scripted: Identity and Metamorphosis in David Mack's Kabuki." ImageTexT 3. 1 2006. Accessed 9Dec. 2009. <http://www.english.ufl. ... chives/v3_1/casey_hall/>. |
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| Cashell, Kieran and John Scaggs. "Transvestite Logic: Pat Mills and Kevin O’Neill’s Marshal Law and the Superhero Genre." Iowa Journal of Cultural Studies 6. (2005): 8–35. |
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| Coughlan, David. "The Naked Hero and Model Man: Costumed Identity in Comic Book Narratives." Heroes of Film, Comics and American Culture. Essays on Real and Fictional Defenders of Home. Ed. Lisa M. De Tora. Jefferson, London: McFarland, 2009. 234–52. |
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| Cremins, Brian. "“Why have you allowed me to see you without your mask?”: Captain America #133 and the Great American (Protest) Novel." International Journal of Comic Art 4. (2002): 239–47. |
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| Donovan, Sarah K. and Nicholas P. Richardson. "Under the Mask: How Any Person Can Become Batman." Batman and Philosophy. The Dark Knight of the Soul. Eds. Mark D. White and Robert Arp. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2008. 129–41. |
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| Geczy, Adam and Vicki Karaminas. "‘Daddy’s Lil Monster’: Suicide Squad, Third-Wave Feminism and the Pornification and Queering of Harley Quinn." Film, Fashion {&} Consumption 8. (2019): 171–88. |
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| Guillaume, Isabelle. Dramatis personae: Valeurs symboliques du masque dans Sandman et The Invisibles. Masques, identités et bande dessinée: Lyons, 20May, 2014. |
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| Henry King, Lorraine. "Black skin as costume in Black Panther." Film, Fashion {&} Consumption 10. (2021): 265–76. |
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| Hilgers, Thomas. "Helden, Freaks und dunkle Ritter: Batman in Hollywood." Hollywood im Zeitalter des Post Cinema. Eine kritische Bestandsaufnahme. Eds. Lisa Gotto and Sebastian Lederle. Bielefeld: Transcript, 2020. 177–214. |
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| von Holzen, Aleta-Amirée. "If They Only Knew: Die Doppelidentität maskierter Superhelden zwischen Täuschung und Authentizität." Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung 2019. Accessed 12Jan. 2020. <http://www.gkjf.de/wp-c ... 9_91-104_B7d_Holzen.pdf>. |
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| von Holzen, Aleta-Amirée. Maskierte Helden: Zur Doppelidentität in Pulp-Novels und Superheldencomics. Populäre Literaturen und Medien. Zürich: Chronos, 2019. |
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| von Holzen, Aleta-Amirée. "Marvel-lous Masked Men: Doppelidentitäten in Superheldenfilmen." Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Eds. Lars Schmeink and Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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| von Holzen, Aleta-Amirée. "Der maskierte Held im Spannungsfeld von Maskerade und Identität." Perspektiven der Kinder- und Jugendmedienforschung. Ed. Ingrid Tomkowiak. Beiträge zur Kinder- und Jugendmedienforschung. Zürich: Chronos, 2011. 205–25. |
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| Jeffries, Dru H. "From the Top of the Cowl to the Tip of the Cape: The Cinematic Superhero Costume as Impossible Garment." Cinephile 9. (2013): 30–37. |
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| Kahler, Jason. "The many masks of Dr Henry Pym: Alter ego, identity, disability and personality of a founding Avenger." Film, Fashion {&} Consumption 10. (2021): 299–311. |
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| Koch, Christina Maria. "Occupying Popular Culture: Anonymous, Occupy Wall Street, and the Guy Fawkes Mask as a Political Icon." REAL. Yearbook of Research in English and American Literature 30. (2014): 445–82. |
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| Kohns, Oliver. "Guy Fawkes, 2011: Ein Beitrag zur politischen Ikonographie des Aufstands." kultuRRevolution (2012): 19–26. |
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| Kohns, Oliver. "Guy Fawkes in the 21st Century: A Contribution to the Political Iconography of Revolt." Image [&] Narrative 14. 1 2013. Accessed 1Jun. 2013. <http://www.imageandnarr ... ve/article/view/300/251>. |
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| Liu, Yen-Lian. "The Masculine Masquerade of Superheroes in Watchmen." Gender Forum 62 2017. Accessed 20May. 2019. <http://genderforum.org/ ... uperheroes_Complete.pdf>. |
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| Lunning, Frenchy. "Cosplay, Drag, and the Performance of Abjection." Mangatopia. Essays on Manga and Anime in the Modern World. Eds. Timothy Perper and Martha Cornog. Santa Barbara: Libraries Unlimited, 2011. 71–88. |
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| Matloob Haghanikar, Taraneh. "The Character in the Mask: An Analysis of Mask in Art Spiegelman’s Maus." Good Grief! Children and Comics. Eds. Michelle Abate and Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016. 121–44. |
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| Morris, Tom. "What’s Behind the Mask? The Secret of Secret Identities." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 250–66. |
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| Mountfort, Paul, Anne Peirson-Smith, and Adam Geczy. Planet Cosplay: An Interdisciplinary Investigation into the Global Practice of Costume Play. Bristol, Chicago: Intellect Books, 2019. |
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| Nehrlich, Thomas. "Wenn Identität mittels einer Maske sichtbar wird: Zu Geschichte, Wesen und Ästhetik von Superhelden." Ästhetischer Heroismus. Konzeptionelle und figurative Paradigmen des Helden. Eds. Nikolas Immer and Mareen van Marwyck. Bielefeld: Transcript, 2013. 107–28. |
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| Norris, Craig and Jason Bainbridge. "Selling Otaku? Mapping the Relationship between Industry and Fandom in the Australian Cosplay Scene." Intersections 20 2009. Accessed 26Jul. 2014. <http://intersections.an ... 0/norris_bainbridge.htm>. |
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| Okello, Wilson Kwamogi. "It’s Not Magic: The Black Body as an Aesthetic Site and Sight." Africology 11. 9 2018. Accessed 9Jun. 2022. <http://www.jpanafrican. ... 9-special-13-Okello.pdf>. |
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| Otto, Daniela. "Zur Symbolik der Maske und Genderpolitik des Bösen in Christopher Nolans The Dark Knight Rises." Medienobservationen 2012. Accessed 20Feb. 2014. <http://www.medienobserv ... /kino_pdf/otto_dark.pdf>. |
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| Peirson-Smith, Anne. "Fashioning the Fantastical Self: An Examination of the Cosplay Dress-up Phenomenon in Southeast Asia." Fashion Theory 17. (2013): 77–111. |
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| Rahman, Osmud, Liu Wing-Sun, and Brittany Hei-man Cheung. "“Cosplay”: Imaginative Self and Performing Identity." Fashion Theory 16. (2012): 317–41. |
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| Roy, Suddhabrata Deb. "The Indian Superheroine costume: Analysing Indian comics’ first superheroine." Film, Fashion {&} Consumption 10. (2021): 313–24. |
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| Russell, Vanessa. "The Mild-Mannered Reporter: How Clark Kent Surpassed Superman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 216–32. |
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| Schmidt, Sarah. "Die Masken des Orpheus oder Wie man in die Unterwelt steigt, um am Leben zu bleiben: Überlegungen zum intermedialen Bilderwerk Leben? oder Theater? von Charlotte Salomon." Kultur & Gespenster (2008): 177–89. |
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| Schwartz, Alvin. "The Real Secret of Superman’s Identity." Children’s Literature 5. (1976): 117–29. |
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| Smith, Greg M. "The Superhero as Labor: The Corporate Secret Identity." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 126–44. |
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| Söll, Änne and Friedrich Weltzien. "Spider-Mans Heldenmaske: Kampf um Männlichkeit im Superhelden-Genre." Männlichkeit als Maskerade. Kulturelle Inszenierungen vom Mittelalter bis zur Gegenwart. Eds. Claudia Benthien and Inge Stephan. Literatur – Kultur – Geschlecht. Köln, Weimar, Wien: Böhlau, 2003. 296–315. |
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| Uricchio, William and Roberta E. Pearson. "“I’m Not Fooled By That Cheap Disguise”." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 182–213. |
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| Uricchio, William and Roberta E. Pearson. "I’m Not Fooled by that Cheap Disguise." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 205–36. |
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| Wagner, Travis. "“My Suits … They’re Part Of Me” Considering Disability in the Iron Man Trilogy." Cinephile 9. (2013): 4–11. |
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| Weltzien, Friedrich. "Masque-ulinities: Changing Dress as a Display of Masculinity in the Superhero Genre." Fashion Theory 9. (2005): 229–50. |
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| Winge, Therèsa M. Costuming Cosplay: Dressing the Imagination. Dress, Body, Culture. New York: Bloomsbury Academic, 2018. |
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