Anderson, Kane. "V for Occupy: Transmedial Theatricality, V for Vendetta, and the Occupy Movement." International Journal of Comic Art 14. (2012): 143–68. |
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Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur Funktion von Musik in V for Vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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Added by: joachim 6/19/14, 10:05 PM |
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Beer, Andreas. "Just(ice) Smiling? Masks and Masking in the Occupy-Wall Street Protests." European Journal of American Studies 13. 4 2018. Accessed 25Feb. 2022. <https://journals.openedition.org/ejas/13982>. |
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Brown, Kieron Michael. "Musical Sequences in Comics." The Comics Grid 3. 9 2013. Accessed 26Jun. 2014. <http://www.comicsgrid.com/article/view/cg.aj>. |
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Butler, Isaac. "V For Vile." The Hooded Utilitarian 2012. Accessed 9Jul. 2018. <http://www.hoodedutilit ... com/2012/09/v-for-vile/>. |
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Carretero González, Margarita. "Sympathy for the Devil: The Hero is a Terrorist in V for Vendetta." Promoting and Producing Evil. Ed. Nancy Billias. At the Interface, Probing the Boundaries. Amsterdam [etc.]: Rodopi, 2010. 207–18. |
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Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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Comer, Todd E. "Body Politics: Unearthing an Embodied Ethics in V for Vendetta." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 100–10. |
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Added by: joachim 4/23/12, 9:43 PM |
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Davidson, Rjurik. "Vagaries & Violence in V for Vendetta." Screen Education (2007): 157–62. |
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Di Liddo, Annalisa. Alan Moore: Comics as Performance, Fiction as Scalpel. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009. |
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Dibiasi, Alexander. Wolverine wird Abgeordneter: Zum politischen Potential von Comicverfilmungen. Filmwissenschaft. Berlin [etc.]: LIT, 2012. |
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Added by: joachim 8/3/14, 4:49 PM |
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Gifford, Denis and Orion Ussner Kidder. "Alan Moore and Anarchist Praxis in Form: Bibliography, Remediation, and Aesthetic Form in V for Vendetta and Black Dossier." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 94–125. |
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Gray, Maggie. "‘Fascism knows only one superman: the state’: Alan Moore's V for Vendetta vs the Iron Lady." Object (2008). |
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Gray, Maggie. "‘A fistful of dead roses …’ Comics as cultural resistance: Alan Moore and David Lloyd’s V for Vendetta." Journal of Graphic Novels and Comics 1. (2010): 31–49. |
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Greenblatt, Jordana. "I for Integrity: (Inter)Subjectivities and Sidekicks in Alan Moore's V for Vendetta and Frank Miller’s Batman: The Dark Knight Returns." ImageTexT 4. 3 2009. Accessed 9Dec. 2009. <http://www.english.ufl. ... chives/v4_3/greenblatt/>. |
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Added by: Deleted user 12/9/09, 2:03 PM |
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Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining Superheroes in Post–9/11 Hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44. |
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Added by: joachim Last edited by: joachim 12/10/10, 2:21 AM |
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Keller, James R. V For Vendetta As Cultural Pastiche: A Critical Study of the Graphic Novel and Film. Jefferson, London: McFarland, 2008. |
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Kikendall, Stacey. "Learning “Stuff” and Using V for Vendetta in the Composition Classroom." SANE journal 1. 2 2011. Accessed 21Aug. 2017. <http://digitalcommons.unl.edu/sane/vol1/iss2/4>. |
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Koch, Christina Maria. "Occupying Popular Culture: Anonymous, Occupy Wall Street, and the Guy Fawkes Mask as a Political Icon." REAL. Yearbook of Research in English and American Literature 30. (2014): 445–82. |
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Kohns, Oliver. "Guy Fawkes, 2011: Ein Beitrag zur politischen Ikonographie des Aufstands." kultuRRevolution (2012): 19–26. |
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Kohns, Oliver. "Guy Fawkes in the 21st Century: A Contribution to the Political Iconography of Revolt." Image [&] Narrative 14. 1 2013. Accessed 1Jun. 2013. <http://www.imageandnarr ... ve/article/view/300/251>. |
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Added by: joachim 6/1/13, 4:20 PM |
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Lamm, Spencer and Sharon Bray, eds. V for Vendetta: From Script to Film. New York: Universe, 2006. |
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Added by: joachim 6/21/14, 3:33 PM |
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Lapointe, André-Philippe. "Gunm [sic] et V pour Vendetta: Des sociétés dépassées." Pop en stock 2012. Accessed 16May. 2016. <http://popenstock.ca/do ... -des-societes-depassees>. |
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Added by: joachim 5/16/16, 3:34 PM |
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Leogrande, Cathy. "Alan Moore and David Lloyd’s V for Vendetta." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 108–22. |
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Added by: joachim 2/23/17, 6:11 PM |
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Little, Ben. "Constructing the Reader’s Perspective in V for Vendetta." International Journal of Comic Art 11. (2009): 182–202. |
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Added by: joachim 9/25/12, 3:54 PM |
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McCall, Jessica. "V for Vendetta: A Graphic Retelling of Macbeth." Popular Culture Review 20. (2009): 45–60. |
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Added by: joachim Last edited by: joachim 1/19/16, 10:29 AM |
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Moffett, Paul. "U for Utopia: the dystopian and eutopian visions in Alan Moore and David Lloyd’s V for Vendetta." Journal of Graphic Novels and Comics 8. (2017): 46–58. |
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Moody, Kyle Andrew. "“Why So Serious?”: Comics, Film and Politics, or the Comic Book Film as the Answer to the Question of Identity and Narrative in a Post-9/11 World." Thesis Master of Arts. Miami University, 2009. |
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Added by: joachim 6/22/11, 12:24 AM |
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Moreira, Pedro. "Overthrowing Vengeance: The Role of Visual Elements in V for Vendetta." Spaces of Utopia 4 2007. Accessed 15Nov. 2019. <https://ler.letras.up.p ... oads/ficheiros/3903.pdf>. |
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Added by: joachim Last edited by: joachim 11/15/19, 2:38 AM |
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Muñoz, Joaquin. "“I Think About That Story A Lot, Actually”: V for Vendetta and Philosophy in a Community College Reading Course." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 121–34. |
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Added by: joachim Last edited by: joachim 8/24/20, 10:43 AM |
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Nestler, Sebastian and Rainer Winter. "Utopie im Film." Gesellschaft im Film. Ed. Markus Schroer. Konstanz: UVK, 2007. 309–32. |
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Added by: joachim 8/13/10, 6:31 PM |
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Nisley, Clara. "V for Vendetta as Philosophy: Victory Through the Virtues of Anarchy." The Palgrave Handbook of Popular Culture as Philosophy 2021. Accessed 11Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_97-1>. |
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de Oliveira, Alysson Tadeu Alves. "Prisões que escolhemos para viver." Orson 5 2013. Accessed 12Sep. 2014. <http://orson.ufpel.edu. ... 02_alysson_oliveira.pdf>. |
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Added by: joachim 9/12/14, 10:31 AM |
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Oppolzer, Markus. "Gothic Liminality in V for Vendetta." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 103–17. |
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Added by: joachim 6/22/14, 11:46 AM |
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Ott, Brian L. "The Visceral Politics of V for Vendetta: On Political Affect in Cinema." Critical Studies in Media Communication 27. (2010): 39–54. |
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Added by: joachim 3/4/14, 10:40 AM |
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Paik, Peter Y. From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe. Minneapolis: Univ. of Minnesota Press, 2010. |
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Added by: joachim 4/26/11, 9:45 AM |
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Post, Marco R. S. "R for Reason Gone Rampant? The Intricate Interplay between Madness and Rationality in the Graphic Novel V for Vendetta." International Journal of Comic Art 16. (2014): 339–66. |
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Added by: joachim 6/20/14, 12:51 AM |
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Power, Aidan. "Invasion of the Brit-Snatchers: National Identity in Contemporary Science Fiction Cinema." British Science Fiction Film and Television. Critical Essays. Eds. Thomas Hochscherf and James Leggott. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2011. 143–55. |
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Added by: joachim 4/6/14, 1:40 PM |
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Reynolds, James. "‘KILL ME SENTIMENT’: V For Vendetta and comic-to-film adaptation." Journal of Adaptation in Film & Performance 2. (2009): 121–36. |
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Romero-Jódar, Andrés. "A hammer to shape reality: Alan Moore’s graphic novels and the avant-gardes." Studies in Comics 2. (2011): 39–56. |
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Added by: joachim 12/3/12, 7:21 PM |
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Schopp, Andrew. "Interrogating the Manipulation of Fear: V for Vendetta, Batman Begins, Good Night, and Good Luck, and America’s “War on Terror”." The War on Terror and American Popular Culture. September 11 and Beyond. Eds. Andrew Schopp and Matthew B. Hill. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2009. 259–86. |
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Added by: joachim Last edited by: joachim 4/6/14, 10:30 AM |
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Shadrack, Jasmine. "V versus Hollywood: A discourse on polemic thievery." Studies in Comics 2. (2011): 195–205. |
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Added by: joachim Last edited by: joachim 12/3/12, 7:58 PM |
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de Sousa Caetano, Joana Catarina. "Memories are Forever: Transhumanism and Cultural Memory in V for Vendetta, Oblivion and The Giver." Via Panorâmica 5 2016. Accessed 21Oct. 2021. <https://ojs.letras.up.p ... hp/VP/article/view/3009>. |
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Added by: joachim Last edited by: joachim 10/22/21, 12:40 AM |
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Summers, Tim. "‘Sparks of Meaning’: Comics, Music and Alan Moore." Journal of the Royal Musical Association 140. (2015): 121–62. |
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Added by: joachim Last edited by: joachim 9/7/16, 8:55 AM |
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Vanderbeke, Dirk and Marie Vanderbeke. "Graphic Dystopia: Watchmen (Moore/Gibbons, 1986–1987) and V for Vendetta (Moore/Lloyd, 1982–1989)." Dystopia, Science Fiction, Post-Apocalypse. Classics – New Tendencies – Model Interpretations. Eds. Eckart Voigts and Alessandra Boller. Trier: Wissenschaftlicher Verlag Trier, 2015. 201–20. |
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Added by: joachim 12/4/15, 11:26 AM |
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Veith, Natalie. "Distorted Voices: Counter-Narratives in the Works of Alan Moore." Magisterarbeit M.A. Johann Wolfgang Goethe-Universität, 2013. |
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Added by: joachim Last edited by: joachim 8/3/14, 10:21 PM |
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Venezia, Tony. "Seduction of the Innocent: V for Vendetta as Gothic (Graphic) Novel." Gothic Bastards. Genre, Innovation and Contemporary Fictions. Eds. Fred Botting and Catherine Spooner. Manchester, New York: Manchester Univ. Press, 2015. |
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Added by: joachim 8/4/14, 5:19 PM |
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Whittaker, Jason. "From Hell: Blake and Evil in Popular Culture." Blake, Modernity and Popular Culture. Ed. Steve Clark. New York [etc.]: Palgrave Macmillan, 2007. 192–204. |
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Wüllner, Daniel. "Gelebte Apokalypse: Endzeiten in den britischen Comicmagazinen der 1980er Jahre." Comicgate Magazin (2012): 57–60. |
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Added by: joachim 2/18/14, 5:38 PM |
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