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Chante, Alain. "Les mythes du voyage dans la bande dessinée." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 359–72. |
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Chiu, Monica. "Graphic Self-Consciousness, Travel Narratives, and the Asian American Studies Classroom Delisle’s burma chronicles and guibert, lefèvre, and lemercier’s the photographer." Asian American Literature 5 2014. Accessed 14 January. 2021. <https://scholarworks.sjsu.edu/aaldp/vol5/iss1/5>. |
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Davidson, Sol M. "Have Comics, Will Travel Two hobbies, one great journey." International Journal of Comic Art 12.(2010): 243–74. |
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Denkmayr, Judith. "Die Comicreportage." Diplomarbeit M.A. Universität Wien, 2008. |
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Drywa, Magdalena. "Auswirkungen der graphischen Gestaltung auf das Reisemotiv im Comic – Am Beispiel der Reihe Asterix." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 237–49. |
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Evans, Jonathan. "Interpretation and Translation in Guy Delisle’s Shenzhen." The Comics Grid 2012. Accessed 18 July. 2012. <http://www.comicsgrid.c ... /interpreting-shenzhen/>. |
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Filliot, Camille. "The Invitation to Travel in Early French Speaking Comics: An excursion into the 19th century graphic corpus." SIGNs. Studies in Graphic Narratives (2011): 15–36. |
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Fischer, Nina. "Graphic Novels Explore an (Un-)Holy Land." Quest 6 2013. Accessed 11 July. 2016. <http://www.quest-cdecjournal.it/focus.php?id=344>. |
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Gott, Michael. "Reframing European Diasporas in Contemporary France: ‘second generation’ subjectivity and the road ‘home’ in portugal (2011) and la commedia des ratés (2011)." European Comic Art 6.(2013): 95–125. |
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Hartmann, Nicholas. "Don’t Laugh at Kim-Il Sung: Anecdote, occupational narrative and representation in guy delisle’s pyongyang." New Directions in Folklore 10.1 2012. Accessed 18 March. 2014. <https://scholarworks.iu ... /ndif/article/view/1928>. |
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Kahn, Ariel. "Pursuing paradise: Jewish travel comics as feminist spiritual quests." Studies in Comics 7.(2016): 237–64. |
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Kauranen, Ralf. "Multimodaalinen monikielisyys Katja Tukiaisen matkasarjakuvassa Postia Intiasta." Avain 16.4 2019. Accessed 24 June. 2021. <https://journal.fi/avain/article/view/85148>. |
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MacLeod, Catriona. "From Wandering Women to Fixed Females: Relations of gendered movement through post-colonial space in lettres d’outremer and le bar du vieux français." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 75–90. |
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Mihăilescu, Dana. "Transnational conundrums around trips by young people to Holocaust death camps: Ethical potentialities of incongruous memories in thomas duranteau’s travelogue des miettes et desétoiles." French Cultural Studies 27.(2016): 348–60. |
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Mikkonen, Kai. "Remediation and the Sense of Time in Graphic Narratives." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 74–86. |
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Mitchell, Adrielle. "Graphic Journeys: Figuring americans abroad in thompson’s carnet de voyage and abel’s la perdida." The CEA Critic 72.(2010): 21–34. |
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Moura, Pedro. "“To Find Places to Draw”: Comics’ resistance to insecurity." Reconstruction 12.3 2012. Accessed 4 April. 2015. <http://reconstruction.e ... /Issues/123/Moura.shtml>. |
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Poloczek, Marie. "Die Subjektdarstellung in der Globalisierung: Eine analyse anhand autofiktionaler comics und animationsfilme." Diplomarbeit Mag.phil. Universität Wien, 2010. |
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Stuhlfauth-Trabert, Mara. "»der schwerkraft der meisten japan-erzählungen« entgegen – Kathrin Rögglas und Oliver Grajewskis tokio, rückwärtstagebuch." Kathrin Röggla. Eds. Iuditha Balint, Tanja Nusser and Rolf Parr. München: edition text + kritik, 2017. 196–215. |
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Walker, Tristram. "Graphic Wounds: The comics journalism of joe sacco." Writing the Dark Side of Travel. Ed. Jonathan Skinner. Oxford, New York: Berghahn Books, 2012. 63–82. |
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Weniger, Katja. Tim und Struppi unterwegs: Das motiv der reise in »les aventures de tintin«. Marburg: Tectum, 2010. |
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