Bainbridge, Jason. "Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko." Law Text Culture 16. (2012): 217–42. |
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Bell, Blake. Strange and Stranger: The World of Steve Ditko. Seattle: Fantagraphics, 2008. |
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Bell, Blake. "Comic Books Kinky Hooks: Five Faces of Steve Ditko." Dripping with Fear. The Steve Ditko Archives Volume 5. Ed. Blake Bell. Seattle: Fantagraphics, 2015. 7–17. |
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Brühwiler, Claudia Franziska. "“A is A”: Spider-Man, Ayn Rand, and What Man Ought to Be." PS: Political Science and Politics 47. (2014): 90–93. |
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Currie, David. Ditko Shrugged: The Uncompromising Life of the Artist behind Spider-Man and the Rise of Marvel Comics. Neshannock: Hermes, 2019. |
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Gilmore, Shawn. "On Comics: “A Dream of Rorschach” in The Question #17 (1988)." The Vault of Culture 2021. Accessed 16Dec. 2023. <https://www.vaultofcult ... omics/questionrorschach>. |
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Hayton, Christopher J. "Fantastic Giants: Charlton Comics' Monster Movie Adaptations." Scan. Journal of media arts culture 6. 1 2009. Accessed 2Oct. 2009. <http://scan.net.au/scan ... play.php?journal_id=131>. |
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Hultkrans, Andrew. "Steve Ditko’s Hands." Give Our Regards to the Atomsmashers! Writers on Comics. Ed. Sean Howe. New York: Pantheon, 2004. 208–25. |
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Kruse, Zack. Mysterious Travelers: Steve Ditko and the Search for a New Liberal Identity. Jackson: Univ. Press of Mississippi, 2021. |
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Lapoussière, Tristan. Steve Ditko: L’artiste aux masques. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2012. |
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Molotiu, Andrei. "Abstract Form: Sequential Dynamism and Iconostasis in Abstract Comics and Steve Ditko’s Amazing Spider-Man." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 84–100. |
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Moore, Alan. "“There is White and There is Black and There is Nothing in Between”." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 114–16. |
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Phelps, Donald. "Letter of the Law: Ditko’s Mr. A Period." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 122–28. |
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Pineda, Antonio and Jesus Jimenez‐Varea. "Popular Culture, Ideology, and the Comics Industry: Steve Ditko’s Objectivist Spider‐Man." Journal of Popular Culture 46. (2013): 1156–76. |
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Wolk, Douglas. "Steve Ditko: A Is A." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 156–65. |
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