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| Furlong, Michael. "Drawing Desires Performance: Dominance and Submission in Will Eisner’s The Spirit and Alan Moore’s Watchmen." Thesis Master of Arts. Florida Atlantic University, 2011. |
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| García, Enrique. "Coon Imagery in Will Eisner’s The Spirit and Yolanda Vargas Dulché’s Memín Pinguín and Its Legacy in the Contemporary United States and Mexican Comic Book Industries." International Journal of Comic Art 12. (2010): 112–24. |
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| Levitz, Paul. Will Eisner: Champion of the Graphic Novel. New York: Abrams, 2015. |
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| Pagello, Federico. "True to The Spirit? Film, Comics, and the Problem of Adaptation." Ol3Media 4. 10 2011. Accessed 27Dec. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Paladin, Nicola. "The Participation of Will Eisner’s The Spirit in World War II." Dialogues between Media. Ed. Paul Ferstl. The Many Languages of Comparative Literature. Berlin u. Boston: de Gruyter, 2021. 33–46. |
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| Trabado Cabado, José Manuel. Antes de la novela gráfica: Clásicos del cómic en la prensa norteamericana. Signo e imagen. Madrid: Cátedra, 2012. |
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| Whatley, Edward. "“In the Crooked Shadows of Wildwood Cemetery”: Will Eisner’s The Spirit and the Gothic Tradition." International Journal of Comic Art 9. (2007): 554–77. |
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| Willms, Jennifer. "Will Eisner – Der »Spirit« New Yorks." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 89–97. |
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