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Balzer, Jens. "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 19–31. |
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Balzer, Jens. "Hemd voller Hieroglyphen: Zur Revision der Bild-Text-Beziehungen im frühen Comic." Bildtext – Textbild. Probleme der Rede über Text-Bild-Hybride. Eds. Dirck Linck and Stefanie Rentsch. Rombach Cultura. Freiburg im Breisgau: Rombach, 2007. 117–54. |
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Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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Balzer, Jens and Lambert Wiesing. Outcault: Die Erfindung des Comic. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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Boyd, Brian. "On the Origins of Comics: New York Double-take." The Evolutionary Review 1. (2010): 97–111. |
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Demson, Michael and Heather Brown. "‘Aint I de Maine guy in dis paRade?’: Towards a radical history of comic strips and their audience since Peterloo." Journal of Graphic Novels and Comics 2. (2011): 151–67. |
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Frahm, Ole. "Too Much Is Too Much: The Never Innocent Laughter of the Comics." Image [&] Narrative 4. 1 2003. Accessed 15Apr. 2014. <http://www.imageandnarr ... aphicnovel/olefrahm.htm>. |
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Frahm, Ole. "Every Window Tells a Story: Remarks on the Urbanity of Early Comic Strips." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 32–44. |
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Fresnault-Deruelle, Pierre. "The Posed and the Transposed: Wilhelm Schulz’s Guardian Angel." European Comic Art 17. (2024): 126–39. |
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Gabilliet, Jean-Paul. "Une série peu connue de Richard Outcault : « Pore Lil Mose »." Le Collectionneur de bandes dessinées (2006): 22–27. |
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Gabilliet, Jean-Paul. "Images, lettres et cadres dans Pore Lil Mose de R.F. Outcault." Cadres et limites dans les sociétés, les littératures et les arts en Amérique du Nord. Ed. Yves-Charles Grandjean. Pessac: Maison des Sciences de l’Homme d’Aquitaine, 2007. 241–56. |
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Gordon, Ian. "Mass Market Modernism: Comic Strips and the Culture of Consumption." Australasian Journal of American Studies 14. (1995): 49–66. |
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Harvey, Robert C. "Outcault, Goddard, the Comics, and the Yellow Kid." The Comics Journal 2016. Accessed 24Mar. 2022. <https://www.tcj.com/out ... ics-and-the-yellow-kid/>. |
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de Haven, Tom. "Borrowing Richard Outcault." Inks 2. (1995): 22–37. |
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Havig, Alan. "Richard F. Oucault’s “Poor Lil’ Mose”: Variations on the Black Stereotype in American Comic Art." Journal of American Culture 11. (1988): 33. |
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Kibler, M. Alison. "Pigs, Green Whiskers, and Drunken Widows: Irish Nationalists and the “Practical Censorship” of McFadden’s Row of Flats in 1902 and 1903." Journal of American Studies 42. (2008): 489–514. |
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McCardell, Roy L. and Robert C. Harvey. "Opper, Outcault and Company: The Comic Strip Supplement and the Men Who Make It." Inks 2. (1995): 2–15. |
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Meyer, Christina. "Urban America in the Newspaper Comic Strips of the Nineteenth Century: Introducing the Yellow Kid." ImageTexT 6. 2 2012. Accessed 8Oct. 2012. <http://www.english.ufl. ... xt/archives/v6_2/meyer/>. |
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Meyer, Christina. "Medial transgressions: Comics – sheet music – theatre – toys." Journal of Graphic Novels and Comics 7. (2016): 293–305. |
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Meyer, Christina. "»Noch besser, bunter und mehr davon«: Comicproduktion und Comicästhetik im 19. Jahrhundert." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 151–76. |
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Added by: joachim 8/13/20, 10:02 AM |
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Meyer, Christina. "Serial Entertainment / Serial Pleasure: The Yellow Kid." Media of Serial Narrative. Ed. Frank Kelleter. Theory and Interpretation of Narrative. Columbus: Ohio State Univ. Press, 2017. 74–89. |
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Miller, Ann. "Bande dessinée: a disputed centenary." French Cultural Studies 10. (1999): 67–87. |
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Mugnolo, Christine. "Recycling as Reinvention in Early American Sunday Comics: Rudolph Dirks, R. F. Outcault, and the European Masters." Source 43. (2024): 77–88. |
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Niehaus, Michael. "Stehende Figur: Mikro-Narration und Serialität im frühen Comic Strip." Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien. Eds. Sabiene Autsch, Claudia Öhlschläger and Leonie Süwolto. München: Fink, 2014. 265–81. |
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Olson, Richard D. "R.F. Outcault, the Father of the American Sunday Comics, and the Truth about the Creation of the Yellow Kid." The R.F. Outcault Society’s Yellow Kid Site Accessed 9Aug. 2017. <http://www.neponset.com/yellowkid/history.htm>. |
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Added by: joachim 8/9/17, 2:23 PM |
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Olson, Richard D. "‘Say! Dis Is Grate Stuff’: The Yellow Kid and the Birth of the American Comics." Syracuse University Library Associates Courier 28. (1993): 19–34. |
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Olson, Richard D. "Richard Felton Outcault’s Yellow Kid." Inks 2. (1995): 2–17. |
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Outcault, Richard F. "How the Yellow Kid Was Born: The Man Who Created It Tells for the First Time." R.F. Outcault’s The Yellow Kid. A Centennial Celebration of the Kid Who Started the Comics. Ed. Bill Blackbeard. Northampton: Kitchen Sink Pr. 1995. 146. |
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Outcault, Richard F. "The Yellow Kid, the Yellow Decade." R.F. Outcault’s The Yellow Kid. A Centennial Celebration of the Kid Who Started the Comics. Ed. Bill Blackbeard. Northampton: Kitchen Sink Pr. 1995. 16–136. |
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Westbrook, David M. "From Hogan’s Alley to Coconino County: Four Narratives of the Early Comic Strip." 1999. Accessed 8Jul. 2012. <http://chnm.gmu.edu/aq/comics/start.html>. |
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Wiesing, Lambert. "Die Sprechblase: Reale Schrift im Bild." Outcault. Die Erfindung des Comic. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. 35–62. |
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Winchester, Mark D. "Hully Gee, It's a WAR!!! The Yellow Kid and the Coining of “Yellow Journalism”." Inks 2. (1995): 22–37. |
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Winchester, Mark D. "Litigation and Early Comic Strips: The Lawsuits of Outcault, Dirks and Fisher." Inks 2. (1995): 16–25. |
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Winchester, Mark D. "Litigation and Early Comic Strips: The Lawsuits of Outcault, Dirks, and Fisher." Drawing the Line. Comics Studies and INKS, 1994–1997. Eds. Lucy Shelton Caswell and Jared Gardner. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2017. 52–68. |
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Wood, Mary. "The Yellow Kid on the Paper Stage: Acting Out Class Tensions and Racial Divisions in the New Urban Environment." 2004. Accessed 8Oct. 2012. <http://xroads.virginia. ... wood/ykid/yellowkid.htm>. |
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