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| Adler-Kassner, Linda. "“Why Won’t You Just Read It?”: E.C. Comic Book Readers and Community in the 1950s." Reader 38/39. (1997–98): 101–27. |
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| Austin, Emma. "Splat Panel Shocks: Romero, EC Horror and Innovation." Beyond the Living Dead. Essays on the Romero Legacy. Eds. Bruce Peabody and Gloria Pastorino. Contributions to Zombie Studies. Jefferson: McFarland, 2021. 15–31. |
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| Frahm, Ole. "Weird Signs: Aesthetics of Comics as a Parody." International Journal of Comic Art 2. (2000): 76–84. |
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| Frahm, Ole. "Too Much Is Too Much: The Never Innocent Laughter of the Comics." Image [&] Narrative 4. 1 2003. Accessed 15Apr. 2014. <http://www.imageandnarr ... aphicnovel/olefrahm.htm>. |
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| Frahm, Ole. "Weird Signs." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 143–59. |
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| Frahm, Ole. "Weird Signs: Zur parodistischen Ästhetik der Comics." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 201–16. |
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| Geissman, Grant. Foul Play! The Art and Artists of the Notorious 1950s E.C. Comics! New York: Harper, 2005. |
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| Reidelbach, Maria. Completely Mad: A History of the Comic Book and Magazine. New York: MJF Books, 1997. |
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| Warshow, Robert. "The Study of Man: Paul, the Horror Comics, and Dr. Wertham." Commentary 17. (1954): 596–604. |
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| Warshow, Robert. "Paul, the Horror Comics, and Dr. Wertham." The Immediate Experience. Movies, Comics, Theatre, and Other Aspects of Popular Culture. Cambridge: Harvard Univ. Press, 2001. 53–74. |
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| Warshow, Robert. "Paul, the Horror Comics, and Dr. Wertham." Arguing Comics. Literary Masters on a Popular Medium. Eds. Jeet Heer and Kent Worcester. Cambridge: Da Capo, 2004. 67–80. |
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| Whitted, Qiana. EC Comics: Race, Shock, and Social Protest. Comics Culture. New Brunswick: Rutgers Univ. Press, 2019. |
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| Wright, Bradford W. Comic Book Nation: The Transformation of Youth Culture in America. Baltimore: Johns Hopkins Univ. Press, 2003. |
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| Yezbick, Daniel F. "No Sweat! EC Comics, Cold War Censorship, and the Troublesome Colors of “Judgment Day!”." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 19–44. |
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| Zullo, Valentino L. "Keeping Horror in Mind: Psychoanalysis and the “New Direction” of EC Comics." Journal of Popular Culture 54. (2021): 868–90. |
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