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Adelman, Bob. Tijuana Bibles: Art and wit in america’s forbidden funnies. New York: Simon and Schuster, 2004. 
Added by: Deleted user (2/11/10, 1:09 AM)   Last edited by: joachim (11/6/21, 11:26 AM)
Resource type: Book
Language: en: English
ID no. (ISBN etc.): 9780743255899
BibTeX citation key: Adelman1997
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Categories: General
Keywords: Illustrated text, Pornography, Tijuana Bibles, USA
Creators: Adelman
Publisher: Simon and Schuster (New York)
Views: 165/2809
Hidden in a corner among the great sacred texts of the world lies a series of exuberantly ribald underground comics known as the Tijuana Bibles. Iconoclastic, hilarious, and sexy, these anonymous little books, written from the 1930s through the 1950s, are revered among scholars and aficionados of American folk art, and devotees of comics as well as collectors of erotica. The primitive energy of their vigorous, often crude line, combined with their gonzo sensibilities, has given the Bibles a tremendous if largely unacknowledged influence on such talents as Art Spiegelman, Robert Crumb, and Lenny Bruce.
Comic strips in general were an American phenomenon, and at their zenith the Sunday funnies were as important as breakfast. But the anonymous creators of the Tijuana Bibles turned the saccharine tradition of the comics on its head, cheerfully savaging every sacred cow in the pasture in their pursuit of satire and sex. Political leaders, cartoon heroes, storybook legends, and American folk icons – no one was safe from the glowering wit and smutty irreverence of these eight- and sixteen-page booklets, cranked out illicitly in basements and sold under counters across the country. From Donald Duck, Al Capone, and Greta Garbo to Lou Gehrig, Mahatama Gandhi, and the Fuller Brush Man, the pure and the impure were burlesqued with equal inspiration.
Aboveground for the first time, these subverive comic masterworks are presented here in all their brilliant and raunchy glory. Author Bob Adelman reviewed almost 1,000 of the Tijuana Bibles before selecting 100 of the most lively and important examples of the genre. The book opens with an introductory essay by Art Spiegelman, America’s most famous comic artist and a man who proudly acknowledges the impact these rollicking and scandalous little booklets have had on his own work.
Paging through reproductions of the Bibles, the reader discovers that there is more to the Tijuana Bibles than good dirty fun. Indeed these tremendously entertaining comics also tell us fascinating things about American attitudes toward celebrity, about the hypocrisy of certain social and political values, and about the hypocrisy of certain social and political values, and about the ability of artists working outside the establishment of effectively tweak its sensibilities in a way few others can. For anyone who believes irreverence can be patriotic and sex can be just plain fun, Tijuana Bibles showcases American comic art at its untamed finest.

Table of Contents

Art Spiegelman: Those Dirty Little Comics (4)
Madeline Kripke: The Lingo of the Tijuana Bibles (11)

See You in the Funny Pages! (12)
Our Fellow Americans: Heebs, Wops, Traveling Salesmen, and the Farmer’s Daughter (44)
There’s No Bizness Like Show Bizness! (78)
Gun Molls, Heavyweights, and Assorted Tyrants (112)
Odds ’n’ Ends; or Hot Nuts and Wild Gooses (132)

Richard Merkin: The Wide Stylistic Range of the Tijuana Bibles (150)
Madeline Kripke: Talking Dirty: The Vocabulary of the Tijuana Bibles (155)
Richard Merkin: Those Naughty End Pages (156)

Madeline Kripke: Bibliography (158)
List of Titles and Index of Subjects Parodied (159)

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