| Balzer, Jens. "Revue der Erniedrigungen: Winsor mccays dreams of the rarebit fiend." Schreibheft (1999): 159–61. |
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| Balzer, Jens. "Die Schrift in der Vertikalen. Zum »Yellow Kid« von Richard F. Outcault." Testcard (1999): 250–57. |
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| Balzer, Jens. "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 19–31. |
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| Added by: joachim 3/24/10, 1:08 AM |
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| Balzer, Jens. "The Roses of Coconino: Reading the shōjo in krazy kat." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 167–77. |
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| Balzer, Jens. "Maus quält Katze, Hund kommt immer zu spät Rückkehr zur zwangswiederholung mit und ohne sherrie levine." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl, 1997. 20–27. |
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| Balzer, Jens and Martin tom Dieck. "Nicht versöhnt: Bilder und texte im comic." Schreibheft (1998): 47–50. |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit Über einige motive in den comics von miyazaki hayao, moebius und chris ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Balzer, Jens. "Dies ist keine Bildergeschichte: Über michel foucault, rené magritte und george herrimans krazy kat-comics." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 187–202. |
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| Balzer, Jens. "Rüpel, Mäuse, Superhelden Wie max und moritz zu den urgestalten der comics wurden." Wilhelm Busch. Das Genie des Humors. Sein Leben, seine Kunst, seine Epoche. Ed. Benedikt Erenz. Hamburg: Zeitverl. Bucerius, 2007. 60–66. |
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| Added by: joachim 9/23/09, 5:46 PM |
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| Balzer, Jens and Ole Frahm. "Mumien in der Akademie!? Perspektiven der Comic-Forschung." Comic Almanach (1992): 95–100. |
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| Balzer, Jens and Ole Frahm. "Immer Ärger mit der Identität – Frau, Subjekt, Blick und Bohême [sic] in den Comics von Julie Doucet." kritische berichte 21.(1993): 50–62. |
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| Balzer, Jens and Ole Frahm. "Das Projekt »Arbeitsstelle für Graphische Literatur« in Hamburg." Comics Anno (1995): 284–85. |
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| Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit Zeitgeschichte im comic." Geschichte und Gesellschaft 37.(2011): 47–71. |
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| Balzer, Jens and Christian Gasser. "Entgrenzung und Ornament: In der schule von gary panter." Schreibheft (1998): 79–80. |
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| Balzer, Jens. "Träumender Taucher: Martin tom dieck." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 30–31. |
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| Balzer, Jens. "Ungleichzeitige Gegenwart. Über das Erzählen im Comic.." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 19–23. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: On the physics of sound in the comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 124–27. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: Zur physik des geräuschs in den comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 108–15. |
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| Balzer, Jens. "Der Horizont bei Herriman: Zeit und zeichen zwischen zeitzeichen und zeichenzeit." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 143–52. |
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| Balzer, Jens. "Hemd voller Hieroglyphen: Zur revision der bild-text-beziehungen im frühen comic." Bildtext – Textbild. Probleme der Rede über Text-Bild-Hybride. Eds. Dirck Linck and Stefanie Rentsch. Rombach Cultura. Freiburg im Breisgau: Rombach, 2007. 117–54. |
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| Balzer, Jens and Jens R. Nielsen. "»Der Autorencomic ist ein mißlungenes Experiment«: Christian gorny." Comic Almanach (1993): 43–48. |
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| Balzer, Jens and Jens R. Nielsen. "Am Scheideweg der Kultur: Ein interview mit hartmut becker." Comic Almanach (1993): 30–41. |
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| Balzer, Jens and Jens R. Nielsen. "Die Wahrheit über Shelby." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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| Balzer, Jens and Lambert Wiesing. Outcault: Die erfindung des comic. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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| Bamberger, W. C. "The Near-Awakening of Diana Prince." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times.. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 117–25. |
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| Bamberger, W. C. "Social Justice and Silver Age Superheroes." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 50–57. |
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| Ban, Toshio. The Osamu Tezuka Story: A life in manga and anime. Berkeley: Stone Bridge Press, 2016. |
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| Banco, Lindsey Michael. "Graphic Bombs: Scientific knowledge and the manhattan project in comic books." The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Eds. Neel Ahuja, et al.. Palgrave Handbooks of Literature and Science. New York [etc.]: Palgrave Macmillan, 2020. 577–95. |
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| Bandel, Jan-Frederik. "Heftiger Zug nach unten: Comics, literatur und der trockengelegte graben." Neue Rundschau 123.(2012): 30–41. |
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| Bandel, Jan-Frederik and Ole Frahm. "»Es kann nicht genügen, Comics in der Wissenschaft zu etablieren« Ein gespräch mit ole frahm über die entwicklung der comicforschung." Kultur & Gespenster (2006): 358–67. |
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| Bandel, Jan-Frederik and Sascha Hommer. "Geteilte Beute: Comics & literatur." Schreibheft (2007): 18–20. |
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| Banerjee, Bidisha. "Creating a ‘well-fitted habitus’: Material culture, homemaking and diasporic belonging in shaun tan’s the arrival." Journal of Graphic Novels and Comics 7.(2016): 53–69. |
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| Banerjee, Abanti. "Convergences of the Global and the Local: Graphic narrative and patua art in sita’s ramayana." Gnosis Special Issue (2019): 92–112. |
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| Banerjee, Supriya. "The Superwoman of India—A Feminist Analysis of the Devi and the Deviant." Gnosis Special Issue (2019): 141–54. |
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| Banhold, Lars. Batman: Konstruktion eines helden. yellow. Schriften zur Comicforschung. 4th ed. Bochum: Ch.A. Bachmann, 2009. |
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| Banhold, Lars. Pink Kryptonite: Das coming-out der superhelden. Comiqheft / Comiqbook. Bochum: Ch.A. Bachmann, 2012. |
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| Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur funktion von musik in v for vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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| Banhold, Lars and David Freis. "Von postmodernen Katzen, abwesenden Katzen und Dinosaurier reitenden Banditen Medienästhetik, distribution und medialer kontext von webcomics." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 159–77. |
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| Banhold, Lars. "Authentifizierung und Narration in Reinhard Kleists Cash – I See a Darkness." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 119–35. |
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| Banita, Georgiana. "Chris Ware and the Pursuit of Slowness." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 177–90. |
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| Banita, Georgiana. "Cosmopolitan Suspicion: Comics journalism and graphic silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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| Banita, Georgiana and Lee Konstantinou, eds. Artful Breakdowns: The comics of art spiegelman. Tom Inge Series on Comics Artists. Jackson: Univ. Press of Mississippi, 2023. |
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| Banita, Georgiana. "A Thousand Plateaus: Mining entropy in days of destruction, days of revolt." The Comics of Joe Sacco. Journalism in a Visual World. Ed. Daniel Worden. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2015. 101–22. |
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| Banks, Amanda Carson and Elizabeth E. Wein. "Folklore and the Comic Book: The traditional meets the popular." New Directions in Folklore 2 1998. Accessed 21 March. 2010. <https://scholarworks.iu ... ndif/article/view/19861>. |
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| Banner, Gillian. Holocaust Literature: Schulz, levi, spiegelman and the memory of the offence. Parkes-Wiener series on Jewish studies. London: Vallentine Mitchell, 2000. |
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| Banta, Martha. Barbaric Intercourse: Caricature and the culture of conduct, 1841–1936. Chicago: Univ. of Chicago Press, 2003. |
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| Bär, Iris Andrea. "Historiker im »Bilderdschungel«: Zwischen »comicgeschichte« und »geschichte im comic«." Magisterarbeit M.A. Universität Münster, 1999. |
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| Baraniak-Hirata, Zuzanna and Agata Włodarczyk. "Bending Gender in Japanese Arts: Queering girls culture, takarazuka revue and boys’ love manga." Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Eds. Barbara Braid, Ewa Glapka and Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ, 2019. 295–316. |
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| Barataud, Marie-Alexandra. "Fantômas, personnage mobile et intertextuel De la série française à l’œuvre cortazarienne." Belphégor 11.1 2013. Accessed 27 December. 2013. <http://belphegor.revues.org/87>. |
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| Baratay, Éric and Philippe Delisle, eds. Milou, Idéfix et Cie Le chien en bd. Esprit BD. Paris: Karthala, 2012. |
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| Barba, Shelley E. and Joy M. Perrin, eds. The Ascendance of Harley Quinn: Essays on dc’s enigmatic villain. Jefferson: McFarland, 2017. |
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| Barbanell, Jeff. "Shooter's Marvelesque." Teenagers from the Future. Essays on the Legion of Super-Heroes. Ed. Timothy Callahan. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2008. 64–85. |
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| Barbee, Christopher. "The Silver Age Legion: Adventure into the classics." Teenagers from the Future. Essays on the Legion of Super-Heroes. Ed. Timothy Callahan. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2008. 49–58. |
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| Barber, Christie, Mio Bryce, and Jason Davis. "The Making of Killer Cuties." Anime and Philosophy. Wide Eyed Wonder. Eds. Josef Steiff and Tristan D. Tamplin. Popular Culture and Philosophy. Chicago: Open Court, 2010. 13–25. |
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| Barbieri, Daniele. Los lenguajes del cómic. Instrumentos Paidós. Barcelona: Paidós Ibérica, 1993. |
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| Barbieri, Daniele. "Disegni che parlano: Il fumetto tra oralità e scrittura." Fictions 9.(2010): 15–30. |
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| Barbieri, Daniele. Breve storia della letteratura a fumetti. 7th ed. Roma: Carocci, 2021. |
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| Barbieri, Daniele. Semiotica del fumetto. Bussole. 4th ed. Roma: Carocci, 2022. |
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| Barbieri, Daniele. "Scrivere per immagini: Dino battaglia tra letteratura e fumetto." Écrire et traduire pour les enfants. Voix, images et mots/Writing and Translating for Children. Voices, Images and Texts. Eds. Elena Di Giovanni, Chiara Elefante and Roberta Pederzoli. Recherches comparatives sur le livre et le multimédia d’enfances. Bern [etc.]: Peter Lang, 2010. |
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| Barbieri, Daniele. "Zeit und Rhythmus in der Bilderzählung." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 125–42. |
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| Barbieri, Daniele. "La experiencia de la lectura a través de una historia de Alberto Breccia." deSignis (2015): 65. |
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| Barbieri, Daniele. "Tintin et la ligne claire." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 261–76. |
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| Barbour, Chad A. "When Captain America Was an Indian: Heroic masculinity, national identity, and appropriation." Journal of Popular Culture 48.(2015): 269–84. |
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| Barbour, Chad A. From Daniel Boone to Captain America: Playing indian in american popular culture. Jackson: Univ. Press of Mississippi, 2016. |
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| Barbour, Loren. "‘Nemeses! Dragons! Symbolism!’ Queering the fantasy hero narrative in nimona." Journal of Graphic Novels and Comics (2020): 1–13. |
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| Barck, Karlheinz. "Max Ernsts Ästhetik des ›dépaysement‹. Ein Beitrag zur Theorie und Praxis dialektischer Bilder." Bild und Text im Dialog. Ed. Klaus Dirscherl. PINK. Passau: Wissenschaftsverl. Rothe, 1993. 255–74. |
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| Barcley, Dorothy. "Zur Frage der Comic Books." Jugendliteratur 1.(1955): 280–82. |
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| Barcus, Francis E. "A Content Analysis of Trends in Sunday Comics, 1900–1959." Journalism & Mass Communication Quarterly 38.(1961): 171–80. |
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| Barcus, Francis E. "The World of Sunday Comics." The Funnies. An American Idiom. Eds. David Manning White and Robert H. Abel. New York: Free Press of Glencoe, 1963. 190–218. |
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| Bårdsen, Gunnar. "Carl Barks: A classical economist?." Working Paper Series 5 2005. Accessed 29 August. 2019. <http://hdl.handle.net/11250/267103>. |
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| Bares, William. "Panel Beat: Layout and timing of comic panels." Smart Graphics. Eds. Andreas Butz, et al.. Lecture Notes in Computer Science. Berlin, Heidelberg: Springer, 2008. 273–76. |
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| Barker, Martin. Comics: Ideology, power and the critics. Cultural Politics. Manchester, New York: Manchester Univ. Press, 1989. |
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| Barker, Martin. Action: The story of a violent comic. London: Titan Books, 1990. |
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| Barker, Martin. A Haunt of Fears: The strange history of the british horror comics campaign. Studies in Popular Culture. Jackson: Pluto, 1992. |
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| Barker, Kenneth. "A Theological Reflection on Krazy Kat." Inks 1.(1994): 6–15. |
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| Barker, Martin. "Comic cuts." Cultural Studies 9.(1995): 398–401. |
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| Barker, Kenneth. "The Comic Series of Joseph Pulitzer's New York Sunday World: A checklist." Inks 2.(1995): 26–32. |
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| Barker, Kenneth. "The Comic Series of the New York Sunday Herald 1899–1924 and the New York Sunday Tribune 1914–1916, 1919–1924." Inks 3.(1996): 10–19. |
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| Barker, Kenneth. "An Introduction to the Canadian Newspaper Comic." Inks 4.(1997): 18–25. |
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| Barker, Martin. "Kicked into the Gutters: or, “My Dad Doesn’t Read Comics, He Studies Them”." International Journal of Comic Art 4.(2002): 64–77. |
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| Barker, Martin. "The Reception of Joe Sacco’s Palestine." Participations 9.2 2012. Accessed 8 December. 2012. <http://www.participatio ... ssue%202/6%20Barker.pdf>. |
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| Barker, Kim. "Holy blurring of core copyright principles, Batmobile!." Graphic Justice. Intersections of Comics and Law. London, New York: Routledge, 2015. 19–35. |
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| Barker, Martin and Kate Brooks. Knowing Audiences: Judge dredd, its friends, fans, and foes. Luton: Univ. of Luton Press, 1998. |
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| Added by: joachim 9/3/16, 11:23 AM |
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| Barker, Martin. "Seeing how far you can see: On being a ‘fan’ of 2000 ad." Reading Audiences. Young people and the media. Ed. David Buckingham. Manchester, New York: Manchester Univ. Press, 1993. 159–83. |
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| Last edited by: joachim 5/8/10, 6:11 PM |
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| Barker, Martin. "Taking the Extreme Case: Understanding a fascist fan of judge dredd." Trash Aesthetics. Popular Culture and its Audience. Eds. Deborah Cartmell, et al.. London: Pluto, 1997. 14–30. |
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| Last edited by: joachim 5/8/10, 11:14 PM |
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| Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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| Added by: joachim 1/3/11, 2:50 AM |
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| Barker, Martin. "Fredric Wertham—The Sad Case of the Unhappy Humanist." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 215–33. |
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| Last edited by: joachim 7/29/09, 3:10 PM |
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| Barker, Martin. "Getting a Conviction: Or, how the british horror comics campaign only just succeeded." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 69–92. |
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| Last edited by: joachim 2/22/13, 4:26 PM |
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| Barker, Martin. "Drawing Attention to the Image: Computers and comics." The Photographic Image in Digital Culture. Ed. Martin Lister. Comedia. London, New York: Routledge, 1995. 188–214. |
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| Last edited by: joachim 3/2/11, 11:58 AM |
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| Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical essays on the series and its characters. Jefferson, London: McFarland, 2014. |
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| Added by: joachim 9/7/15, 10:39 AM |
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| Barker, Martin and Roger Sabin. "‘Doonesbury does Iraq’: Garry trudeau and the politics of an anti-war strip." Journal of Graphic Novels and Comics 3.(2012): 127–42. |
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| Last edited by: joachim 5/30/13, 4:51 PM |
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| Barkman, Adam. "Should Athena Really Wear Pink? Japanese manga, european mythology and ultimate reality." Manga and Philosophy. Fullmetal Metaphysician. Eds. Josef Steiff and Adam Barkman. Popular Culture and Philosophy. Chicago: Open Court, 2010. 69–80. |
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| Added by: joachim 8/1/12, 5:33 PM |
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