| Balestrino, Alice. "Placing Time, Timing Space: Memory as Border and Line of (Hi)Stories in Richard McGuire’s Graphic Narrative Here." Review of International American Studies 11. (2018): 67–79. |
 
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| Balinisteanu, Tudor. "Goddess Cults in Techno-Worlds: Tank Girl and the Borg Queen." Journal of Feminist Studies in Religion 28. (2012): 5–24. |
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| Balisch, Faith. "Lynn Johnston's »Theratoons«: Extending the Limits of the Comic Strip." Images and Imagery. Frames, Borders, Limits – Interdisciplinary Perspectives. Eds. Leslie Boldt-Irons, Corrado Federici and Ernesto Virgulti. Studies of Themes and Motifs in Literature. New York [etc.]: Peter Lang, 2005. 241–54. |
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| Ball, David M. "Beautifully Failing, Anew." The Comics Journal 2012. Accessed 6Jun. 2023. <https://www.tcj.com/beautifully-failing-anew/>. |
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| Joann Sfar Draws from Memory. 2012. |
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| Ball, David M. "Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic Narratives Lost Between Art History and Literature." Journal of Modern Literature 39. (2016): 126–43. |
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| Ball, Blake Scott. "“Snoopy is the hero in Vietnam”: Ambivalence, empathy, and Peanuts’ Vietnam war." The Sixties 9. (2016): 54–78. |
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| Ball, Blake Scott. Charlie Brown’s America: The Popular Politics of Peanuts. New York: Oxford Univ. Press, 2021. |
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| Ball, Philip. The Modern Myths: Adventures in the Machinery of the Popular Imagination. Chicago: Univ. of Chicago Press, 2021. |
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| Added by: joachim Last edited by: joachim 8/4/21, 9:48 AM |
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| Ball, David M. "World Literature." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 591–608. |
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| Ball, David M. "Chris Ware’s Failures." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 45–61. |
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| Ball, David M. and Martha B. Kuhlman, eds. The Comics of Chris Ware: Drawing is a Way of Thinking. Jackson: Univ. Press of Mississippi, 2010. |
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| Pleasures of Urban Decay. 2000. Liam Romalis. |
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| Ball, David M. "Allusive Confessions: The Literary Lives of Alison Bechdel’s Fun Home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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| Ball, David M. "Comics Against Themselves: Chris Ware’s Graphic Narratives as Literature." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 103–23. |
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| Ballesteros, Antonio. "L’assassin multiple comme mythe moderne: From Hell d’Alan Moore et Eddie Campbell." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 323–34. |
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| Ballestro, John, ed. The Library’s Guide to Graphic Novels. An ALCTS Monograph. Chicago: American Library Association, 2020. |
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| Ballhausen, Thomas. "Die Liebe am Ende (der Zeiten): Adaptive Strategien und Begehrenskonzepte in A Boy and his Dog." Reddition 26. (2009): 23–27. |
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| Ballhausen, Thomas. "Stählernes Insektenzeitalter: Zu Tardis und Legrands Der Kakerlakenkiller." Reddition 27. (2010): 46–49. |
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| Ballhausen, Thomas. "Stählernes Insektenzeitalter: Zu Jacques Tardis und Benjamin Legrands Tueur de cafards/Der Kakerlakenkiller." Medienimpulse 51. 3 2013. Accessed 21Jun. 2016. <http://www.medienimpulse.at/articles/view/566>. |
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| Ballhausen, Thomas. "Texturen des Aufbegehrens: Strategien medienpolitischen Arbeitens im Medium Comic." Medienimpulse 61. 3 2023. Accessed 21Dec. 2023. <https://journals.univie ... hp/mp/article/view/8219>. |
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| Ballhausen, Thomas. "Die zwei Spuren der Zauberflöte: Von Liebeskinds Märchen zu Russells Comicadaption." Mozart im Kino. Ed. Günter Krenn. Edition Film + Text. Wien: Filmarchiv Austria, 2006. 102–17. |
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| Ballhausen, Thomas and Günter Krenn. "Politik der Feindschaft: Notizen zum dunkelsten aller Ritter." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 53–65. |
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| Ballis, Anja. "Die Überlebenden und ihre Kinder: Die Graphic Novel »Ich war das Kind von Holocaust-Überlebenden« als Unterrichtslektüre (Klassenstufen 9–10)." Deutschunterricht 65. (2012): 9–10. |
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| Ballis, Anja. "Dem Fremden begegnen: »Die Verwandlung« als Graphic Novel." Deutschunterricht 66. (2013): 20–25. |
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| Balzer, Jens. "Schrift Bild Kontur: Vorüberlegungen zu einer integrativen Comic-Ästhetik." Comics Anno (1995): 12–26. |
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| Balzer, Jens. "Das Wesen des Comics: Über Dialektik und Indifferenz in Bild-Text-Verhältnissen." Magisterarbeit Universität Hamburg, 1996. |
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| Balzer, Jens. "Differenz und Wiederholung: Von Tintin zu den Oubapoten." Schreibheft (1998): 175–77. |
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| Balzer, Jens. "Materialität und Geometrie: Comics von »Frigo«, »Amok« und »L’Association«." Schreibheft (1998): 137–38. |
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| Balzer, Jens. "Montage und Piktogramm: Comics aus Arcade und RAW." Schreibheft (1998): 55–56. |
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| Balzer, Jens. "Die Schrift in der Vertikalen. Zum »Yellow Kid« von Richard F. Outcault." Testcard (1999): 250–57. |
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| Balzer, Jens. "Handgriff (A) des seriellen Erzählens: Rube Goldberg und seine Maschinen." Schreibheft (1999): 189–91. |
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| Balzer, Jens. "Revue der Erniedrigungen: Winsor McCays Dreams of the Rarebit Fiend." Schreibheft (1999): 159–61. |
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| Balzer, Jens. "“Hully Gee, I’m a Hieroglyphe” – Mobilizing the Gaze and the Invention of Comics in New York City, 1895." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 19–31. |
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| Balzer, Jens. "The Roses of Coconino: Reading the shōjo in Krazy Kat." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 167–77. |
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| Balzer, Jens. "Maus quält Katze, Hund kommt immer zu spät: Rückkehr zur Zwangswiederholung mit und ohne Sherrie Levine." Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Eds. Maike Christadler and Hilla Frübis. Marburg: Jonas Verl. 1997. 20–27. |
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| Balzer, Jens and Martin tom Dieck. "Nicht versöhnt: Bilder und Texte im Comic." Schreibheft (1998): 47–50. |
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| Balzer, Jens. "Wer hat an der Uhr gedreht? Gefälschtes Gedächtnis, stillstehende Zeit: Über einige Motive in den Comics von Miyazaki Hayao, Moebius und Chris Ware." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 144–56. |
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| Balzer, Jens. "Dies ist keine Bildergeschichte: Über Michel Foucault, René Magritte und George Herrimans Krazy Kat-Comics." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 187–202. |
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| Balzer, Jens. "Rüpel, Mäuse, Superhelden: Wie Max und Moritz zu den Urgestalten der Comics wurden." Wilhelm Busch. Das Genie des Humors. Sein Leben, seine Kunst, seine Epoche. Ed. Benedikt Erenz. Hamburg: Zeitverl. Bucerius, 2007. 60–66. |
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| Balzer, Jens and Ole Frahm. "Mumien in der Akademie!? Perspektiven der Comic-Forschung." Comic Almanach (1992): 95–100. |
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| Balzer, Jens and Ole Frahm. "Immer Ärger mit der Identität – Frau, Subjekt, Blick und Bohême [sic] in den Comics von Julie Doucet." kritische berichte 21. (1993): 50–62. |
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| Balzer, Jens and Ole Frahm. "Das Projekt »Arbeitsstelle für Graphische Literatur« in Hamburg." Comics Anno (1995): 284–85. |
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| Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit: Zeitgeschichte im Comic." Geschichte und Gesellschaft 37. (2011): 47–71. |
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| Balzer, Jens and Christian Gasser. "Entgrenzung und Ornament: In der Schule von Gary Panter." Schreibheft (1998): 79–80. |
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| Balzer, Jens. "Träumender Taucher: Martin tom Dieck." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 30–31. |
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| Balzer, Jens. "Ungleichzeitige Gegenwart. Über das Erzählen im Comic.." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 19–23. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: On the Physics of Sound in the Comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 124–27. |
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| Balzer, Jens. "Wam – Clonk – Chomp – Zow – Bop: Zur Physik des Geräuschs in den Comics." Comic Meets Theatre. Eds. Annegret Hahn and Berit Schuck. Berlin: Theater der Zeit, 2006. 108–15. |
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| Balzer, Jens. "Der Horizont bei Herriman: Zeit und Zeichen zwischen Zeitzeichen und Zeichenzeit." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 143–52. |
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| Balzer, Jens. "Hemd voller Hieroglyphen: Zur Revision der Bild-Text-Beziehungen im frühen Comic." Bildtext – Textbild. Probleme der Rede über Text-Bild-Hybride. Eds. Dirck Linck and Stefanie Rentsch. Rombach Cultura. Freiburg im Breisgau: Rombach, 2007. 117–54. |
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| Balzer, Jens and Jens R. Nielsen. "Am Scheideweg der Kultur: Ein Interview mit Hartmut Becker." Comic Almanach (1993): 30–41. |
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| Balzer, Jens and Jens R. Nielsen. "»Der Autorencomic ist ein mißlungenes Experiment«: Christian Gorny." Comic Almanach (1993): 43–48. |
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| Balzer, Jens and Jens R. Nielsen. "Die Wahrheit über Shelby." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1992. |
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| Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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| Bandel, Jan-Frederik and Sascha Hommer. "Geteilte Beute: Comics & Literatur." Schreibheft (2007): 18–20. |
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| Banerjee, Bidisha. "Creating a ‘well-fitted habitus’: Material culture, homemaking and diasporic belonging in Shaun Tan’s The Arrival." Journal of Graphic Novels and Comics 7. (2016): 53–69. |
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| Banerjee, Bidisha. "Kinship between “companion species”: A posthuman refiguration of the immigrant condition in Shaun Tan’s The Arrival." Journal of Postcolonial Writing 52. (2016): 399–414. |
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| Banerjee, Abanti. "Convergences of the Global and the Local: Graphic Narrative and Patua Art in Sita’s Ramayana." Gnosis Special Issue (2019): 92–112. |
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| Banerjee, Supriya. "The Superwoman of India—A Feminist Analysis of the Devi and the Deviant." Gnosis Special Issue (2019): 141–54. |
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| Banhold, Lars. Batman: Konstruktion eines Helden. yellow. Schriften zur Comicforschung. 4th ed. Bochum: Ch.A. Bachmann, 2009. |
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| Banhold, Lars. Pink Kryptonite: Das Coming-out der Superhelden. Comiqheft / Comiqbook. Bochum: Ch.A. Bachmann, 2012. |
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| Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur Funktion von Musik in V for Vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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| Banhold, Lars. "Authentifizierung und Narration in Reinhard Kleists Cash – I See a Darkness." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 119–35. |
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| Banita, Georgiana. "The Silent Sublime." The Comics Journal 2012. Accessed 6Jun. 2023. <https://www.tcj.com/the-silent-sublime/>. |
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| Banita, Georgiana. "Chris Ware and the Pursuit of Slowness." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 177–90. |
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| Banita, Georgiana. "Cosmopolitan Suspicion: Comics Journalism and Graphic Silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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| Banita, Georgiana and Lee Konstantinou, eds. Artful Breakdowns: The Comics of Art Spiegelman. Tom Inge Series on Comics Artists. Jackson: Univ. Press of Mississippi, 2023. |
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| Banita, Georgiana. "A Thousand Plateaus: Mining Entropy in Days of Destruction, Days of Revolt." The Comics of Joe Sacco. Journalism in a Visual World. Ed. Daniel Worden. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2015. 101–22. |
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| Banner, Gillian. Holocaust Literature: Schulz, Levi, Spiegelman and the Memory of the Offence. Parkes-Wiener series on Jewish studies. London: Vallentine Mitchell, 2000. |
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| Banta, Martha. Barbaric Intercourse: Caricature and the Culture of Conduct, 1841–1936. Chicago: Univ. of Chicago Press, 2003. |
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| Bär, Iris Andrea. "Historiker im »Bilderdschungel«: Zwischen »Comicgeschichte« und »Geschichte im Comic«." Magisterarbeit M.A. Universität Münster, 1999. |
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| Baraniak-Hirata, Zuzanna and Agata Włodarczyk. "Bending Gender in Japanese Arts: Queering Girls Culture, Takarazuka Revue and Boys’ Love Manga." Ambiguous Selves. Contesting Gender Binaries in Literature, Film and the Media. Eds. Barbara Braid, Ewa Glapka and Malwina Siemiątkowska. Newcastle upon Tyne: Cambridge Scholars Publ. 2019. 295–316. |
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| Baratay, Éric and Philippe Delisle, eds. Milou, Idéfix et Cie: Le chien en BD. Esprit BD. Paris: Karthala, 2012. |
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