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Bachmann, Christian A. "Von Masken und Mäusen: Zu masken in superhelden- und autobiographischen comics." Masken. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2009. 210–32. |
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Beer, Andreas. "Just(ice) Smiling? Masks and masking in the occupy-wall street protests." European Journal of American Studies 13. 4 2018. Accessed 25 Feb. 2022. <https://journals.openedition.org/ejas/13982>. |
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Brophy, Philip. "Osamu Tezuka's Gekiga: Behind the mask of manga." Manga. An Anthology of Global and Cultural Perspectives. Ed. Toni Johnson-Woods. London, New York: Continuum, 2010. 128–36. |
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Brownie, Barbara and Danny Graydon. The Superhero Costume: Identity and disguise in fact and fiction. New York: Bloomsbury, 2016. |
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Bukatman, Scott. "Secret Identity Politics." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 109–25. |
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Burke, Liam. "Harley Quinn and the carnivalesque transformation of comic book fandom." Transformative Works and Cultures 36 2021. Accessed 12 Oct. 2021. <https://journal.transfo ... p/twc/article/view/2015>. |
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Casey, Jim and Stefan Hall. "The Exotic Other Scripted: Identity and metamorphosis in david mack's kabuki." ImageTexT 3. 1 2006. Accessed 9 Dec. 2009. <http://www.english.ufl. ... chives/v3_1/casey_hall/>. |
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Cashell, Kieran and John Scaggs. "Transvestite Logic: Pat mills and kevin o’neill’s marshal law and the superhero genre." Iowa Journal of Cultural Studies 6. (2005): 8–35. |
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Coughlan, David. "The Naked Hero and Model Man: Costumed identity in comic book narratives." Heroes of Film, Comics and American Culture. Essays on Real and Fictional Defenders of Home. Ed. Lisa M. De Tora. Jefferson, London: McFarland, 2009. 234–52. |
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Cremins, Brian. "“Why have you allowed me to see you without your mask?”: Captain america #133 and the great american (protest) novel." International Journal of Comic Art 4. (2002): 239–47. |
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Donovan, Sarah K. and Nicholas P. Richardson. "Under the Mask: How any person can become batman." Batman and Philosophy. The Dark Knight of the Soul. Eds. Mark D. White and Robert Arp. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2008. 129–41. |
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Dubbati, Barkuzar. "The Woman in Hijab as a Freak: Super(muslim)woman in deena mohamed’s webcomic qahera." Journal of Graphic Novels and Comics 8. (2017): 433–49. |
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Dudenhoeffer, Larrie. "Masks of Infamy: The about-faces in christopher nolan’s the dark knight." FORUM 12 2011. Accessed 8 Aug. 2013. <http://www.forumjournal ... /12/larrie-dudenhoeffer>. |
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Frahm, Ole. "Lebendige Masken: Die darstellung rassifizierter identitäten in art spiegelmans comic maus." Magisterarbeit Universität Hamburg, 1997. |
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Geczy, Adam and Vicki Karaminas. "‘Daddy’s Lil Monster’: suicide squad, third-wave feminism and the pornification and queering of harley quinn." Film, Fashion {&} Consumption 8. (2019): 171–88. |
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Gn, Joel. "Queer simulation: The practice, performance and pleasure of cosplay." Continuum 25. (2011): 583–93. |
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Groombridge, Nic. "Stepping off the page: ‘british batman’ as legal superhero." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 164–79. |
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Guillaume, Isabelle. Dramatis personae: Valeurs symboliques du masque dans sandman et the invisibles. Masques, identités et bande dessinée: Lyons, 20 May, 2014. |
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Henry King, Lorraine. "Black skin as costume in Black Panther." Film, Fashion {&} Consumption 10. (2021): 265–76. |
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Hilgers, Thomas. "Helden, Freaks und dunkle Ritter: Batman in hollywood." Hollywood im Zeitalter des Post Cinema. Eine kritische Bestandsaufnahme. Eds. Lisa Gotto and Sebastian Lederle. Bielefeld: Transcript, 2020. 177–214. |
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von Holzen, Aleta-Amirée. "If They Only Knew: Die doppelidentität maskierter superhelden zwischen täuschung und authentizität." Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung 2019. Accessed 12 Jan. 2020. <http://www.gkjf.de/wp-c ... 9_91-104_B7d_Holzen.pdf>. |
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von Holzen, Aleta-Amirée. Maskierte Helden: Zur doppelidentität in pulp-novels und superheldencomics. Populäre Literaturen und Medien. Zürich: Chronos, 2019. |
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von Holzen, Aleta-Amirée. "Marvel-lous Masked Men: Doppelidentitäten in superheldenfilmen." Fremde Welten. Wege und Räume der Fantastik im 21. Jahrhundert. Eds. Lars Schmeink and Hans-Harald Müller. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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von Holzen, Aleta-Amirée. "Der maskierte Held im Spannungsfeld von Maskerade und Identität." Perspektiven der Kinder- und Jugendmedienforschung. Ed. Ingrid Tomkowiak. Beiträge zur Kinder- und Jugendmedienforschung. Zürich: Chronos, 2011. 205–25. |
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Jeffries, Dru H. "From the Top of the Cowl to the Tip of the Cape: The cinematic superhero costume as impossible garment." Cinephile 9. (2013): 30–37. |
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Kahler, Jason. "The many masks of Dr Henry Pym: Alter ego, identity, disability and personality of a founding avenger." Film, Fashion {&} Consumption 10. (2021): 299–311. |
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Koch, Christina Maria. "Occupying Popular Culture: Anonymous, occupy wall street, and the guy fawkes mask as a political icon." REAL. Yearbook of Research in English and American Literature 30. (2014): 445–82. |
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Kohns, Oliver. "Guy Fawkes, 2011: Ein beitrag zur politischen ikonographie des aufstands." kultuRRevolution (2012): 19–26. |
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Kohns, Oliver. "Guy Fawkes in the 21st Century: A contribution to the political iconography of revolt." Image [&] Narrative 14. 1 2013. Accessed 1 Jun. 2013. <http://www.imageandnarr ... ve/article/view/300/251>. |
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Liu, Yen-Lian. "The Masculine Masquerade of Superheroes in Watchmen." Gender Forum 62 2017. Accessed 20 May. 2019. <http://genderforum.org/ ... uperheroes_Complete.pdf>. |
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Lunning, Frenchy. "Cosplay, Drag, and the Performance of Abjection." Mangatopia. Essays on Manga and Anime in the Modern World. Eds. Timothy Perper and Martha Cornog. Santa Barbara: Libraries Unlimited, 2011. 71–88. |
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Matloob Haghanikar, Taraneh. "The Character in the Mask: An analysis of mask in art spiegelman’s maus." Good Grief! Children and Comics. Eds. Michelle Abate and Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016. 121–44. |
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Morris, Tom. "What’s Behind the Mask? The secret of secret identities." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 250–66. |
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Mountfort, Paul, Anne Peirson-Smith, and Adam Geczy. Planet Cosplay: An interdisciplinary investigation into the global practice of costume play. Bristol, Chicago: Intellect Books, 2019. |
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Nehrlich, Thomas. "Wenn Identität mittels einer Maske sichtbar wird: Zu geschichte, wesen und ästhetik von superhelden." Ästhetischer Heroismus. Konzeptionelle und figurative Paradigmen des Helden. Eds. Nikolas Immer and Mareen van Marwyck. Bielefeld: Transcript, 2013. 107–28. |
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Norris, Craig and Jason Bainbridge. "Selling Otaku? Mapping the relationship between industry and fandom in the australian cosplay scene." Intersections 20 2009. Accessed 26 Jul. 2014. <http://intersections.an ... 0/norris_bainbridge.htm>. |
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Okello, Wilson Kwamogi. "It’s Not Magic: The black body as an aesthetic site and sight." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... 9-special-13-Okello.pdf>. |
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Otto, Daniela. "Zur Symbolik der Maske und Genderpolitik des Bösen in Christopher Nolans The Dark Knight Rises." Medienobservationen 2012. Accessed 20 Feb. 2014. <http://www.medienobserv ... /kino_pdf/otto_dark.pdf>. |
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Peirson-Smith, Anne. "Fashioning the Fantastical Self: An examination of the cosplay dress-up phenomenon in southeast asia." Fashion Theory 17. (2013): 77–111. |
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Rahman, Osmud, Liu Wing-Sun, and Brittany Hei-man Cheung. "“Cosplay”: Imaginative self and performing identity." Fashion Theory 16. (2012): 317–41. |
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Roy, Suddhabrata Deb. "The Indian Superheroine costume: Analysing indian comics’ first superheroine." Film, Fashion {&} Consumption 10. (2021): 313–24. |
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Russell, Vanessa. "The Mild-Mannered Reporter: How clark kent surpassed superman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 216–32. |
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Schmidt, Sarah. "Die Masken des Orpheus oder Wie man in die Unterwelt steigt, um am Leben zu bleiben: Überlegungen zum intermedialen bilderwerk leben? oder theater? von charlotte salomon." Kultur & Gespenster (2008): 177–89. |
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Schwartz, Alvin. "The Real Secret of Superman’s Identity." Children’s Literature 5. (1976): 117–29. |
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Smith, Greg M. "The Superhero as Labor: The corporate secret identity." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 126–44. |
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Söll, Änne and Friedrich Weltzien. "Spider-Mans Heldenmaske: Kampf um männlichkeit im superhelden-genre." Männlichkeit als Maskerade. Kulturelle Inszenierungen vom Mittelalter bis zur Gegenwart. Eds. Claudia Benthien and Inge Stephan. Literatur – Kultur – Geschlecht. Köln, Weimar, Wien: Böhlau, 2003. 296–315. |
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Uricchio, William and Roberta E. Pearson. "“I’m Not Fooled By That Cheap Disguise”." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 182–213. |
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Uricchio, William and Roberta E. Pearson. "I’m Not Fooled by that Cheap Disguise." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 205–36. |
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Wagner, Travis. "“My Suits … They’re Part Of Me” Considering disability in the iron man trilogy." Cinephile 9. (2013): 4–11. |
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Weltzien, Friedrich. "Masque-ulinities: Changing dress as a display of masculinity in the superhero genre." Fashion Theory 9. (2005): 229–50. |
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Winge, Therèsa M. Costuming Cosplay: Dressing the imagination. Dress, Body, Culture. New York: Bloomsbury Academic, 2018. |
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Zimmermann, Mayte. "Die Wunde in der Darstellung." Thewis 2010. Accessed 4 Dec. 2017. <http://www.theater-wiss ... nde-in-der-darstellung/>. |
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