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Berndt, Jaqueline und Bettina Kümmerling-Meibauer (Hgg.): Manga’s Cultural Crossroads. (Routledge Advances in Art and Visual Studies, 5.) London, New York: Routledge, 2013. (272 S.) 
Added by: joachim (31 Jul 2012 12:54:44 Europe/Berlin)   Last edited by: joachim (08 Oct 2014 20:29:35 Europe/Berlin)
Resource type: Book
Languages: englisch
ID no. (ISBN etc.): 978-0-415-50450-8
BibTeX citation key: Berndt2013
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Categories: General
Keywords: Aufsatzsammlung, Interkulturalität, Manga
Creators: Berndt, Kümmerling-Meibauer
Publisher: Routledge (London, New York)
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Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga’s culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes “manga culture” in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO.

Table of Contents

List of Figures (vii)
List of Tables (ix)
Acknowledgments (xi)

Jaqueline Berndt and Bettina Kümmerling-Meibauer: Introduction. Studying Manga across Cultures (1)

I. Crosscultural Perspectives on Manga
1. Frederik L. Schodt: The View from North America: Manga as Late-Twentieth-Century Japonisme? (19)
2. Ronald Stewart: Manga as Schism: Kitazawa Rakuten’s Resistance to “Old-Fashioned” Japan (27)
3. Shige (CJ) Suzuki: Tatsumi Yoshihiru’s Gekiga and the Global Sixties: Aspiring for an Alternative (50)
4. Jaqueline Berndt: The Intercultural Challenge of the “Mangaesque”: Reorienting Manga Studies after 3/11 (65)
5. Yamanaka Chie: Manhwa in Korea: Re-Nationalizing Comics Culture (85)
6. Bettina Kümmerling-Meibauer: Manga/Comics Hybrids in Picturebooks (100)
7. Elisabeth Klar: Tentacles, Lolitas, and Pencil Strokes: The Parodist Body in European and Japanese Erotic Comics (121)
8. Nele Noppe: Social Networking Services as Platform for Transcultural Fannish Interaction: DeviantART and Pixiv (143)

II. “Naruto” as Cultural Crossroads
9. Omote Tomoyuki: “Naruto” as a Typical Weekly-Magazine Manga (163)
10. Fujimoto Yukari: Women in “Naruto”, Women Reading “Naruto” (172)
11. Jessica Bauwens-Sugimoto and Nora Renka: Fanboys and “Naruto” Epics: Exploring New Ground in Fanfiction Studies (192)
12. Franziska Ehmcke: The Traditional Naruto (Maelstrom) Motif in Japanese Culture (209)
13. Gan Sheuo Hui: Auteur and Anime as Seen in the Naruto TV Series: An Intercultural Dialogue between Film Studies and Anime Research (220)
14. Martin Roth: Playing “Naruto”: Between Meta-Narrative Characters, Unit Operations, and Objects (243)

Editors and Contributors (259)
Index (265)

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