|
BOBC |
 |
 |
 |
|
Davis, Rocío G. "A Graphic Self. Comics as autobiography in Marjane Satrapi’s Persepolis." In: Prose Studies 27 (2005), S. 264–279. Added by: joachim (2011-12-19 12:03) |
| Resource type: Journal Article Languages: English Peer reviewed DOI: 10.1080/014403500223834 BibTeX citation key: Davis2005 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "Persepolis", Aesthetics, Autobiography, France, Intermediality, Iran, Memoria, Satrapi. Marjane Creators: Davis Collection: Prose Studies |
Views: 2/1308
|
| Attachments |
| Abstract |
|
This essay traces a crucial transition in the enactment of the autobiographical text and addresses its creative appropriation by Marjane Satrapi, an Iranian immigrant living in France, in Persepolis. I will examine her use of comics – a thematically and representationally complex form that deploys the strategic juxtaposition of sequential text and image – as the medium for her memoir that enacts her process of self-identification and negotiation of cultural and/or national affiliation. Here, the juxtaposition of image and words constitutive of graphic narratives yields a new artistic, literary, and creative experience – a revised aesthetic. Combining theories on the childhood memoir and comics, I argue that we must approach contemporary graphic autobiographies as increasingly sophisticated forms of inscribing the past and read Satrapi’s text as a site for the negotiation and management of the memory of childhood perceptions and positioning, family, history, politics, religion, and art.
Added by: joachim |
PHP execution time: 0.04834 s
SQL execution time: 0.09291 s
TPL rendering time: 0.00192 s
Total elapsed time: 0.14317 s
Peak memory usage: 1.3010 MB
Memory at close: 1.2500 MB
Database queries: 68