Petrovic, Paul: "Queer resistance, gender performance, and ‘coming out’ of the panel borders in Greg Rucka and J.H. Williams III’s Batwoman: Elegy." In: Journal of Graphic Novels and Comics 2 (2011), S. 67–76.
Added by: joachim (06/20/2011 08:40:38 PM) Last edited by: joachim (03/11/2013 01:33:01 PM)
|Resource type: Journal Article
BibTeX citation key: Petrovic2011a
Email resource to friend
View all bibliographic details
Keywords: "Batman", Gender, Rucka. Greg, Semiotics, Superhero, USA, Williams III. J.H.
Collection: Journal of Graphic Novels and Comics
Greg Rucka and J.H. Williams III’s Batwoman: Elegy recasts the introductory artistic depiction of Kate Kane (Batwoman) from the limited series 52, resisting the codification of this lesbian character from the former series’ heteronormative visual designs by actively queering her character. This paper, drawing from Thierry Groensteen and gender theorists, analyzes how Williams utilizes an ostentatious visual design so that he and Rucka can retrace the censored scenario of Kate’s sexual identity. In its experimental deployment of page borders and other artistic elements, Batwoman: Elegy offers a queering of the traditional comics form and radically challenges earlier incarnations of the character’s heteronormativity. It is argued that this text and the recent Batwoman #0 allow Kate to fluidly operate against gender norms, and the text’s use of the military’s Don’t Ask Don’t Tell policy allows it to both situate Kate’s political resistance and to interrogate the abuses caused by this restrictive policy.
Added by: joachim Last edited by: joachim
PHP execution time: 0.04813 s
SQL execution time: 0.13014 s
TPL rendering time: 0.00189 s
Total elapsed time: 0.18016 s
Peak memory usage: 1.3015 MB
Memory at close: 1.2505 MB
Database queries: 69