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Rommens, Aarnoud: "C Stands for Censorship. “Dirty War” Comics, Camouflage and Buscavidas." In: Image [&] Narrative 6.2 (2005), <http://www.imageandnarr ... /tulseluper/rommens.htm> (29. Sept. 2009) Added by: joachim (09/29/2009 11:10:31 PM) Last edited by: joachim (12/18/2011 06:21:50 PM) |
| Resource type: Web Article Languages: English Peer reviewed BibTeX citation key: Rommens2005a Email resource to friend View all bibliographic details  |
Categories: General Keywords: "Buscavidas", Argentina, Barthes. Roland, Breccia. Alberto, Counter culture, Kulturpolitik, Latin America, Politics, Semiotics, Trillo. Carlos Creators: Rommens Collection: Image [&] Narrative |
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| Attachments | URLs http://www.imagean ... eluper/rommens.htm |
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(Abstract in French below) Departing from Roland Barthes's intuition that drawings might be, “at first sight” at least, images without a code, the author explores how such a notion might be useful in considering specific comics published in Argentina during the so-called “dirty war,” the period of the 1976–1983 dictatorship. Can reading pose a critical counterweight to an all-pervading cultural conditioning? What ‘subversive’ signs could a reader construct as an antidote to the regulation of meaning and suppression of public life which marked this period? By a short reading exercise of two images from the comic Buscavidas (Trillo & Breccia), the author hopes to suggest certain counter-censorial tactics. A partir de l’intuition de Roland Barthes qu’un dessin pourrait être, « à première vue », une image sans code, l’auteur s’interroge sur l’intérêt d’une telle hypothèse pour l’analyse des bandes dessinées publiées en Argentine durant ladite « sale guerre » des années de dictature 1976–1983. La lecture est-elle capable de résister à un conditionnement culturel omniprésent ? Quels pourraient être les signes ‹subversifs› construits par le lecteur comme antidote au contrôle du sens et à l’interdiction du débat public pendant cette période ? L’analyse de deux cases de la bande dessinée Buscavidas (Trillo & Breccia) permet d’aborder la question des tactiques anti-censure. Added by: joachim Last edited by: joachim |
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