|
BOBC |
 |
 |
 |
|
Liss, Andrea. Trespassing Through Shadows: Memory, Photography, And The Holocaust. Minneapolis: Univ. of Minnesota Press, 1998. Added by: joachim (7/20/09, 1:29 AM) Last edited by: joachim (1/20/13, 11:43 PM) |
 |
| Resource type: Book Language: en: English ID no. (ISBN etc.): 0-8186-3059-3 BibTeX citation key: Liss1998a Email resource to friend View all bibliographic details  |
Categories: General Keywords: "Maus", Holocaust, Memoria, Spiegelman. Art, Trauma, USA Creators: Liss Publisher: Univ. of Minnesota Press (Minneapolis) |
Views: 11/735
|
| Attachments |
| Abstract |
|
Photographs of the Holocaust bear a double burden: to act as history lessons for future generations so we will “never forget” and to provide a means of mourning. In Trespassing through Shadows, Andrea Liss examines the inherent difficulties and productive possibilities of using photographs to bear witness, initiating a critical dialogue about the ways the post-Auschwitz generation has employed these documents to represent Holocaust memory and history. Table of Contents Acknowledgments (vii) Introduction: (Im)Possible Witnessing (xi) 1 Photography and Naming (1) 2 The Identity Card Project and the Tower of Faces at the United States Holocaust Memorial Museum (13) 3 Between Trauma and Nostalgia: Christian Boltanski’s Memorials and Art Spiegelman’s Maus (39) 4 Artifactual Witnessing as (Im)Possible Evidence (69) 5 The Provocation of Postmemories (85) In Lieu of a Conclusion: Tender Rejections (115) Notes (125 Bibliography (139) Index (149) Added by: joachim Last edited by: joachim |