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Howard, Sheena C., Justin D. Burton, and Brea M. Heidelberg, eds. Hip-Hop and Comics. Jackson: Univ. Press of Mississippi, 2026. 
Added by: joachim (10/10/2025, 15:38)   
Resource type: Book
Language: en: English
ID no. (ISBN etc.): 9781496857910
BibTeX citation key: Howard2026
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Categories: General
Keywords: Collection of essays, Music
Creators: Burton, Heidelberg, Howard
Publisher: Univ. Press of Mississippi (Jackson)
Views: 10/116
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Abstract
Hip-Hop and Comics is a groundbreaking volume that explores the deep and dynamic intersections between two of the most influential cultural movements of the past fifty years. Edited by Sheena C. Howard, Justin D Burton, and Brea M. Heidelberg, this book provides an in-depth examination of the artistic, historical, and cultural relationships between hip-hop and comics. Both art forms evolved into global phenomena, shaping storytelling, identity, and social commentary in profound ways. Through a collection of insightful chapters, this volume critically analyzes how hip-hop and comics have influenced each other, from early underground movements to their present-day impact on mainstream culture.
Structured in three thematic sections—Artistic Innovation and Resistance; Marvel Comics and Hip-Hop; and Cultural Expression, Impact, and Identity—this book investigates key historical moments, artistic influences, and the creative exchange between these two mediums. It also examines the visual aesthetics of hip-hop as reflected in comic book art, the role of graffiti as a bridge between these worlds, and the ways in which hip-hop narratives and identities have been expressed through superhero and underground comics.
With contributions from leading voices in hip-hop studies, comics scholarship, and media analysis, this is a pioneering text that bridges academic and popular audiences. By bringing together historical research, critical analysis, and firsthand accounts, Hip-Hop and Comics cements its place as a definitive exploration of the powerful synergy between these two art forms.

Table of Contents

Foreword by Patrick A. Reed
Introduction
Sheena C. Howard, Justin D Burton, and Brea M. Heidelberg

Artistic Innovation and Resistance
Chapter 1: Eric Orr and the First Hip-Hop Comic Book: Situating Rappin’ Max Robot
Sheena C. Howard
Chapter 2: DMC’s Legacy: Meaning-Making, Hip-Hop, and Comics
Sheena C. Howard
Chapter 3: Crafting an Alternate Reality Through Grassroots Comics and Rap Music in India
Jayanti Datta
Chapter 4: Wall (S)crawlers: Comics, Graffiti, and the Aesthetic, Political, and Rhetorical Resonances of Public Visual Arts
Michael B. Norton Dando

Marvel Comics and Hip-Hop
Chapter 5: “Sweet Christmas”: Luke Cage and Pulp Authenticity
Matthew Teutsch
Chapter 6: Dynamic Duo: Marvel Comics and Hip-Hop Culture’s Innovations in Storytelling
Stephen J. Tyson Jr.
Chapter 7: When Worlds Collide: Hip-Hop Music and Superhero Movies
Laith Zuraikat
Chapter 8: From Mic to Mask: Unveiling Hip-Hop’s Impact on Black Masculinity in Marvel Superheroes
John P. Craig

Cultural Expression, Impact, and Identity
Chapter 9: Masked Marauders
Michael Sales
Chapter 10: To Murder the Hunger: The Boondocks, the Exorcism and/or Beating of Tom DuBois, and an Appeal to Black Male Solidarity
george white jr.
Chapter 11: “I’m Michael Jordan, I’m Not Malcolm X”: Performing Black Masculinity in The Boys
Collin M. Bright, Kathryn Hobson, Lea Beka, and Daniel Silver
Chapter 12: Remembering Daniel Dumile: “The Classic Conception of Death” Through Dr. Victor Von Doom née MF DOOM
Johnny Jones
Chapter 13: Hearing Comics in Hip-Hop: Leikeli47 as Black Feminist Superhero
Brea M. Heidelberg and Justin D Burton

Afterword
The Darryl Makes Comics Team (Spenser Nellis, Amy Chu, and Riggs Morales)
About the Contributors
Index


  
Notes
Forthcoming / Noch nicht erschienen
  
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