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Price, Jr., William: "Demythologising the Soldier. An Analysis of Maximilian Uriarte’s The White Donkey: Terminal Lance." In: Pop Culture Matters. Hrsg. v. Martin F. Norden und Robert E. Weir. Newcastle upon Tyne: Cambridge Scholars Publ. 2019, S. 47–54. 
Added by: joachim (7/23/21, 5:03 PM)   Last edited by: joachim (7/23/21, 5:04 PM)
Resource type: Book Article
Languages: English
BibTeX citation key: PriceJr2019
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Categories: General
Keywords: "White Donkey", Genre, Uriarte. Maximilian, USA, War
Creators: Norden, Price, Jr., Weir
Publisher: Cambridge Scholars Publ. (Newcastle upon Tyne)
Collection: Pop Culture Matters
Views: 2/180
William Price, Jr., brings the Literature section back full circle to the topic of war veterans with his study of Maximilian Uriarte’s 2016 graphic novel The White Donkey: Terminal Lance. Treating the graphic war novel as a genre in and of itself and employing White Donkey as a case in point, Price notes the form’s special use of colour, psycho-narration, and process for stripping away the heroic, larger-than-life qualities often attached to soldiers. As he argues, “The graphic war novel demythologises the Soldier by undermining heroic mythoi identifiable with a combat veteran to attack preconceptions about the archetype of the Soldier and even war itself.”
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