BOBC

WIKINDX Resources

Baskind, Samantha: The Warsaw Ghetto in American Art and Culture. University Park: Penn State Univ. Press, 2018. (309 S.) 
Added by: joachim (05/24/2021 12:30:03 PM)   Last edited by: joachim (05/24/2021 12:39:55 PM)
Resource type: Book
Languages: English
ID no. (ISBN etc.): 978-0-271-07870-0
BibTeX citation key: Baskind2018a
Email resource to friend
View all bibliographic details
Categories: General
Keywords: Judaism, Kubert. Joe, USA
Creators: Baskind
Publisher: Penn State Univ. Press (University Park)
Views: 10/39
Attachments  
Abstract
On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics.
Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising?
Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Cultureshows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.

Table of Contents

List of Illustrations (ix)
Acknowledgments (xiii)

Introduction (1)

1. “You Must Be Prepared to Resist, Not Give Yourselves Up like Sheep to Slaughter”: Heroism, the Muscular Jew, and the Warsaw Ghetto, 1943–1950 (14)
2. “I Was Responsible to the People Who Had Played Out That Terrible Hour in History”: Rod Serling, Millard Lampell, and Familial Conflict Behind the Walls (62)
3. “I Am a Jew and What Am I Going to Do About It”: Leon Uris, Mila 18, and Muscular Judaism (108)
4. “I Would Like to Paint One Million Jewish Icons”: Samuel Bak’s Painted Memorials and the Traumatic Loss of the Youngest Generation (152)
5. “Our Children, Our Children Must Live”: Joe Kubert, Comics, and the Saving Remnant (194)

Epilogue: “Will the World Know of Us? Will the World Know?”: The Warsaw Ghetto in the United States Holocaust Memorial Museum (238)

Notes (253)
Bibliography (277)
Index (289)


Added by: joachim  Last edited by: joachim
WIKINDX 6.4.10 | Total resources: 13545 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB)


PHP execution time: 0.02666 s
SQL execution time: 0.09527 s
TPL rendering time: 0.00185 s
Total elapsed time: 0.12378 s
Peak memory usage: 1.3011 MB
Memory at close: 1.2501 MB
Database queries: 66