BOBC |
Resource type: Book Language: en: English ID no. (ISBN etc.): 0-312-21394-8 BibTeX citation key: Springhall1998 Email resource to friend View all bibliographic details |
Categories: General Keywords: Horror, Kulturpolitik, Popular culture, United Kingdom, USA Creators: Springhall Publisher: Macmillan (New York) |
Views: 2/607
|
Attachments |
Abstract |
This book asks whether books, films or magazines can help create a corrupting environment which encourages crime and moral decay. It examines, over a lengthy time span, examples of both British and American popular culture that supposedly incited juvenile crime, among other iniquities, to test the accuracy of such claims. Comprising 6 chapters, chapter 1 locates the Victorian penny theatre in the context of the demand for entertainment among the young working class in cities such as London and considers the incessant legal persecution of these so-called nurseries of crime. Chapter 2 looks at cheap juvenile publishing in late 19th century Fleet Street as a mass-market business. Chapter 3 documents how such penny dreadfuls became a scapegoat for juvenile crime with reference to late Victorian trials in which serials and periodicals found in the possession of young men were used as evidence of criminal intent. Chapter 4 focuses on the calls for censorship which Hollywood gangster movies provoked in both Britain and America, largely because of their mass appeal in the 1930s to what were perceived as the potentially criminal young. Chapter 5 is devoted to American publication of crime and horror comic books in the later 1940 and early 1950s, and the subsequent legislation banning horror comics in Britain. Chapter 6 offers a short postscript touching on more recent moral panics over aspects of media entertainment, such as video nasties, violence on television, gangsta rap and the interactive computer-game scare.
Table of Contents Acknowledgments (viii) Introduction (1) Appendix I. Jack Sheppard in Victorian Popular Culture (163) Notes (176) |