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Riach, Alan. Representing Scotland in Literature, Popular Culture and Iconography: The Masks of the Modern Nation. New York [etc.]: Palgrave Macmillan, 2005. Added by: joachim (9/16/20, 7:39 PM) |
Resource type: Book Language: en: English DOI: 10.1057/9780230554962 ID no. (ISBN etc.): 978-1-4039-4591-4 BibTeX citation key: Riach2005 Email resource to friend View all bibliographic details |
Categories: General Keywords: Imagology, Representation, Space Creators: Riach Publisher: Palgrave Macmillan (New York [etc.]) |
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Abstract |
This fascinating new study is about cultural change and continuities. At the core of the book are discrete literary studies of Scotland and Shakespeare, Walter Scott, R.L. Stevenson, Arthur Conan Doyle, the modern Scottish Renaissance of the 1920s and more recent cultural and literary phenomena. The central theme of literature and popular 'representation' recontextualises literary analysis in a broader, multi-faceted picture involving all the arts and the changing sense of what 'the popular' might be in a modern nation. New technologies alter forms of cultural production and the book charts a way through these forms, from oral poetry and song to the novel, and includes studies of paintings, classical music, socialist drama, TV, film and comic books. The international context for mass media cultural production is examined as the story of the intrinsic curiosity of the imagination and the intensely local aspect of Scotland's cultural self-representation unfolds.
Table of Contents List of Illustrations (viii) PART I: THE WORLD OF THINGS UNDONE (1) PART II: LOST WORLDS AND DISTANT DRUMS (73) PART III: THE THEATRE OF INFINITY (121) Conclusion: The Magnetic North (223) Notes (245) Added by: joachim Last edited by: joachim |