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Veith, Natalie: "The (In)Significance of Queen Victoria in Neo-Victorian Comics." In: Realms of Royalty. New Directions in Researching Contemporary European Monarchies. Hrsg. v. Christina Jordan und Imke Polland. Bielefeld: Transcript, 2020, S. 193–210. 
Added by: joachim (2020-08-12 16:38)   Last edited by: joachim (2020-08-12 16:45)
Resource type: Book Article
Languages: English
BibTeX citation key: Veith2020a
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Categories: General
Keywords: "2D Goggles", "From Hell", "Sebastian O", Campbell. Eddie, History comics, Moore. Alan, Morrison. Grant, Padua. Sydney, Steampunk, Themes and motives, United Kingdom, Webcomics, Yeowell. Steve
Creators: Jordan, Polland, Veith
Publisher: Transcript (Bielefeld)
Collection: Realms of Royalty. New Directions in Researching Contemporary European Monarchies
Views: 15/548
Natalie Veith’s article is dedicated to an examination of neo-Victorian comics, which form part of a popular cultural counter discourse to conventional heritage culture surrounding Britain’s (monarchical) history. Through a close reading of Alan Moore and Eddie Campbell’s From Hell (1989-1996), Grant Morrison and Steve Yeowell’s Sebastian O. (1993), and Sydney Padua’s The Thrilling Adventures of Lovelace and Babbage (2015), Veith analyzes the depictions of Queen Victoria in neo-Victorian comics, which experiment with anachronistic, intermedial, and metafictional scenarios. Although Queen Victoria seems to be a marginal figure in these comics, Veith argues that the queen’s relevance lies in her apparent insignificance, as the monarch is used to dramatize and negotiate contradictions within the stories, e.g. concerning power, knowledge, gender, and agency.
Added by: joachim  
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