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Griffin, Rachel Alicia and Jonathan P. Rossing. "Black Panther in widescreen: Cross-disciplinary perspectives on a pioneering, paradoxical film." Review of Communication 20. (2020): 203–19. Added by: joachim (08/08/2020, 16:01) Last edited by: joachim (08/08/2020, 16:04) |
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| Resource type: Journal Article Language: en: English Peer reviewed DOI: 10.1080/15358593.2020.1780467 BibTeX citation key: Griffin2020 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "Black Panther", Adaptation, Ethnicity, Film adaptation, Superhero, USA Creators: Griffin, Rossing Collection: Review of Communication |
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Critics and scholars alike hail Black Panther (2018) as a celebratory cinematic response to decades of racial injustice in Hollywood while also calling attention to popular culture's limited means to transform structural oppressions. Our Introduction to this themed issue explores the provocative tensions—between jubilation/disappointment, progress/retrogression, and reality/fantasy—that surround Black Panther. These tensions have animated the Black Panther franchise since its inception and continue to shape the character's cinematic rendering. Our interpretation of Black Panther as reformist yet simultaneously pernicious cinema is framed by paradoxical ideation not only as the core narrative device for the film and its comic antecedents, but also as the central feature of its mediated context—first as a product of Marvel Comics and now the Walt Disney Company.
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