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Griffin, Rachel Alicia und Jonathan P. Rossing: "Black Panther in widescreen. Cross-disciplinary perspectives on a pioneering, paradoxical film." In: Review of Communication 20.3 (2020), S. 203–219. 
Added by: joachim (08/08/2020 04:01:22 PM)   Last edited by: joachim (08/08/2020 04:04:15 PM)
Resource type: Journal Article
Languages: English
Peer reviewed
DOI: 10.1080/15358593.2020.1780467
BibTeX citation key: Griffin2020
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Categories: General
Keywords: "Black Panther", Adaptation, Ethnicity, Film adaptation, Superhero, USA
Creators: Griffin, Rossing
Collection: Review of Communication
Views: 8/54
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Abstract
Critics and scholars alike hail Black Panther (2018) as a celebratory cinematic response to decades of racial injustice in Hollywood while also calling attention to popular culture's limited means to transform structural oppressions. Our Introduction to this themed issue explores the provocative tensions—between jubilation/disappointment, progress/retrogression, and reality/fantasy—that surround Black Panther. These tensions have animated the Black Panther franchise since its inception and continue to shape the character's cinematic rendering. Our interpretation of Black Panther as reformist yet simultaneously pernicious cinema is framed by paradoxical ideation not only as the core narrative device for the film and its comic antecedents, but also as the central feature of its mediated context—first as a product of Marvel Comics and now the Walt Disney Company.
  
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