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Smit, Johannes A. und Denzil Chetty: "Debunking Marvel Comics’ First Pakistani-American Born Muslim Female Superhero. Reading Religion, Race and Gender in Ms. Marvel (Kamala Khan)." In: The African Journal of Gender and Religion 24.2 (2018), <https://www.academia.ed ... Ms._Marvel_Kamala_Khan_> (12. Juli 2020) 
Added by: joachim (07/12/2020 06:12:50 PM)   Last edited by: joachim (07/26/2020 08:07:05 PM)
Resource type: Web Article
Languages: English
Peer reviewed
BibTeX citation key: Smit2018
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Categories: General
Keywords: "Ms. Marvel", Ethnicity, Gender, Islam, Religion, Superhero, USA
Creators: Chetty, Smit
Collection: The African Journal of Gender and Religion
Views: 5/84
Attachments   URLs   https://www.academ ... arvel_Kamala_Khan_
Abstract
Over the past decade, we have witnessed a comic book renaissance. The impact of this renaissance can be described as three-fold. First, we have seen comic books emerge as a compelling component of popular culture; second, as a "hybrid" form of texts and graphics, comic books have attained a new level of literary acceptance; and third, we have seen the advent of comic studies as an academic discipline in various higher education institutions. In addition, by drawing on myth and history, fantasy and reality, comic books have reproduced society's values, ideals, prejudices, and aspirations, thereby producing various ideological contestations. It is within this context that Marvel Comics' latest creation Ms.Marvel (Kamala Khan), portraying a first-generation American Muslim female teenager, born of Pakistani immigrants as the legendary Ms. Marvel – an American superhero – offers a unique opportunity to unpack the socio-cultural and political nuances embedded in comic books. Hence, by drawing on Ms. Marvel (Kamala Khan) as a case study, this paper seeks to provide a critique of the intersections between religion, race and gender in contemporary comic books. To do this, we employ "social constructionism" as an interpretive and analytical theoretical approach to a selection of scenes from the Ms. Marvel corpus. Our hypothesis is that the intersections between religion, race and gender as "played" out in Ms. Marvel (Kamala Khan) serve to foreground a socially constructed reality of religious (Islamic) bigotry; immigrant socio-cultural and political assimilation predispositions; and gender and power disparities embedded in both Muslim immigrant worldviews (internal) and American social ideals (external).
  
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