Haworth, Kevin: The Comics of Rutu Modan. War, Love, and Secrets. (Great Comics Artists.) Jackson: Univ. Press of Mississippi, 2019. (175 S.)
Added by: joachim (08/29/2019 12:27:38 PM)
|Resource type: Book
ID no. (ISBN etc.): 9781496821836
BibTeX citation key: Haworth2019
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Keywords: "Exit Wounds", "The Property", Israel, Modan. Rutu
Publisher: Univ. Press of Mississippi (Jackson)
Best known for her Eisner Award–winning graphic novels, Exit Wounds and The Property, Rutu Modan’s richly colored compositions invite readers into complex Israeli society, opening up a world too often defined only by news headlines. Her strong female protagonists stick out in a comics scene still too dominated by men, as she combines a mystery novelist’s plotting with a memoirist’s insights into psychology and trauma.
The Comics of Rutu Modan: War, Love, and Secrets conducts a close reading of her work and examines her role in creating a comics arts scene in Israel. Drawing upon archival research, Kevin Haworth traces the history of Israeli comics from its beginning as 1930s cheap children’s stories, through the counterculture movement of the 1970s, to the burst of creativity that began in the 1990s and continues full force today.
Based on new interviews with Modan (b. 1966) and other comics artists, Haworth indicates the key role of Actus Tragicus, the collective that changed Israeli comics forever and launched her career. Haworth shows how Modan’s work grew from experimental minicomics to critically acclaimed graphic novels, delving into the creative process behind Exit Wounds and The Property. He analyzes how the recurring themes of family secrets and absence weave through her stories and how she adapts the famous clear line illustration style to her morally complex tales.
Though still relatively young, Modan has produced a remarkably varied oeuvre. Identifying influences from the United States and Europe, Haworth illustrates how Modan’s work is global in its appeal, even as it forms a core of the thriving Israeli cultural scene.
Table of Contents
A Note to the Reader (vii)
1. The Tradition of No Tradition (11)
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