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Vanoost, Marie und Sarah Sepulchre: "Subjectivity and Comics Journalism in the French Magazine XXI. Discrepancy between Paratexts and Texts." In: Diegesis 8.1 (2019), S. 85–108, <https://www.diegesis.un ... egesis/article/view/351> (14. Juni 2019) 
Added by: joachim (14 Jun 2019 11:42:38 Europe/Berlin)   Last edited by: joachim (14 Jun 2019 11:56:17 Europe/Berlin)
Resource type: Web Article
Languages: englisch
Peer reviewed
BibTeX citation key: Vanoost2019
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Categories: General
Keywords: "XXI", Authentizität, Frankreich, Narratologie, Paratext, Reportagecomics
Creators: Sepulchre, Vanoost
Collection: Diegesis
Views: 3/18
Views index: 7%
Popularity index: 1.75%
Attachments   URLs   https://www.dieges ... s/article/view/351
Abstract
Comics journalism is a form of narrative journalism, but also plays a part in a much wider movement – the hybridization of cultural products – and the increasing blurring of the boundaries between fact and fiction. It presents itself as a way to inject new life into a profession currently in crisis by resurrecting reporter subjectivity. Based on a corpus from the magazine XXI, this article analyses how the alleged subjectivity is expressed in the comics journalism paratext and how it is translated into the cartoon itself – in both its graphic and its textual dimensions. One of the most interesting results is the contrast between the two parts of the analysis: while the paratext almost systematically emphasizes the authors’ personal involvement, the authors make their presence fully known in slightly fewer than half of the cartoons analysed.
  
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