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Vanoost, Marie und Sarah Sepulchre: "Subjectivity and Comics Journalism in the French Magazine XXI. Discrepancy between Paratexts and Texts." In: Diegesis 8.1 (2019), S. 85–108, <https://www.diegesis.un ... egesis/article/view/351>. Added by: joachim (2019-06-14 11:42) Last edited by: joachim (2019-06-14 11:56) |
| Resource type: Web Article Languages: English Peer reviewed BibTeX citation key: Vanoost2019 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "XXI", Authenticity, Comics journalism, France, Narratology, Paratext Creators: Sepulchre, Vanoost Collection: Diegesis |
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| Attachments | URLs https://www.dieges ... s/article/view/351 |
| Abstract |
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Comics journalism is a form of narrative journalism, but also plays a part in a much wider movement – the hybridization of cultural products – and the increasing blurring of the boundaries between fact and fiction. It presents itself as a way to inject new life into a profession currently in crisis by resurrecting reporter subjectivity. Based on a corpus from the magazine XXI, this article analyses how the alleged subjectivity is expressed in the comics journalism paratext and how it is translated into the cartoon itself – in both its graphic and its textual dimensions. One of the most interesting results is the contrast between the two parts of the analysis: while the paratext almost systematically emphasizes the authors’ personal involvement, the authors make their presence fully known in slightly fewer than half of the cartoons analysed.
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