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Kelp-Stebbins, Katherine: "Global Comics. Two Women’s Texts and a Critique of Cultural Imperialism." In: Feminist Media Histories 4.3 (2018), S. 135–156. 
Added by: joachim (04/27/2019 08:03:03 PM)   Last edited by: joachim (04/27/2019 08:08:08 PM)
Resource type: Journal Article
Languages: English
Peer reviewed
DOI: 10.1525/fmh.2018.4.3.135
BibTeX citation key: KelpStebbins2018a
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Categories: General
Keywords: "Le Jeu des hirondelles", "Persepolis", Abirached. Zeina, Autobiography, France, Interculturalism, Iran, Lebanon, Satrapi. Marjane
Creators: Kelp-Stebbins
Collection: Feminist Media Histories
Views: 6/134
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Abstract
This article examines the critical reception of works by comic artists Zeina Abirached and Marjane Satrapi, and specifically articulations of likeness and contrast between them. Surveying the frequent comparisons of Abirached’s A Game for Swallows (2007, 2012) to Satrapi’s Persepolis (2000–2004) provides a methodological framework by which to reconsider the cultural and capital economies of world literature and global comics. This analysis is guided by questions regarding global comics as an emergent textual form that complicates world literature as a system of cultural recognition. What role does the emphasis on these two women authors as Middle Easterners play in the reception of their books in Europe and the United States? How do transnational literatures capitulate to (neo)imperial projects? How do comics, by introducing new criteria for literary assessment, compel us to radically remap the location of culture?
  
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