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Swale, Alistair: "Miyazaki Hayao and the Aesthetics of Imagination. Nostalgia and Memory in Spirited Away." In: Asian Studies Review 39.3 (2015), S. 413–429. 
Added by: joachim (06/15/2018 12:53:40 AM)   Last edited by: joachim (06/15/2018 01:04:23 AM)
Resource type: Journal Article
Languages: English
Peer reviewed
DOI: 10.1080/10357823.2015.1056086
BibTeX citation key: Swale2015
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Categories: General
Keywords: Aesthetics, Animation, Memoria, Miyazaki. Hayao, Randformen des Comics
Creators: Swale
Collection: Asian Studies Review
Views: 8/178
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Abstract
Miyazaki Hayao has achieved international renown for a succession of feature-long animations that have been noted for their visual flair and highly imaginative world-constructs. Many of the narratives in these films have been situated in fantasy worlds with often only a tenuous representation of the world as experienced in some conventional contemporary (or historical) sense. Yet beyond the surface of these figures and fantastical plot devices there is a clearly discernible stream of engagement with the past. Focusing primarily on Sen to Chihiro no Kamikakushi (Spirited Away) of 2001, this paper critically engages with the leading commentaries on nostalgia and memory in Miyazaki’s work, contrasting the “culturalist” approach of Susan Napier with the “machinic” approach of Thomas Lamarre. In turn, the aesthetic theory of R.G. Collingwood, in particular his concept of “magic”, is employed to demonstrate how certain aesthetic devices within the film facilitate an imaginative engagement with the past, one that is subtle but nonetheless highly evocative of distinctive nostalgic emotions.
  
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