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Harrison, Richard: "Seeing and Nothingness. Michael Nicoll Yahgulanaas, Haida Manga, and a Critique of the Gutter." In: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43.1 (2016), S. 51–74. 
Added by: joachim (05/14/2018 10:41:10 AM)   Last edited by: joachim (10/29/2019 06:53:52 PM)
Resource type: Journal Article
Languages: English
Peer reviewed
BibTeX citation key: Harrison2016
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Categories: General
Keywords: "Red", Canada, Colonialism, Ethnicity, Interculturalism, McCloud. Scott, Yahgulanaas. Michael Nicoll
Creators: Harrison
Collection: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée
Views: 6/181
Attachments   URLs   https://journals.l ... article/view/29165
Abstract
There is not a single set of terms by which to define Canadian graphic novels any more than there is a single set of terms by which to define Canada. At least some art, if not some part of all art, is a critique of conventions, including the conventions of art itself. When he launched Red at WordFest in 2009, Yahgulanaas said that it was a book designed to invite discussion. He offered it as both an opportunity and a test—to see if anyone was listening, not just to a story worth thinking about, but, to a way of story-telling and sense-making presented in a language that could be called universal if only because it might make what we do not understand about each other clear.
Added by: joachim  Last edited by: joachim
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