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Smith, Philip. Reading Art Spiegelman. Routledge Advances in Comics Studies. London, New York: Routledge, 2015. Added by: joachim (12/14/15, 5:43 PM) Last edited by: joachim (6/25/20, 12:00 PM) |
Resource type: Book Language: en: English ID no. (ISBN etc.): 9781138956766 BibTeX citation key: Smith2015 Email resource to friend View all bibliographic details |
Categories: General Keywords: "Breakdowns", "In the Shadow of No Towers", "Maus", Holocaust, Spiegelman. Art, Trauma, USA Creators: Smith Publisher: Routledge (London, New York) |
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Abstract |
The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern society. The central thesis of this book is that Art Spiegelman’s comics all identify deeply-rooted madness in post-Enlightenment society. Spiegelman maintains, in other words, that the Holocaust was not an aberration, but an inevitable consequence of modernisation. In service of this argument, Smith offers a reading of Spiegelman’s comics, with a particular focus on his three main collections: Breakdowns (1977 and 2008), Maus (1980 and 1991), and In the Shadow of No Towers (2004). He draws upon a taxonomy of terms from comic book scholarship, attempts to theorize madness (including literary portrayals of trauma), and critical works on Holocaust literature.
Table of Contents List of Figures and Tables (ix) Introduction (1) 1. Formal Experimentation and Emotional Breakdowns (7) 2. Historiography and Survival in Maus (42) 3. The Story of a Story: In the Shadow of No Towers (102) Conclusion: Divinest Sense (137) Index (147) |