WIKINDX Resources

Keener, Joe: "Shakespeare, Manga and the pilfering of Japan’s soft power." In: Studies in Comics 6.1 (2015), S. 43–60. 
Added by: joachim (09/14/2015 01:50:12 PM)   
Resource type: Journal Article
Languages: English
Peer reviewed
DOI: 10.1386/stic.6.1.43_1
BibTeX citation key: Keener2015
Email resource to friend
View all bibliographic details
Categories: General
Keywords: Adaptation, Interculturalism, Japan, Literature, Manga, Shakespeare. William
Creators: Keener
Collection: Studies in Comics
Views: 8/213
The publication of a series of Shakespeare Manga by the British company SelfMadeHero affords the opportunity to consider the motivations and methods behind such publications. Visual style, audience, expressions of identity and attempts to modernize through the youth appeal of technology, gore and a preponderance of the visual are all examined. The motivation behind these phenomena is not just an attempt to emulate a financially successful form of Japanese popular culture, but to appropriate some of the soft power that Japan has accrued through the almost worldwide success of its manga. Soft power is the ability to get what one wants through attraction, and Japanese manga’s infiltrating of not just western cultural products but imaginations confers soft power on Japan. These slim volumes promote Shakespeare while trying to lay claim to some of this soft power. Finally, a deliberation of whether these books are western or eastern leads to the conclusion that they are a part of a new Metaculture space that is both and neither at the same time.
WIKINDX 6.4.10 | Total resources: 13538 | Username: -- | Bibliography: WIKINDX Master Bibliography | Style: Comicforschung-Bibliographie Stil (CFB)

PHP execution time: 0.02501 s
SQL execution time: 0.09306 s
TPL rendering time: 0.00169 s
Total elapsed time: 0.11976 s
Peak memory usage: 1.2921 MB
Memory at close: 1.2411 MB
Database queries: 67