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| Abate, Michelle Ann and Gwen Athene Tarbox, eds. Graphic Novels for Children and Young Adults: A Collection of Critical Essays. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. |
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| Addis, Victoria. "The musicalization of graphic narratives and P. Craig Russell’s graphic novel operas, The Magic Flute and Salomé." Studies in Comics 8. (2017): 7–28. |
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| Ahmed, Maaheen. "Collages in Comics: The Case of Dave McKean." Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Eds. Maaheen Ahmed, Stephanie Delneste and Jean-Louis Tilleuil. Paris: L’Harmattan, 2017. 53–74. |
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| Ahmed, Maaheen, Stephanie Delneste, and Jean-Louis Tilleuil, eds. Le statut culturel de la bande dessinée – ambiguïtés et évolutions: The Cultural Standing of Comics – Ambiguities and Changes. Louvain-la-Neuve: Academia, 2017. |
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| Ajah, Richard Oko. "Nationalism and African Communal Identity in Marguerite Abouet’s and Clement Oubrerie’s Aya de Yopougon." Human and Social Studies 5. (2017): 85–99. |
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| Alaniz, José. "‘In The Empire of the Senses’ and the Narrative Horizons of Comics." Humanities 6. 2 2017. Accessed 31Dec. 2017. <http://www.mdpi.com/2076-0787/6/2/31>. |
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| Aldama, Frederick Luis. Latinx Superheroes in Mainstream Comics. Latinx Pop Culture. Tucson: Univ. of Arizona Press, 2017. |
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| Allgaier, Joachim. "Wissenschaft und Populärkultur." Forschungsfeld Wissenschaftskommunikation. Eds. Heinz Bonfadelli, et al. Wiesbaden: Springer Fachmedien, 2017. 239–50. |
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| Antliff, Allan. "Pedagogical Subversion: The “Un-American” Graphics of Kevin Pyle." SubStance 46. (2017): 95–109. |
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| Aquatias, Sylvain. "When Popular Cultures Are Not So Popular: The Case of Comics in France." CALL 2. 1 2017. Accessed 28Nov. 2021. <https://arrow.tudublin.ie/priamls/vol2/iss1/5/>. |
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| Araki, Hirohiko. Manga in Theory and Practice: The Craft of Creating Manga. San Francisco: VIZ Media, 2017. |
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| Arjana, Sophia Rose. Veiled Superheroes: Islam, Feminism, and Popular Culture. Lanham [etc.]: Rowman & Littlefield, 2017. |
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| Arnold, Markus. "La violence et l’intermédialité en bande dessinée: Usages et significations du hors-champ, de l’entr’images, de la photographie dans l’œuvre du dessinateur Hippolyte." Figures de l’Art (2017): 183–204. |
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| Asimakoulas, Dimitris. "Synchrony issues in comics: Language transfer and gender-specific characterisation in English translations of Greek Aristophanic comics." Journal of Graphic Novels and Comics (2017): 1–23. |
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| Aurenche-Beau, Emmanuelle. "Représentation de l’enfance en RDA dans trois romans graphiques des années 2000." Studia Universitatis Babeş-Bolyai – Philologia 62. (2017): 13–22. |
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| Auringer, Julian. "Rinaldo Rinaldini als Comicheld." Deutsche Comicforschung (2017): 29–39. |
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| Bach, Benjamin, et al. "The Emerging Genre of Data Comics." IEEE Computer Graphics and Applications 38. (2017): 6–13. |
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| Bachmann, Christian A. Macht der Musik: Musik in Karikatur, Bildergeschichte und Comic. 1830–1930. Berlin: Ch.A. Bachmann, 2017. |
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| Bachmann, Christian A. "Das Nachleben von Wilhelm Buschs ›Virtuosen‹: Zur Darstellungstradition eines Musiker-Stereotyps und seiner Rezeption im Comic um 1900." Farbe, Klang, Reim, Rhythmus. Interdisziplinäre Zugänge zur Musik im Bilderbuch. Eds. Lars Oberhaus and Mareile Oetken. Bielefeld: Transcript, 2017. 101–26. |
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| Bae, Keung Yoon ‘Becky’. "From underground to the palm of your hand: The spatiality and cultural practice of South Korean webtoons." East Asian Journal of Popular Culture 3. (2017): 73–84. |
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| Baetens, Jan. "Drawing Photo Novels." ImageTexT 9. 2 2017. Accessed 7Feb. 2018. <http://www.english.ufl. ... /archives/v9_2/baetens/>. |
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| Baetens, Jan. "Un chronotope à personnage ajouté: Le nouveau fantastique des Cités obscures (Schuiten–Peeters)." Brumal 5. 1 2017. Accessed 12Jun. 2019. <https://revistes.uab.ca ... icle/view/v5-n1-baetens>. |
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| Baetens, Jan and Hugo Frey. "‘Layouting’ for the plot: Charles Burns and the clear line revisited." Journal of Graphic Novels and Comics 8. (2017): 193–202. |
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| Baetens, Jan and Hugo Frey. "Graphic Novels and the First World War." Teaching Representations of the First World War. Eds. Debra Rae Cohen and Douglas Higbee. New York: The Modern Language Assoc. of America, 2017. 277–83. |
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| Baetens, Jan. "Other Non-Fiction." The Cambridge Companion to the Graphic Novel. Ed. Stephen E. Tabachnick. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2017. 130–43. |
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| Bainbridge, Jason. "Beyond the Law: What is so “Super” About Superheroes and Supervillains?." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30. (2017): 367–88. |
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| Bamberger, W. C. "Social Justice and Silver Age Superheroes." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 50–57. |
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| Bancaud, Florence. "Le Roman graphique: Une nouvelle écriture du traumatisme ?." Studia Universitatis Babeş-Bolyai – Philologia 62. (2017): 73–84. |
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| Barba, Shelley E. and Joy M. Perrin, eds. The Ascendance of Harley Quinn: Essays on DC’s Enigmatic Villain. Jefferson: McFarland, 2017. |
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| Barbieri, Daniele. Semiotica del fumetto[u]. Bussole. 4th ed. Roma: Carocci, 2022. |
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| Barnes, Rex. "The Implied Spider-Man: Transcreating Religious Imagery and Meaning in Spider-Man: India." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 197–217. |
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| Barry, Erin. "Eight-page eroticism: Sexual violence and the construction of normative masculinity in Tijuana Bibles." Journal of Graphic Novels and Comics 8. (2017): 227–37. |
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| Batchelor, Bob. Stan Lee: The Man behind Marvel. Lanham [etc.]: Rowman & Littlefield, 2017. |
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| Bateman, John A., et al. "An Open Multilevel Classification Scheme for the Visual Layout of Comics and Graphic Novels: Motivation and Design." Digital Scholarship in the Humanities 32. 3 2017. Accessed 17May. 2019. <http://dsh.oxfordjourna ... y/2016/06/01/llc.fqw024>. |
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| Bateman, John A., Janina Wildfeuer, and Tuomo Hiippala. Multimodality: Foundations, Research and Analysis. A Problem-Oriented Introduction. Mouton Textbook. De Gruyter Mouton, 2017. |
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| Batkin, Jane. Identity in Animation: A Journey into Self, Difference, Culture, and the Body. London, New York: Routledge, 2017. |
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| Baudinette, Thomas. "Japanese gay men’s attitudes towards ‘gay manga’ and the problem of genre." East Asian Journal of Popular Culture 3. (2017): 59–72. |
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| Beaty, Bart. "Some Classics." The Cambridge Companion to the Graphic Novel. Ed. Stephen E. Tabachnick. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2017. 175–91. |
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| Beckmann, Anna, et al. "de_konstruierte Identität: Aushandlungen von gender in der Hure h von Anke Feuchtenberger und Kathrin de Vries." Comics an der Grenze. Sub/Versionen von Form und Inhalt. Eds. Matthias Harbeck, Linda-Rabea Heyden and Marie Schröer. Berlin: Ch.A. Bachmann, 2017. |
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| Beers Fägersten, Kristy. "English-language swearing as humor in Swedish comic strips." Journal of Pragmatics 121. (2017): 175–87. |
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| Behringer, Marco. Green and Clean? Alternative Energiequellen in Science Fiction und Utopie. Marburg: Tectum, 2017. |
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| Beikirch, David. "Unendliche Landschaft der Träume." Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Eds. David Beikirch and Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017. 15–20. |
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| Beikirch, David and Matthias Wagner K, eds. Kartografie der Träume: Die Kunst des Marc-Antoine Mathieu. Berlin: Ch.A. Bachmann, 2017. |
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| Bennett, Tamryn. "Dancing with Demons: Consciousness and Identity in the Comics of Lynda Barry." Picturing Childhood. Youth in Transnational Comics. Eds. Mark Heimermann and Brittany Tullis. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2017. 218–33. |
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| Bergstrom, Signe. Wonder Woman: Ambassador of Truth. New York: Harper Design, 2017. |
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| Berland, Eti. "The Drama of Coming Out: Censorship and Drama by Raina Telgemeier." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 205–17. |
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| Berndt, Jaqueline. "Reflections: Writing Comics into Art History in Contemporary Japan." Konsthistorisk tidskrift/Journal of Art History 86. (2017): 67–74. |
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| Billard, Thomas J. and Brian L. MacAuley. "“It’s a Bird! It’s a Plane! It’s a Transgender Superhero!”: Transgender Characters in Marvel, DC, and Image Comics." Heroes, Heroines, and Everything in Between. Challenging Gender and Sexuality Stereotypes in Children's Entertainment Media. Eds. CarrieLynn D. Reinhard and Christopher J. Olson. Lanham [etc.]: Lexington, 2017. |
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| Bishop, David and Karl Stock. Thrill-Power Overload: 2000 AD – the First Forty Years. Oxford: Rebellion, 2017. |
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| Blanc-Hoàng, Henri-Simon. "Colonialism, postcolonialism and science fiction comics in the Southern Cone." Studies in Comics 8. (2017): 29–49. |
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| Blank, Juliane. "‘… But Is It Literature?’: Graphic Adaptation in Germany in the Context of High and Popular Culture." European Comic Art 10. (2017): 74–93. |
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| Blank, Juliane. "Shaping the World: Dreams, Dreaming, and Dream-Worlds in Comics: Dream of the Rarebit Fiend (1904–1911), Little Nemo (1905–1911) and The Sandman (1989–1996)." Writing the Dream / Écrire le rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2017. 277–303. |
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| Böger, Astrid. "Kreative Zwischenräume: Medienästhetische Strategien des Rahmens und Übersetzens in Graphic Novels." Übersetzen und Rahmen. Praktiken medialer Transformationen. Eds. Claudia Benthien and Gabriele Klein. München: Fink, 2017. 75–87. |
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| Boillat, Alain. "Perspectives on Cinema and Comics: Adapting Feature Films into French-Language Comics Serials during the Post-war Years." European Comic Art 10. (2017): 9–23. |
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| Bolton, Matthew. "“Like Oil and Water”: Adaptation as Textuality, Intertextuality, and Metatextuality in Lady Snowblood (Fujita, 1973)." Studies in 20th & 21st Century Literature 42. 1 2017. Accessed 4May. 2021. <https://newprairiepress.org/sttcl/vol42/iss1/6/>. |
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| Bordeaux, Joel. "The Dark Knight of the Soul: Death as Initiatory Ordeal in Grant Morrison’s Batman R.I.P.." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 219–46. |
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| Borkent, Mike. "Mediated Characters: Multimodal Viewpoint Construction in Comics." Cognitive Linguistics 28. (2017): 539–63. |
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| Boucher, Ian, ed. Humans and Paragons: Essays on Super-Hero Justice. Edwardsville: Sequart Research & Literacy Organization, 2017. |
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| Boudreaux, Armond and Corey Latta. Titans[u]: How Superheroes Can Help Us Make Sense of a Polarized World[u]. Eugene: Cascade, 2017. |
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| Braithwaite, Jean, ed. Chris Ware: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2017. |
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| Braithwaite, Jean. "Words + Pictures: A Manifesto." Studies in 20th & 21st Century Literature 42. 1 2017. Accessed 4May. 2021. <https://newprairiepress.org/sttcl/vol42/iss1/4/>. |
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| Bright, Amy. "Multimodal Forms: Examining Text, Image, and Visual Literacy in Daniel Handler’s Why We Broke Up and Markus Zusak’s The Book Thief." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 30–46. |
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| Brinker, Felix and Christina Meyer. "Comics." Handbuch Popkultur. Eds. Thomas Hecken and Marcus S. Kleiner. Stuttgart: Metzler, 2017. 198–202. |
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| Brinker, Felix and Christina Meyer. "Comics." Handbuch Popkultur. Eds. Thomas Hecken and Marcus S. Kleiner. Stuttgart: Metzler, 2017. 198–200. |
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| Brown, Kieron Michael. "Virtuality and enhancement in Richard McGuire’s Here(s)." Studies in Comics 8. (2017): 69–84. |
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| Brown, Rebecca A. "Engendering Friendship: Exploring Jewish and Vampiric Boyhood in Joann Sfar’s Little Vampire." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 233–46. |
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| Brown, Andy, ed. BDQ: Essays and Interviews on Quebec Comics. trans. Helge Dascher. Wolfville: BDANG, 2017. |
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| Bullen, David. "On the Origin of a Supervillain: The Neo-Victorian Reinvention of Mister Sinister." Neo-Victorian Villains. Adaptations and Transformations in Popular Culture. Ed. Benjamin Poore. Neo-Victorian Series. Leiden: Brill, 2017. 180–96. |
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| Busch, Lenja. "Onomatopoeia in Comics: On the A-Human Theatre of Expression in Graphic Representations." Thewis 2017. Accessed 4Dec. 2017. <http://www.theater-wiss ... onomatopoeia-in-comics/>. |
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| Butters, Albion M. "The Spiritual Superhero: A Historical Overview of Tantra in Comics." The Assimilation of Yogic Religions through Pop Culture. Ed. Paul G. Hackett. Lanham [etc.]: Rowman & Littlefield, 2017. 173–95. |
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| Buuck, Christiane and Cathy Ryan. "Looking Beyond the Scenes: Spatial Storytelling and Masking in Shaun Tan’s The Arrival." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 154–70. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "De la fabrique du réel (apocalyptique) dans la bande dessinée Beyrouth Bye Bye … de Barrack Rima." International Journal of Francophone Studies 20. (2017): 57–72. |
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| Call, Lewis. "“Find What Warmth You Can”: Queer Sexualities in Buffy Season Eight through Ten Comic Books." Slayage 15. 2 2017. Accessed 3Feb. 2019. <http://www.whedonstudie ... call_-_slayage_15.2.pdf>. |
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| Camp, Lisa D. "‘Time to ride the monster train’: Multiplicity, the Midnighter and the threat to hegemonic superhero masculinity." Journal of Graphic Novels and Comics 8. (2017): 464–79. |
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| Canavan, Gerry. "Memento Mori: Richard McGuire’s “Here” and Art in the Anthropocene." Deletion 2017. Accessed 5Feb. 2023. <https://www.deletionsci ... uires-art-anthropocene/>. |
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| Casonato, Camilla. "Images for Little Architects: Architecture and Architectural Drawing in Children’s Books and Comics. An Interesting Case Study." Proceedings 1. 9 2017. Accessed 29Jun. 2020. <https://www.mdpi.com/2504-3900/1/9/944>. |
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| Castillo, Debra A. "Perineum: Erika Lopez." Studies in 20th & 21st Century Literature 42. 1 2017. Accessed 4May. 2021. <https://newprairiepress.org/sttcl/vol42/iss1/7/>. |
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| Caswell, Lucy Shelton and Jared Gardner, eds. Drawing the Line: Comics Studies and INKS, 1994–1997. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2017. |
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| Catalá-Carrasco, Jorge L. "Neoliberal expulsions, crisis, and graphic reportage in Spanish comics." Romance Quarterly 64. (2017): 172–84. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer, eds. Comics and Memory in Latin America. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer. "Introduction: Comics and Memory in Latin America." Comics and Memory in Latin America. Eds. Jorge L. Catalá-Carrasco, Paulo Drinot and James Scorer. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. 3–32. |
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| Chattopadhyay, Dhiman. "Can comic books influence consumer awareness and attitude towards rape victims and perpetrators in India? The case of Priya’s Shakti." Journal of Graphic Novels and Comics (2017): 1–19. |
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| Chavez Vaca, Wladimir. "The Film Noir’s Aesthetics in a Graphic Novel: The Case of Angelus Hostis (2012)." International Journal of Comic Art 19. (2017): 97–123. |
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| Christopher, Brandon. "Paratextual Shakespearings: Comics’ Shakespearean Frame." Shakespeare / Not Shakespeare. Eds. Christy Desmet, Natalie Loper and Jim Casey. Reproducing Shakespeare. New York [etc.]: Palgrave Macmillan, 2017. 149–67. |
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| Claverie, Ezra. "Ambiguous Mr. Fox: Black Actors and Interest Convergence in the Superhero Film." Journal of American Culture 40. (2017): 155–68. |
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| Cogan, Brian. "I’m Batman! Bwah ha ha! Comedy in the Grim ’n’ Gritty Eighties." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 121–30. |
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| Cohn, Neil, et al. "The cultural pages of comics: Cross-cultural variation in page layouts." Journal of Graphic Novels and Comics (2017): 1–20. |
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