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| Afrashteh, Diana. "Das gezeichnete Selbst zwischen den Kulturen: Eine interkulturelle Annäherung an Marjane Satrapis biographisches Werk Persepolis." Diplomarbeit Donau Universität Krems, 2008. |
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| Ahmed, Maaheen. "The Art of Splicing: Autofiction in Words and Images." International Journal of Comic Art 16.(2014): 322–38. |
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| Ahmed, Maaheen. "Historicizing in Graphic Novels: The Welcome Subjective G(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 184–202. |
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| Ahrens, Jörn. "Imagine Reality: Negotiating Comics along David B.’s Epileptic." European Comic Art 7.(2014): 64–89. |
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| Ahrens, Jörn. "Comic und traumgebundene Realität: David B.s Die heilige Krankheit als Kunst des Erinnerns." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 273–92. |
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| Alaniz, José. Komiks: Comic Art in Russia. Jackson: Univ. Press of Mississippi, 2010. |
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| Albiero, Olivia. "Between free movement and confinement: Overcoming boundaries in Simon Schwartz’s drüben! and Colleen Frakes’s Prison Island." Journal of Graphic Novels and Comics 11.(2020): 96–116. |
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| Amano, Ikuho. "Visualizing the self in comedic pathos: Japanese autobiographical manga at the limit of multiculturalism." East Asian Journal of Popular Culture 1.(2015): 239–53. |
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| Amihay, Ofra. "Red Diapers, Pink Stories Color Photography and Self-Outing in Jewish Women’s Comics." Image [&] Narrative 16.2 2015. Accessed 13 Jul. 2015. <http://www.imageandnarr ... rative/article/view/811>. |
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| Anderst, Leah. "“It Both Is and Isn’t My Life”: Autobiography, Adaptation and Emotion in Fun Home, the Musical." The Comics of Alison Bechdel. From the Outside In. Ed. Janine Utell. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2020. 105–18. |
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| Aurenche-Beau, Emmanuelle. "Représentation de l’enfance en RDA dans trois romans graphiques des années 2000." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 13–22. |
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| Austin, Carolyn F. "The Endurance of Ash: Melancholia and the Persistance of the Material in Charlotte Salomon’s Leben? Oder Theater?." Biography 31.(2008): 103–32. |
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| Bachmann, Christian A. "Von Masken und Mäusen: Zu Masken in Superhelden- und autobiographischen Comics." Masken. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2009. 210–32. |
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| Baetens, Jan. "Littérature et bande dessinée: Enjeux et limites." Cahiers de Narratologie 16 2009. Accessed 1 Jun. 2013. <http://narratologie.revues.org/974>. |
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| Baetens, Jan. "Dominique Goblet: The List Principle and the Meaning of Form." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 76–92. |
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| Baetens, Jan. "“Fun Home”: Novela gráfica y posmodernidad." deSignis (2015): 21–28. |
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| Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85. |
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| Ball, David M. "Allusive Confessions: The Literary Lives of Alison Bechdel’s Fun Home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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| Baroni, Raphaël. "Of Mice as Men: A Transmedial Perspective on Fictionality." Narrative 29.(2021): 91–113. |
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| Barounis, Cynthia. "Alison Bechdel and Crip-Feminist Autobiography." Journal of Modern Literature 39.(2016): 139–61. |
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| Basu, Lopamudra. "Crossing Cultures/Crossing Genres: The Re-invention of the Graphic Memoir in Persepolis and Persepolis 2." Nebula 4.3 2007. Accessed 29 May. 2012. <http://www.nobleworld.biz/images/Basu.pdf>. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bauer, Heike. "Tangles: An interview with Sarah Leavitt." Studies in Comics 6.(2015): 329–37. |
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| Beadling, Laura L. "Imaging Internment: Teaching Miné Okubo’s Citizen 13660 as a Work of Comics in the Contact Zone." SANE journal 1.1 2010. Accessed 5 Jan. 2011. <http://digitalcommons.unl.edu/sane/vol1/iss1/5>. |
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| Beaty, Bart. "‘C'est pas du tout ce que tu penses’: Improvisational Narrative Strategies in Ruppert and Mulot's La Maison close." European Comic Art 3.(2010): 81–103. |
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| Beaty, Bart. "Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 247–59. |
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| Beaty, Bart. "Some Classics." The Cambridge Companion to the Graphic Novel. Ed. Stephen E. Tabachnick. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2017. 175–91. |
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| Bechdel, Alison. The Indelible Alison Bechdel: Confessions, Comix and Miscellaneous Dykes to Watch Out For. Ithaca: Firebrand Books, 1998. |
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| Bechdel, Alison. "Transcript of Alison Bechdel’s talk at the Institut Charles V – Université Paris VII in January 2007." GRAAT on-line 1 2007. Accessed 29 Jul. 2009. <http://www.graat.fr/bechdel004aaaa.pdf>. |
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| Becker, Thomas. "Genealogie der autobiografischen Graphic Novel: Zur feldsoziologischen Analyse intermedialer Strategien gegen ästhetische Normalisierungen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 239–64. |
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| op de Beeck, Nathalie. "Autobifictionalography: Making Do in Lynda Barry's One Hundred Demons." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 163–71. |
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| Berlatsky, Eric. "Memory as Forgetting: The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." Cultural Critique 55.(2003): 101–51. |
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| Berlatsky, Eric. The Real, The True, and the Told Postmodern Historical Narrative and the Ethics of Representation. Theory and Interpretation of Narrative. Columbus: Ohio State University Libraries, 2011. |
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| Beronä, David A. "A Renegade of Expression: David Wojnarowicz’s Autofiction in Comics." Image [&] Narrative 9.2 2008. Accessed 27 Oct. 2012. <http://www.imageandnarr ... utofiction2/berona.html>. |
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| Bhattacharjee, Partha and Priyanka Tripathi. "‘Disease’ and Visual Rhetorics of Disability: Comics and Autopathography in the Works of Alison Bechdel." Gnosis 5.(2019): 263–74. |
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| Bhattacharjee, Partha and Priyanka Tripathi. "“Traumics”: Genesis and Journey of Trauma Narratives in Comics." Gnosis Special Issue (2019): 26–44. |
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| Boesenberg, Eva. "Family Business: Death in Alison Bechdel’s Fun Home." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 327–38. |
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| Böger, Astrid. "Conquering Silence: David Small’s Stitches and the Art of Getting Better." Amerikastudien 56.(2011): 603–16. |
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| Böger, Astrid. "Grafische Literatur (A. Bechdel: Fun Home und D. Small: Stitches)." Handbuch Literatur & Visuelle Kultur. Eds. Claudia Benthien and Brigitte Weingart. Handbücher zur kulturwissenschaftlichen Philologie. Berlin u. Boston: de Gruyter, 2014. 544–60. |
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| Bolton, Matthew. "Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)." Miranda 8 2013. Accessed 6 Oct. 2014. <http://miranda.revues.org/3537>. |
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| Boxer, Sarah. "An Interview with John Porcellino." The Comics Journal 2014. Accessed 11 Oct. 2014. <http://www.tcj.com/an-i ... w-with-john-porcellino/>. |
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| Brada-Williams, Noelle. "Looking Back: Teaching Miné Okubo’s Citizen 13660." Amerasia Journal 30.(2004): 59–74. |
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| Brancato, Sergio. "Il fumetto post-seriale: Trasformazioni dei comics tra storia e autobiografía." Die Sprache(n) der Comics. Ed. Daniela Pietrini. München: Meidenbauer, 2012. 195–212. |
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| von Brand, Tilman. "»Such dir was aus, aber beeil dich!« Nadia Buddes Kindheit in Texten und Bildern." Praxis Deutsch (2015): 25–32. |
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| Brauner, David. "Intertextuality, authenticity and Gonzo Selves in Anya Ulinich’s Lena Finkle’s Magic Barrel." Studies in Comics 6.(2015): 253–69. |
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| Bredehoft, Thomas A. "Style, Voice, and Authorship in Harvey Pekar’s (Auto)(Bio)Graphical Comics." College Literature 38.(2011): 97–110. |
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| Brie, Stephen. "The struggle to survive without spandex in Harvey Pekar’s American Splendor." Critical Engagements 3.(2009): 73–90. |
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| Brodzki, Bella. "Breakdowns and Breakthroughs: Looking for Art in Young Spiegelman." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 51–58. |
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| Brogniez, Laurence. "Féminin singulier : les desseins du moi: Julie Doucet, Dominique Goblet." Textyles (2010): 117–38. |
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| Brunetti, Ivan. Aesthetics: A Memoir. New Haven: Yale Univ. Press, 2013. |
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| Budick, Emily Miller. "Forced Confessions: The Case of Art Spiegelman’s Maus." Prooftexts 21.(2001): 379–98. |
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| Bulić, Jelena. "The Travelling Cartoonist: Representing the Self and the World in Guy Delisle’s Graphic Travel Narratives." Narodna umjetnost 49.(2012): 61–80. |
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| Bumatay, Michelle. "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." European Comic Art 5.(2012): 45–66. |
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| Bush, Christopher. "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 112–43. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25.(2014): 202–20. |
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| Calonne, David Stephen. R. Crumb Literature, Autobiography, and the Quest for Self. Jackson: Univ. Press of Mississippi, 2021. |
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| Capitanio, Adam. "Marjane Satrapi’s Persepolis." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr, 2014. 168–82. |
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| Capp, Al. My Well Balanced Life On A Wooden Leg: Memoirs. Santa Barbara: John Daniel, 1991. |
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| Cardell, Kylie. "Drawn to Life: The Diary as Method and Politics in the Comics Art of Gabrielle Bell and Julie Doucet." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 122–42. |
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| Carrier, Mélanie. "Persepolis et les révolutions de Marjane Satrapi." Belphégor 4.1 2004. Accessed 14 Feb. 2013. <http://hdl.handle.net/10222/47691>. |
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| Castillo, Debra A. "Perineum: Erika Lopez." Studies in 20th & 21st Century Literature 42.1 2017. Accessed 4 May. 2021. <https://newprairiepress.org/sttcl/vol42/iss1/7/>. |
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| Cates, Isaac. "The Diary Comic." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 209–26. |
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| Chabani, Karim. "Double Trajectories: Crossing Lines in Fun Home." GRAAT on-line 1 2007. Accessed 20 Jul. 2011. <http://www.graat.fr/bechdel001aaaa.pdf>. |
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| Chaney, Michael A. "Animal Subjects of the Graphic Novel." College Literature 38.(2011): 129–49. |
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| Chaney, Michael A., ed. Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. |
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| Chaney, Michael A. "Terrors of the Mirror and the Mise en Abyme of Graphic Novel Autobiography." College Literature 38.(2011): 21–44. |
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| Chaney, Michael A. Reading Lessons in Seeing: Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: Univ. Press of Mississippi, 2016. |
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| Chaney, Michael A. "The Animal Witness of the Rwandan Genocide." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 93–100. |
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| Chaney, Michael A. "Introduction." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 3–9. |
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| Chaney, Michael A. "Animal Subjects of the Graphic Novel." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 44–66. |
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| Chaplin, Elizabeth. "The Photo Diary as an Autoethnographic Method." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 241–62. |
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| Charlson, Joshua L. "Framing the Past: Postmodernism and the Making of Reflective Memory in Art Spiegelman’s Maus." Arizona Quarterly 57.(2001): 91–120. |
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| Chase, Alisia. "You Must Look at the Personal Clutter: Diaristic Indulgence, Female Adolescence, and Feminist Autobiography." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 207–40. |
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| Cheurfa, Hiyem. "Testifying Graphically: Bearing Witness to a Palestinian Childhood in Leila Abdelrazaq’s Baddawi." a/b: Auto/Biography Studies 35.(2020): 359–82. |
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| Chew, Evelyn and Alex Mitchell. "Multimodality and Interactivity in “Natively” Digital Life Stories." Poetics Today 40.(2019): 319–53. |
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| Chin, Vivian Fumiko. "Gestures of Noncompliance: Resisting, Inventing, and Enduring in Citizen 13660." Amerasia Journal 30.(2004): 23–42. |
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| Chiu, Monica. "Sequencing and Contingent Individualism in the Graphic, Postcolonial Spaces of Satrapi's Persepolis and Okubo's Citizen 13660." English Language Notes 46.(2008): 99–114. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners: Teaching Maus." Journal of Adolescent & Adult Literacy 53.(2009): 144–53. |
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| Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36.(2008): 92–110. |
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| Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17. |
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| Chute, Hillary. "Comics as Archives: MetaMetaMaus." emisférica 9.1–2 2012. Accessed 15 Apr. 2016. <http://hemisphericinsti ... en/e-misferica-91/chute>. |
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| Chute, Hillary. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. |
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| Chute, Hillary. "Materializing Memory: Lynda Barry’s One Hundred Demons." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 282–309. |
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| Claudio, Esther. "It’s a Bird – Steven T. Seagle and Teddy Kristiansen." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 42–44. |
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| Claudio, Esther. "Marjane Satrapi’s Elaborate Simplicity." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 66–68. |
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| Claytor, Ryan and Harry Polkinhorn. Autobiographical Conversations. East Lansing: Elephant Eater Comics, 2013. |
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| Clementi, Federica K. "The JAP, the Yenta and the mame in Aline Kominsky Crumb’s graphic imagination." Journal of Graphic Novels and Comics 4.(2013): 309–31. |
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| Clewell, Tammy. "Beyond Graphic Memoir: Visualizing Third-Generation German Cultural Identity in Nora Krug’s Belonging." American Imago 77.(2020): 459–96. |
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| Clopton, Kay K. "Ha-Fuun and Other Sounds of Enjoyment: How Giongo and Gitaigo Shift from Entertainment to Lived Experience in Insufficient Direction." International Journal of Comic Art 20.(2018): 563–74. |
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| Cointot, Chantal. "Approximate Author-ity: Self-Crafting “Le Bec” and Other Trondheimian Masks." Image [&] Narrative 19.3 2018. Accessed 21 Feb. 2019. <http://www.imageandnarr ... ative/article/view/1939>. |
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| Cordeiro, William and Season Ellison. "Performative Texts and the Pedagogical Theatre: Alison Bechdel’s Fun Home as Compositional Model." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 167–86. |
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| Corrado, Danielle. "Carlos Giménez y el pacto autobiográfico." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Toulouse: Presses Univ. du Mirail, 2002. 174–94. |
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| Costantino, Manuela. "Marji: Popular Commix Heroine Breathing Life into the Writing of History." Canadian Review of American Studies 38.(2008): 429–47. |
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