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Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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Bechdel, Alison. "Transcript of Alison Bechdel’s talk at the Institut Charles V – Université Paris VII in January 2007." GRAAT on-line 1 2007. Accessed 29 Jul. 2009. <http://www.graat.fr/bechdel004aaaa.pdf>. |
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Boxer, Sarah. "An Interview with John Porcellino." The Comics Journal 2014. Accessed 11 Oct. 2014. <http://www.tcj.com/an-i ... w-with-john-porcellino/>. |
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Bredehoft, Thomas A. "Style, Voice, and Authorship in Harvey Pekar’s (Auto)(Bio)Graphical Comics." College Literature 38.(2011): 97–110. |
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Brodzki, Bella. "Breakdowns and Breakthroughs: Looking for Art in Young Spiegelman." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 51–58. |
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Brunetti, Ivan. Aesthetics: A Memoir. New Haven: Yale Univ. Press, 2013. |
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Budick, Emily Miller. "Forced Confessions: The Case of Art Spiegelman’s Maus." Prooftexts 21.(2001): 379–98. |
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Bulić, Jelena. "The Travelling Cartoonist: Representing the Self and the World in Guy Delisle’s Graphic Travel Narratives." Narodna umjetnost 49.(2012): 61–80. |
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Bumatay, Michelle. "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." European Comic Art 5.(2012): 45–66. |
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Bush, Christopher. "Yukiko’s Spinach and the Nouvelle Manga Aesthetic." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 112–43. |
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Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25.(2014): 202–20. |
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Calonne, David Stephen. R. Crumb Literature, Autobiography, and the Quest for Self. Jackson: Univ. Press of Mississippi, 2021. |
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Capitanio, Adam. "Marjane Satrapi’s Persepolis." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr, 2014. 168–82. |
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Capp, Al. My Well Balanced Life On A Wooden Leg: Memoirs. Santa Barbara: John Daniel, 1991. |
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Cardell, Kylie. "Drawn to Life: The Diary as Method and Politics in the Comics Art of Gabrielle Bell and Julie Doucet." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 122–42. |
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Carrier, Mélanie. "Persepolis et les révolutions de Marjane Satrapi." Belphégor 4.1 2004. Accessed 14 Feb. 2013. <http://hdl.handle.net/10222/47691>. |
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Cates, Isaac. "The Diary Comic." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 209–26. |
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Chaney, Michael A. Reading Lessons in Seeing: Mirrors, Masks, and Mazes in the Autobiographical Graphic Novel. Jackson: Univ. Press of Mississippi, 2016. |
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Chaney, Michael A. "The Animal Witness of the Rwandan Genocide." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 93–100. |
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Chaney, Michael A. "Animal Subjects of the Graphic Novel." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 44–66. |
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Chaplin, Elizabeth. "The Photo Diary as an Autoethnographic Method." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 241–62. |
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Chase, Alisia. "You Must Look at the Personal Clutter: Diaristic Indulgence, Female Adolescence, and Feminist Autobiography." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 207–40. |
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Cheurfa, Hiyem. "Testifying Graphically: Bearing Witness to a Palestinian Childhood in Leila Abdelrazaq’s Baddawi." a/b: Auto/Biography Studies 35.(2020): 359–82. |
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Chiu, Monica. "Sequencing and Contingent Individualism in the Graphic, Postcolonial Spaces of Satrapi's Persepolis and Okubo's Citizen 13660." English Language Notes 46.(2008): 99–114. |
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Chute, Hillary. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge: Harvard Univ. Press, 2016. |
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Chute, Hillary. "Materializing Memory: Lynda Barry’s One Hundred Demons." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 282–309. |
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Claudio, Esther. "It’s a Bird – Steven T. Seagle and Teddy Kristiansen." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 42–44. |
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Claudio, Esther. "Marjane Satrapi’s Elaborate Simplicity." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 66–68. |
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Claytor, Ryan and Harry Polkinhorn. Autobiographical Conversations. East Lansing: Elephant Eater Comics, 2013. |
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Clementi, Federica K. "The JAP, the Yenta and the mame in Aline Kominsky Crumb’s graphic imagination." Journal of Graphic Novels and Comics 4.(2013): 309–31. |
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Clewell, Tammy. "Beyond Graphic Memoir: Visualizing Third-Generation German Cultural Identity in Nora Krug’s Belonging." American Imago 77.(2020): 459–96. |
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Clopton, Kay K. "Ha-Fuun and Other Sounds of Enjoyment: How Giongo and Gitaigo Shift from Entertainment to Lived Experience in Insufficient Direction." International Journal of Comic Art 20.(2018): 563–74. |
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Cordeiro, William and Season Ellison. "Performative Texts and the Pedagogical Theatre: Alison Bechdel’s Fun Home as Compositional Model." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 167–86. |
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