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| Acheson, Charles. "Expanding the Role of the Gutter in Nonfiction Comics: Forged Memories in Joe Sacco’s Safe Area Goražde." Studies in the Novel 47. (2015): 291–307. |
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| Adams, Jeff. "The pedagogy of the image text: Nakazawa, Sebald and Spiegelman recount social traumas." Discourse 29. (2008): 35–49. |
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| Ahmed, Maaheen. "Instrumentalising Media Memories: The Second World War According to Achtung Zelig!." European Comic Art 12. (2019): 1–20. |
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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the Historical Imagination in the United States. Vol. 1. Jackson: Univ. Press of Mississippi, 2022. |
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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the Historical Imagination in the World. Vol. 2. Jackson: Univ. Press of Mississippi, 2022. |
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| van Alphen, Ernst. "Giving Voice: Charlotte Salomon and Charlotte Delbo." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 114–25. |
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| Arrouye, Jean. "La guerre, ruine de l’homme dans l’œuvre de Jacques Tardi." Textimage 9 2017. Accessed 14Mar. 2020. <https://www.revue-texti ... revoir_14/arrouye1.html>. |
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| Baccolini, Raffaella and Federico Zanettin. "The Language of Trauma: Art Spiegelman’s Maus and its Translations." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008. 99–132. |
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| Bal, Mieke. "Aestheticizing Catastrophe." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 167–93. |
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| Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit: Zeitgeschichte im Comic." Geschichte und Gesellschaft 37. (2011): 47–71. |
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| Bancaud, Florence. "Le Roman graphique: Une nouvelle écriture du traumatisme ?." Studia Universitatis Babeş-Bolyai – Philologia 62. (2017): 73–84. |
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| Barker, Martin and Roger Sabin. "‘Doonesbury does Iraq’: Garry Trudeau and the politics of an anti-war strip." Journal of Graphic Novels and Comics 3. (2012): 127–42. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bazemore, Chanae. "The Art of Trauma: Holocaust Restatement in the Graphic Novel." Is This a Culture of Trauma? An Interdisciplinary Perspective. Eds. Jessica Aliaga Lavrijsen and Michael Bick. Oxford: Inter-Disciplinary Pr. 2013. |
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| Bearden-White, Roy. "Inheriting Trauma in Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth." International Journal of Comic Art 12. (2010): 354–66. |
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| Berlatsky, Eric and Sika Dagbovie-Mullins. "The Mixed-Race Child Within: Psychoanalyzing Race, Trauma, Vermin, and Spider-Man." American Imago 77. (2020): 569–601. |
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| Bhattacharjee, Partha and Priyanka Tripathi. "“Traumics”: Genesis and Journey of Trauma Narratives in Comics." Gnosis Special Issue (2019): 26–44. |
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| Birk, Tammy. "Mother, Come Home: Trauma, Time, and Groundskeeping the Disaster." American Imago 77. (2020): 497–531. |
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| Blake, Brandy Ball. "Watchmen: The Graphic Novel as Trauma Fiction." ImageTexT 5. 1 2010. Accessed 1Feb. 2010. <http://www.english.ufl. ... xt/archives/v5_1/blake/>. |
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| Bloemink, Barbara. "Is it ok to laugh yet?." Comic Release. Negotiating Identity for a New Generation. New York: D.A.P. 2002. 94–109. |
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| Bohm-Duchen, Monica. "A Life before Auschwitz." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 21–33. |
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| Bray, Patrick M. "Aesthetics in the Shadow of No Towers: Reading Virilio in the Twenty-First Century." Yale French Studies 114. (2008): 4–17. |
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| Bray, Gregory and Elizabeth A. Munz. "The Role of Parents in the Processing of Adolescent Trauma in Smallville." Journal of Popular Culture 48. (2015): 507–19. |
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| Breckenridge, Janis. "Sobriety Blows: Whiskey, Trauma, and Coping in Netflix’ “Jessica Jones”." International Journal of Comic Art 20. (2018): 489–504. |
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| Brody, Michael. "Batman: Psychic Trauma and Its Solution." Journal of Popular Culture 28. (1995): 171–78. |
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| Budick, Emily Miller. "Forced Confessions: The Case of Art Spiegelman’s Maus." Prooftexts 21. (2001): 379–98. |
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| Buerkle, Dardy. "Historical Effacements: Facing Charlotte Salomon." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 73–87. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25. (2014): 202–20. |
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| Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and Art Spiegelman’s Comix of Memory." Avant Garde Critical Studies 25. (2010): 201–11. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and Art Spiegelman’s Comix of Memory." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 201–11. |
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| Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36. (2008): 92–110. |
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| Claudio, Esther. "Ergodic texts: In the Shadow of No Towers." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 10–12. |
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| Coby, Jim. "“—it’s pretty easy to forget what it’s like to be a have-not”: Envisioning and Experiencing Trauma in Josh Neufeld’s A.D.: New Orleans After the Deluge." South Central Review 32. (2015): 110–23. |
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| Cooper, Simon and Paul Atkinson. "Graphic Implosion: Politics, Time, and Value in Post-9/11 Comics." Literature after 9/11. Eds. Ann Keniston and Jeanne Follansbee Quinn. Routledge Studies in Contemporary Literature. London, New York: Routledge, 2008. 60–81. |
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| Copley, Jessica. "Modes of Representing the Holocaust: A Discussion of the Use of Animation in Art Spiegelman’s Maus and Oryl Yadin and Sylvie Bringas’s Silence." Opticon1826 9 2010. Accessed 25Jul. 2013. <http://www.opticon1826.com/article/view/opt.091003>. |
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| Crawley, Karen and Honni van Rijswijk. "Justice in the Gutter: Representing Everyday Trauma in the Graphic Novels of Art Spiegelman." Law Text Culture 16. (2012): 93–118. |
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| Cvetkovich, Ann. "Drawing the Archive in Alison Bechdel’s Fun Home." Women's Studies Quarterly 36. (2008): 111–28. |
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| Davies, Dominic and Candida Rifkind, eds. Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2020. |
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| Dean-Ruzicka, Rachel. "Mourning and Melancholia in Alison Bechdel’s Fun Home: A Family Tragicomic." ImageTexT 7. 2 2013. Accessed 11Feb. 2014. <http://www.english.ufl. ... ives/v7_2/dean-ruzicka/>. |
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| Delannoy, Pierre Alban. MAUS d’Art Spiegelman: Bande dessinée et shoah. Champs visuels. Paris: L’Harmattan, 2002. |
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| Díaz-Basteris, María Fernanda. "Traumatic Displacement in Puerto Rican Digital Graphic Narratives." a/b: Auto/Biography Studies 35. (2020): 467–74. |
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| Donn, Katharina. "‘Icons of a more Innocent Age’? Graphic Narratives after 9/11." Frightful Witnessing. The Rhetoric and (Re)Presentation of Fear, Horror and Terror. Eds. Beth A. Kattelman and Magdalena Hodalska. Oxford: Inter-Disciplinary Pr. 2014. |
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| Donovan, Courtney and Ebru Ustundag. "Graphic Narratives, Trauma and Social Justice." Studies in Social Justice 11. 2 2017. Accessed 10Feb. 2019. <https://journals.librar ... p/SSJ/article/view/1598>. |
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| Dony, Christophe and Caroline van Linthout. "Comics, Trauma and Cultural Memory(ies) of 9/11." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 178–87. |
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| Douglas, Allen and Fedwa Malti-Douglas. "From the Algerian War to the Armenian Massacres: Memory, Trauma, and Medicine in Petit Polio of Farid Boudjellal." International Journal of Comic Art 10. (2008): 282–307. |
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| Duggan, Jennifer. "Traumatic Origins: Orphanhood and the Superhero." Good Grief! Children and Comics. Eds. Michelle Abate and Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016. 47–67. |
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| Dyer Hoefer, Anthony. "A Re-Vision of the Record: The Demands of Reading Josh Neufeld’s A.D.: New Orleans After the Deluge." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 293–324. |
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| Earle, Harriet E. H. "Comics and the Chronotope: Time-Space Relationships in Traumatic Sequential Art." HARTS and Minds 1. 2 2013. Accessed 11Jun. 2014. <http://media.wix.com/ug ... aa4390bb478863d24d6.pdf>. |
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| Earle, Harriet E. H. "Panel Transitions in Trauma Comics." Alluvium 2. 1 2013. Accessed 11Jun. 2014. <http://www.alluvium-jou ... tions-in-trauma-comics/>. |
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| Earle, Harriet E. H. "Traumatic Analepsis and Ligne Claire in GB Tran’s Vietnamerica." The Comics Grid 4. 9 2014. Accessed 9Oct. 2014. <http://doi.org/10.5334/cg.at>. |
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| Earle, Harriet E. H. "The Whites of their Eyes: Implied Violence and Double Frames in Blazing Combat and The ‘Nam." Comics Forum 2015. Accessed 15May. 2015. <http://comicsforum.org/ ... e-nam-by-harriet-earle/>. |
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| Added by: joachim 5/15/15, 6:44 AM |
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| Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. |
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| Earle, Harriet E. H. "Traumatic absurdity, palimpsest, and play: A Slaughterhouse-Five case study." Journal of Graphic Novels and Comics (2021). |
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| Eggers, Zwanetta. "Zur Inszenierung der Erinnerns traumatischer Ereignisse im Film Waltz with Bashir." Geschlechtergedächtnisse. Gender-Konstellationen und Erinnerungsmuster in Literatur und Film der Gegenwart. Eds. Ilse Nagelschmidt, Inga Probst and Torsten Erdbrügger. Literaturwissenschaft. Berlin: Frank & Timme, 2010. 89–109. |
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| Elmwood, Victoria A. "“Happy, Happy, Ever After”: The Transformation of Trauma between the Generations in Art Spiegelman’s Maus: A Survivor's Tale." Biography 27. (2004): 691–720. |
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| Engelmann, Jonas. "Die schwarze Welt der Träume: David B.s Die heilige Krankheit und der Verlag L’Association." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 195–210. |
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| Engelmann, Jonas. "»The Sky is Falling« − Der 11. September in den Comics von Art Spiegelman und Peter Kuper." 9/11 als kulturelle Zäsur. Repräsentationen des 11. September 2001 in kulturellen Diskursen, Literatur und visuellen Medien. Eds. Sandra Poppe, Thorsten Schüller and Sascha Seiler. Bielefeld: Transcript, 2009. 297–316. |
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| Espiritu, Karen. "‘Putting Grief into Boxes’: Trauma and the Crisis of Democracy in Art Spiegelman’s In the Shadow of No Towers." Review of Education, Pedagogy, and Cultural Studies 28. (2006): 179–201. |
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| Fehrle, Johannes and Rüdiger Heinze. "»Waiting for that other shoe to drop«: Der 11. September in Comicbüchern." Nine Eleven. Ästhetische Verarbeitungen des 11. September 2001. Eds. Ingo Irsigler and Christoph Jürgensen. Beiträge zur neueren Literaturgeschichte. Heidelberg: Winter, 2008. 219–49. |
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| Findlay, Laura. "In the Shadow of No Towers: The anxiety of expression and images of past trauma in Art Spiegelman’s graphic novel." Studies in Comics 5. (2014): 187–203. |
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| Fink, Marty. "It Gets Fatter: Graphic Fatness and Resilient Eating in Mariko and Jillian Tamaki’s Skim." Fat Studies 2. (2013): 132–46. |
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| Fiore, Robert. "9/11 Comics." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 37–49. |
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| Fleming, James R. "Incommensurable Ontologies and the Return of the Witness in Neil Gaiman's 1602." ImageTexT 4. 1 2008. Accessed 9Dec. 2009. <http://www.english.ufl. ... /archives/v4_1/fleming/>. |
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| Frahm, Ole. "Dreierlei Schwarz: Art Spiegelmans und Elein Fleiss’ Interpretationen des 11. September ’01." Narrative des Entsetzens. Künstlerische, mediale und intellektuelle Deutungen des 11. September 2001. Ed. Matthias N. Lorenz. Film – Medium – Diskurs. 2004. 169–82. |
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| Francis, Conseula. "Drawing the Unspeakable: Kyle Baker’s Slave Narrative." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 113–37. |
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| Fricke, Hannes. Das hört nicht auf: Trauma, Literatur und Empathie. Göttingen: Wallstein, 2004. |
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| Friederich, Ute. "Fragmentarische Strukturen: Wie Art Spiegelman und W.G. Sebald Zeugenschaft und Trauma erzählbar machen." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 209–20. |
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| Added by: joachim 9/14/13, 11:12 PM |
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| Galán Fajardo, Elena and José Carlos Rueda Laffond. "Those wars are also my war: An approach to practices of postmemory in the contemporary Spanish comic." Catalan Journal of Communication & Cultural Studies 8. (2016): 63–77. |
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| Gauthier, Tim. "9/11, image control, and the graphic narrative: Spiegelman, Rehr, Torres." Journal of Postcolonial Writing 46. (2010): 369–80. |
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| Gauthier, Tim. "9/11, image control, and the graphic narrative: Spiegelman, Rehr, Torres." Literature, Migration and the ‘War on Terror’. Eds. Fiona Tolan, et al. London, New York: Routledge, 2012. 115–26. |
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| Geers, Jeff. "“The Great Machine Doesn’t Wear a Cape!”: American Cultural Anxiety and the Post-9/11 Superhero." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 250–61. |
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| Giesa, Felix. "Erzählungen von Konflikt und Trauma in amerikanischen Comics nach 9/11." An allen Fronten. Kriege und politische Konflikte in Kinder- und Jugendmedien. Eds. Ingrid Tomkowiak, et al. Vol. 3. Beiträge zur Kinder- und Jugendmedienforschung. Zürich: Chronos, 2013. 127–54. |
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| Gillen, Shawn. "Captain America, Post-Traumatic Stress Syndrome, and the Vietnam Era." Captain America and the Struggle of the Superhero. Critical Essays. Ed. Robert G. Weiner. Jefferson, London: McFarland, 2009. 104–15. |
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| Gilmore, Leigh. "Witnessing Persepolis: Comics, Trauma, and Childhood Testimony." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 157–63. |
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| Gilmore, Leigh and Elizabeth Marshall. "Trauma and Young Adult Literature: Representing adolescence and knowledge in David Small’s Stitches: A Memoir." Prose Studies 35. (2013): 16–38. |
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| Glejzer, Richard. "Witnessing 9/11: Art Spiegelman and the Persistence of Trauma." Literature after 9/11. Eds. Ann Keniston and Jeanne Follansbee Quinn. Routledge Studies in Contemporary Literature. London, New York: Routledge, 2008. 99–122. |
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| Greenberg, Reesa. "The Aesthetics of Trauma: Five Installations of Charlotte Salomon’s Life? or Theater?." Reading Charlotte Salomon. Eds. Michael P. Steinberg and Monica Bohm-Duchen. Ithaca: Cornell Univ. Press, 2005. 148–66. |
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| Gross, Jessica. "It Doesn’t Add Up: Mental Illness in Paul Hornschemeier’s Mother, Come Home." Literatures of Madness. Disability Studies and Mental Health. Ed. Elizabeth J. Donaldson. Literary Disability Studies. New York [etc.]: Palgrave Macmillan, 2018. 215–33. |
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| Hallet, Wolfgang and Martin Lüthe. "Haunted by images of 9/11: Art Spiegelman’s Graphic Novel In the Shadow of No Towers." Unterricht Englisch (2011): 38–42. |
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| Harris, Sarah D. and Enrique del Rey Cabero. "The Spanish Civil War in Comics: A Conversation on Spanish Comics, Remembrance, and Trauma." Comics Forum 2015. Accessed 15May. 2015. <http://comicsforum.org/ ... -del-rey-cabero-part-1/>. |
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| Hassler-Forest, Dan A. "From Trauma Victim to Terrorist: Redefining Superheroes in Post–9/11 Hollywood." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 33–44. |
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| Heimann, Andreas. "Auf der Suche nach dem verlorenen Le Réel: Überlegungen zu Ari Folmans Waltz with Bashir." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 179–87. |
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| Hildebrand, Sarah. "Ghost Cats and the Specter of Self: Telling Trauma in the Works of Gabrielle Bell." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 75–94. |
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| Hirsch, Marianne. "Collateral Damage." PMLA 119. (2004): 1209–15. |
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| Horst, Sabine. "Das Loch in deinem Herzen: Trauma, Drama und Erlösung in populären japanischen Animeserien – am Beispiel von Naruto." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 344–57. |
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